THE TREASURE HOUSES OF ENGLAND – HAREWOOD HOUSE

Harewood House

There are ten stately homes that have been designated as “The Treasure Houses of England,” and three of them are included on our 2021 Country House Tour – Harewood House, Castle Howard and Chatsworth House.

Edwin Lascelles, 1st Baron Harewood, started building Harewood House in 1759, selecting Robert Adam as architect who, in turn, selected Thomas Chippendale as his furniture maker. This illustrious foundation was built upon once the house was completed, with the Baron filling it’s rooms with only the best. In addition to housing the single best collection of Chippendale furnishings in the UK, Harewood House also boasts a stellar porcelain collection, including many Sèvres pieces once belonging to the French royal family.

The State Bedroom

 

The art on display at Harewood House includes works by Turner, Gainesborough, Lawrence, Titian, El Greco and many other masters, but this may be the most famous, and most recognizable, painting in the collection –

Lady Worsley by Sir Joshua Reynolds

Outside, Harewood House is surrounded by 100 acres of gardens set amidst a landscape created by Capability Brown, who may or may not be surprised to learn that Harewood now has a Bird Garden featuring 80 species of exotic and endangered birds.

Click here to watch a video featuring the highlights of Harewood House.

The Queen’s Masterpieces on Exhibit

by Victoria Hinshaw

Opening December 4, 2020, sixty-five of the greatest paintings in the Royal Collection will hang in the Queen’s Gallery in Buckingham Palace until January, 2022. That gives us a year to get to London and binge on the Real Thing, usually seen only inside the Palace where the very nice but firm guards keep the crowd moving right along.

Recently, as part of the program to renovate the Palace and update its outmoded systems, the Picture Gallery was vacated and the contents put into storage, except for the masterpieces chosen to be exhibited for the next thirteen months while this portion of the building undergoes its share  of the Reservicing Program,  a ten-year period of repairs.

Rembrandt’s portrait of Agatha Bas, 1641

The Picture Gallery was added to the Palace in the 1820’s by George IV to house his art collection. Architect John Nash, the King’s favorite, designed the room, also used for state receptions. It has been updated several times most recently in the 1950’s.

Vermeer, Lady at the Virginals with a Gentleman, early 1660s

One of only 34 known Vermeer paintings, this canvas was acquired by George III in 1762.  The relative simplicity of the scene concentrates the observer’s view on the figures and perhaps invites speculation on the relationship of the two. The delicacy of the light is a signature quality of Vermeer’s style and composition.

Claude Lorrain, Harbour Scene at Sunset, 1643

According to the description of the painting, “Claude was captivated by the effect of light in the landscape…we are transported directly into the scene.” This painting was probably acquired by Frederick, Prince of Wales, father of George III.

Guido Reni, Cleopatra with the Asp, 1628

The description states “Reni dramatically conveys the foreboding of her passage from life to death…a shift from flesh and blood to cold marble.”

Titian, Madonna and Child in a Landscape with Tobias and the Angel, c. 1535-40

This painting was presented to Charles II in 1660 by the States of Holland and West Friesland upon his restoration to the throne. Titan stands as a giant of Italian painting for his realism, use of color and dramatic structure.

Canaletto. The Bacino di San Marco on Ascension Day, c. 1733-34

Canaletto is a favorite of the English, for both his Italian and his English scenes, all grand in scope but intricately detailed.  George III acquired this painting in 1762 as part of the collection of Joseph Smith, British Consul in Venice. It portrays a celebration of the city’s Marriage with the Sea.

The Queen’s Gallery

All these masterworks and more will be on view in the Queen’s Gallery long enough for us to get there, I hope! Once they are rehung inside the Palace Picture Gallery, more exhibitions from the Royal Collection will be mounted in the Queen’s Gallery. I have visited displays of Fabergé items, Leonardo drawings and artifacts, the Art and Love of Victoria and Albert, treasures from the courts of the first two Georges, and many more.  All together they represent only a fraction of the total Royal Collection of 7,000 paintings, 500,000 prints, and 30,000 watercolors and drawings, plus sculptures, jewels, ceramics, photos, and manuscripts valued at well over $13 billion, according to Smithsonian Magazine.

Hope I meet you there!

The Sweet Things in Life

Oh, ice cream . . . one of the sweetest things in life. Now that the summer weather approaches, I thought it might be time for a blog on the history of the icy treat.

The first recorded serving of ice cream in England was in 1672,  when King Charles II’s table at a banquet was served ‘one plate of white strawberries and one plate of iced cream.’ The first English cookery book to give a recipe for ice cream was Mrs. Mary Eales’ Receipts of 1718. Ice being rare, ice cream was a luxury reserved for the wealthy and had to be made and served immediately, there being no way to store it for any length of time.

The production of ice cream depended upon ice, which could be gathered from ponds and lakes in winter, while the use of ice houses goes back several centuries. By packing ice into an insulated underground chamber ice could be stored for months, sometimes years.  In the early 19th century importation of ice started from Norway, Canada and America, this made ice cream readily available to the general public in the UK. Ice was shipped into London and other major ports and taken in canal barges down the canals, to be stored in ice houses, from where it was sold to ice cream makers. This burgeoning ice cream industry, run mainly by Italians, started the influx of workers from southern Italy and the Ticino area of Switzerland to England. In London, the huge ice house pits built near Kings Cross by Carlo Gatti in the 1850s, where he stored the ice he shipped to England from Norway, are still there and have recently been opened to the public at The London Canal Museum.

Although they had been available in England since the 1670’s, ices were popularised by French and Italian confectioners who set up shops in London and elsewhere in the 1760’s, when horticultural and pastural themes became popular as decoration for entertainments.  Tables were laid in imitation of formal gardens or parks, complete with flower-beds of coloured sugar, gravel walks made from aniseeds, trees of candy and sugar paste figures. In 1765, the Duke of Gordon purchased a complete garden dessert from the Berkeley Square confectioner Domenico Negri for £25-7s-9d and served his guests at a table decorated with a brass-framed plateau adorned with Bow figures, china swans, glass fountains, parterres, a china umbrella and a kaleidoscopic display of sugar plums and bonbons. A surviving trade card advertising Negri’s shop is illustrated with fantasy temples, pagodas and fountains. Many decades later, these nature themes remained popular, with Lady Blessington having a live song bird presented at table in a spun sugar cage.

Domenico Negri had a shop at the The Pot and Pineapple at Nos. 7-8 Berkeley Square from about 1765. Two of his apprentices published recipe books later in the century, which both have large sections on ice creams. One of these, Frederick Nutt, whose The Complete Confectioner first appeared in 1789, gives thirty two recipes for ice cream and twenty four for water ices.

 

Twenty years later, Negri took Gunter on as a partner and by 1798 Gunter alone was running the shop, which stood on the east side of the Square. By that time, it had become a fashionable Mayfair rendezvous, with all the ton stopping to eat ices and sorbets. Ladies remained in their carriages, whilst their gentlemen leaned against the nearby railings, the shop’s waiters running back and forth across the street taking and delivering orders. Though it was not proper for a lady to be seen alone at many establishments, it was perfectly acceptable for her to be seen at Gunter’s. In addition to the ices, Gunter’s was known for their heavily decorated, multi-tiered wedding cakes.

In Grantley Fitzhardinghe Berkeley’s memoirs, titled My Life and Recollections (1865), Berkeley offers the following anecdote:

On these hunting days some very amusing things happened with my hunt which I have since seen attributed to various other persons. The Gunters, the renowned pastrycooks of Berkeley Square, were all fond of hunting, were frequently out with my hounds, and subscribed to the hunt.

“Mr. Gunter,” remarked Alvanley, “that’s a fine horse you are on.”

” Yes, he is, my lord,” replied Gunter, ” but he is so hot I can’t hold him.”

” Why the devil don’t you ice him, then?” rejoined his lordship.

Gunter looked as if he did not like the suggestion.

Originally, ice cream was sold on the street in glasses that were wiped clean and re-used. These glass “licks” remained in use in London until they were made illegal in 1926 for health reasons. However, the forerunners of the ice cream cone as we know it also existed. G. A. Jarrin, an Italian confectioner working in London in the nineteenth century, wrote about almond wafers that should be rolled “on pieces of wood like hollow pillars, or give them any other form you may prefer. These wafers may be made of pistachios, covered with currants and powdered with coarse sifted sugar; they are used to garnish creams; when in season, a strawberry may be put into each end, but it must be a fine” . . . He suggested turning another of his wafers into “little horns; they are excellent to ornament a cream.” Ice cream cones were also mentioned by Mrs Agnes Marshall in her book Fancy Ices of 1894.

The first ice cream bicycles in London were used by Walls in London in about 1923. Cecil Rodd of Walls came up with the slogan “Stop Me and Buy One” after his experiments with doorstep selling in London. In 1924 they expanded the business, setting up new manufacturing facilities and ordering 50 new tricycles. Sales in 1924 were £13,719, in 1927 £444,000. During the war years (1939-45) manufacture of ice cream was severely curtailed, and the tricycles requisitioned for use at military installations but in October 1947 Walls sold 3,300 tricycles and invested in freezers for it’s shops. Walls remains the market leader in the UK for individual hand-held products such as Cornetto and Magnum.

Needless to say, the craze for ice cream continues today and I’m sure that Regency folk would be amazed to find that ice cream is nowadays affordable, can be kept at home and is offered in flavors with names such as Chunky Monkey and Rum Raisin – the sweet things in life, indeed.

KENWOOD HOUSE

Victoria here, writing about one of my favorite places in London — Kenwood House.  I first visited many years ago and feasted my eyes on the stunning collection of masterworks in the Iveagh Bequest and on the justly famous Adam Library.  But I admit, the rooms used as galleries, were — aside from the paintings — quite bland.  So I was delighted a few years ago to hear that the whole house was to be renovated and restored to the period when the 1st Earl of Mansfield purchased the structure and had Robert Adam remodel it in 1764-1779.
Entrance Hall, 2014
When Lord Iveagh purchased the building to house his art collection, it was primarily to be gallery space, but over the years, English Heritage decided to make changes that complement the architecture and the paintings both. And they did a stunning job!
Entrance Hall
Typical Adam Mantelpiece in the Hall
Great Stairs
Lord Iveagh, one of the heirs of the Guinness Brewery fortune, bequeathed Kenwood and his incredible art collection to the nation in 1927.
Lord Mansfield’s portrait above the fireplace in the library
Below, the library ceiling as it appeared when undergoing restoration.
The painting above the fireplace in the Dining Room is by Anthony Van Dyke, Princess Henrietta of Lorraine Attended by a Page.
Elsewhere in the Dining Room are two priceless masterpieces:
Rembrandt van Rijn, Portrait of the Artist, above, and
Johannes Vermeer, The Guitar Player, below
The furniture is certainly equal to the paintings and the setting: a sidetable
Above,  The Hon. E. S. Russell and His Brother by Landseer.
Above, Angelica Kauffman, RA, The Disarming of Cupid

Kauffman was an  excellent painter and did many Georgian interior medallions and other paintings — and is, in my opinion, quite underrated.

Above, a Carlton House Desk – the original was supposedly designed for the Prince of Wales by George Hepplewhite.
Portrait of Elizabeth Murray and Dido Bell, cousins, once attributed to Johann Zoffany, but currently unattributed; the version hanging at Kenwood is a copy of the original, which can be seen in Scone Palace, Perthshire, Scotland. This painting of Lord Mansfield’s wards has long fascinated art experts and social commentators.  Dido Bell was the subject of a 2013 film exploring her life and times.
In the Music Room
Sir Thomas Lawrence, Miss Murray, 1824-26
Sir Joshua Reynolds, Mrs. Musters as “Hebe”, 1782
Another version of this work can be seen in the staircase of Highclere Castle, sometimes in evidence in scenes from Downton Abbey.
John Hoppner, Mrs. Jordan as Viola from Shakespeare’s Twelfth Night, c.1785-92
Sir Joshua Reynolds,  Kitty Fisher as Cleopatra Dissolving the Pearl, 1759
Sir Joshua Reynolds, The Brummell Children, 1782
Magnificent Chimney piece by Adam, completed in 1773,
a fantasy with mermen, flying griffins and cherubs, and panels of Chinese painted marble tiles.
Marguerite Hyde, 19th Countess of Suffolk
by John Singer Sargent, 1898
Also known as Daisy, Marguerite was the daughter of Levi Leiter of Chicago, a partner in the Marshall Field. and Co. Department Store. She presented her family’s collection of portraits to the nation. They are displayed on the upper level at Kenwood House.  Here are a few examples, taken from the website.
Maria Constantina Trevor, Countess of Suffolk, attributed to Catherine Read
Elizabeth Home, Countess of Suffolk, artist unknown
Charles II by Sir Godfrey Kneller
You can see the fabulous collection of paintings and furniture at Kenwood House during Number One London’s Town and Country House Tour in September.
To visit the Kenwood House website, click here.
For more details on the Iveagh Bequest paintings, click here.