A Haunting We Will Go – The Grenadier Pub

Tucked away down London’s exclusive Wilton Mews, on the corner of Old Barrack Yard, the patriotic Grenadier pub is painted red, white and blue and boasts a red sentry box that serves as a nod to the property’s military history. Reputedly, the Duke of Wellington’s Grenadier Guards used it as their mess. Inside it is small, dark, and cozy, the  paneled walls covered with military and Wellington memorabilia. Reputedly, the pub’s upper floors were once used as the officers’ mess of a nearby barracks, whilst its cellar was pressed into service as a drinking and gambling lair for the common soldiers.

A display at the entrance to the pub informs us that “18 Wilton Row was built circa 1720 as the home to the 1st Regiment of Foot Guards regiment and famously known as the Duke of Wellington’s Officers Mess. Originally named The Guardsman as a Licensed Premises in 1818, and frequented by King George IV, the Grenadier enjoys a fine reputation for good food and beer.” From the same display we also find out that the 1st Regiment of Foot Guards was created in 1656, and that 1st Guards were renamed by Royal Proclamation as the ‘Grenadier Regiment of Foot Guards’ because of their heroic actions against French Grenadiers at Waterloo in 1815. Continuing the Wellington connection, directly outside in the old Barrack Yard at the side of the pub is what is reputed to be the remaining stone of the Duke’s mounting block, whilst an archway down the nearby alley forms part what was once the barrack stables.

Here, a young subaltern is said to have once been caught cheating at cards, and his comrades punished him with such a savage beating that he died from his injuries.

The Grenadier is said to be one of the most haunted places in London. People who have worked there have quit after supernatural run-ins with a solemn, silent spectre reportedly seen moving slowly across the low-ceilinged rooms. Objects either disappear or else are mysteriously moved overnight. Unseen hands rattle tables and chairs, and a strange, icy chill has been known to hang in the air, sometimes for days on end. A ghostly face floats in an upstairs window and – the most common tale – the sentry box out front is haunted by the ghost of the dead subaltern.

So . . . a few years ago, on Saturday, August 3, 1996, I was at the Grenadier with Sue Ellen Welfonder (Bozzy) and two other women whom I won’t name because I haven’t seen them in years and have no idea whether or not they want to be associated with the following story. I don’t often talk about it myself, as it makes one seem as odd as those who claim to have been abducted by aliens or to have seen the Loch Ness Monster and Big Foot. We, Reader, saw ghosts. Not a ghost, but a circle of ghosts. Regency soldier ghosts, no less.

We could see that the alley beside the Pub led back to a yard with stable doors and a row of quaint single story houses along one wall. Very atmospheric, very historic . . . very tempting. What was back there? we asked. Let’s go look! we answered. What. A. Mistake. As you can see by the photo, a sort of alley runs beside the Pub and opens up at the end to the barrack mews.

We walked down the alley to the end, where the car is visible in the photo below. There was a car parked in the very same spot on the night in question. We got to the end of the alley and saw . . . . . a ring of ten to twelve men – soldiers, whose red coats had been thrown in a pile atop the cobbles. They wore breeches and boots and white shirts. They stood in a circle in the space between the front of the car and the stable doors – surrounding a man who was on his knees at the center of the circle, his face already bloody and bruised from the beating that had already been going on for some time (centuries?). These men were pissed off. Even taking into account the fact that cheating at cards was a much more serious offence then than it is today, their anger was beyond anything justified by such an offence.


We watched them as though we were watching a black and white film that was being played at half strength. That’s the only way I can describe it. The scene was playing out before our eyes, in the bricked space between the car and the black stable doors, the men utterly oblivious to our presence. The film ran for a minute, probably less in hindsight, and then flickered out. Except this film had something extra – this one had been filmed in “emotion-vision.” As we watched the ghostly events, each one of us could actually feel the anger and the venom that was being directed towards the poor schmuck on his knees in the middle of the circle. In fact, I think the strength of that collective emotion was more overwhelming to us than the fact that we’d actually just seen ghosts. The experience was so shocking, so unbelievable that I will be forever grateful that I was in the company of others when it happened or else I’d truly doubt whether it had taken place.

I suppose seeing ghosts is much like childbirth – the true horror of the experience abates with time and twenty-six years have since passed. I’ve been back to the Grenadier many times since, both alone, with friends and with tour groups. More recently, I’ve even ventured back into the mews and I’ve been taken into the private areas upstairs. I’ve never seen the ghost soldiers on the premises again, though several members of staff emphatically refuse to go down to the cellars. And just as emphatically refuse to discuss why.

This post originally ran in 2010 and has since been updated by the author. 

REMEMBERING VENICE – THE PIAZZA SAN MARCO AND FLORIAN’S

After dinner on our first night in Venice, Victoria and I decided to stroll on to St. Mark’s Square, or Piazza San Marco as it’s known locally. For a description of the Square and its buildings, I’ll quote Wikipedia: “The Square is dominated at its eastern end by the great church of St Mark.

“The church is described in the article St Mark’s Basilica, but there are aspects of it which are so much a part of the Piazza that they must be mentioned here, including the whole of the west facade with its great arches and marble decoration, the Romanesque carvings round the central doorway and, above all, the four horses (see photos above) which preside over the whole piazza and are such potent symbols of the pride and power of Venice that the Genoese in 1379 said that there could be no peace between the two cities until these horses had been bridled; four hundred years later, Napoleon, after he had conquered Venice, had them taken down and shipped to Paris.”

Note: After the Battle of Waterloo, during the Allied Occupation of Paris, the Duke of Wellington ordered that the horses be returned to the Basilica. A Captain Dumaresq, who had fought at the Battle of Waterloo and was with the Allied Forces in Paris, was selected by the Emperor of Austria to take the horses down from the Arc de Triomphe and accompany them on their return to their original place at St Mark’s. The horses remained in place over St Mark’s until the early 1980s, when the ongoing damage from growing air pollution forced their replacement with exact copies. Since then, the originals have been on display just inside the Basilica.

” . . . standing free in the Piazza, is the Campanile of St Mark’s church (last restored in 1514), rebuilt in 1912 ‘ com’era, dov’era ‘ (as it was, where it was) after the collapse of the former campanile on 14 July 1902.”

Another landmark in the Piazza is Florian’s, or Caffè Florian, which claims to be the worlds oldest coffee house, since 1720. In actuality, the first coffeehouse in London was opened in 1652 in St Michael’s Alley, Cornhill, by a Pasqua Rosée. Never mind, Florian’s can still claim it’s famous patrons over the centuries, including Casanova and Napoleon, Lord Byron, Wagner, Dickens and Henry Joyce. From Florian’s website: “While the finest wines and coffees from the Orient, Malaysia, Cyprus and Greece were being served inside, history was unfolding outside. Its windows witnessed the splendour and fall of the Serenissima Republic of Venice and the secret conspiracies against French and then Austrian rule; later, its elegant rooms were used to treat the wounded during the 1848 uprising. Right from the beginning, Caffè Florian has had a glittering clientele, including Goldoni, Giuseppe Parini, Silvio Pellico and many others.”

Naturally, Vicky and I couldn’t pass Florian’s without having a drink and listening to the band.

I ordered an amaretto and Vicky had a glass of prosecco. Once again, Venetian hospitality was on display in the form of the unexpected olives, biscotti and cookies that accompanied our drinks.

We sat companionably and enjoyed our drinks, the warm, starlit night and the music for quite a while. Again, very civilized. In fact, we liked Florian’s so well that we went back the next night, when my daughter Brooke arrived to join us in Venice. She seemed to enjoy it, too. If it was good enough for Lord Byron . . . .

You can listen to the band in this video I took on the night –