QUELUZ PALACE

On a recent visit to Portugal, I visited 18th century Queluz Palace, located just outside Lisbon, as it’s on the itinerary of Number One London’s upcoming Peninsular War Tour – it’s the site of Junot’s signing the Convention of Sintra. The Palace was built as the summer retreat of Pedro of Braganza, brother of the king, who would go on to become king himself after marrying his niece, Queen Maria I. Queluz served as the official royal residence from 1794 to 1826.

To escape the forces of Napoleon I in 1807, the Portuguese royal family abandoned Queluz and fled to Brazil. The French occupational forces took control of the palace and their commander, General Junot, made several alterations to the building. On the royal family’s return from exile in 1821, King João VI preferred to live at the Palace of Mafra.

Restoration of the Palace after years of neglect and a fire in 1934 has brought the building back to life, it’s Rococo rooms now decorated with murals, ornate ceilings and period furniture that demonstrate how tastes developed in this period marked by the baroque, rococo and neoclassic influences.

The Queluz Palace and its gardens are one of the most remarkable examples of the harmonious link between landscape and palatial architecture in Portugal. From the Visit Sintra website: The different green spaces meld with the building, and its façades face the upper “French style” gardens (Pênsil and Malta), extending through the delicate broderie of parterres woven by box hedges. The statues, inspired by classical mythology, adorn and dot the main axes, adding a touch of splendour to these gardens. The remarkable collection of stone and lead sculptures originate from Italy and England, the latter by London artist John Cheere. These gardens are separated from the adjacent gardens, as well as the surrounding forested areas, and agricultural areas, by stone balustrades with vases and statues. The portico radiates out onto a set of connecting avenues which, in turn, are connected to others, forming a complex geometric lattice, with lakes and water features at each vertex. We highlight the lake designed by Frenchman Jean-Baptiste Robillion in 1764, shaped as a starred octagon (Lake of the Medals), among others.

If you’d like to visit Queluz Palace, please consider joining guides Gareth Glover and Kristine Hughes on Number One London’s Peninsular War Tour, May 2024. You’ll find the complete itinerary and further details here.

A STEP BACK IN TIME: INTERIORS OF THE ROYAL PAVILION AND CARLTON HOUSE

Anyone interested in Regency London will want to know about  the work of British photographer Ashley Hicks, the son of Lady Pamela Hicks and the legendary interior designer David Hicks, who was granted ten days to shoot the opulent drawing rooms, halls, and corridors of Buckingham Palace. His photos afterwards appeared in his lavish 2018 book, below.

Hicks also filmed a three part documentary, Buckingham Palace: The Interiors, which likewise features many of his photos. While there have been many documentaries about Buck House, what sets this one apart and above others is Ashley Hicks. You should really watch all three parts of the documentary – Hicks’s insider knowledge and passion for the Palace’s interiors shine through and his narrative is engaging and filled with historical tidbits.

Part III will especially appeal to Regency aficianados (linked below), as it deals with the parts of the Palace interiors that have connections to both the Royal Pavilion at Brighton and to Carlton House. Hicks’s photographs of George IV’s furniture, musical instruments and objet d’art are presented side by side with contemporary drawings of the interiors of both the Pavilion and Carlton House, giving the viewer the opportunity to virtually revisit both buildings, whilst historic anecdotes abound as Hicks provides background to each of the items.  Enjoy!

 

A Visit to Regency London

Victoria here, inviting you to come with me to Regency London! Do not forget to don your special eyeglasses, the ones that will eliminate all evidence of city development after 1820 or so, including Victorian remodeling, post-Blitz reconstruction, contemporary skyscrapers, autos and buses, and modern clothing.

Substitute for horns, diesel engines and ever-present sirens the clip clop of hooves, the squeaking of cart-wheels and the cries of peddlers and hawkers of milk, eel pies, fresh buns: “Who will buy my ….” 

We shall start at the old address, No. 1 London (above), the site of Apsley House, home of the Duke of Wellington. The original Adam house was re-faced in Bath stone; the Duke entertained here, particularly at the Battle of Waterloo annual anniversary banquet, beginning in the appropriately named Waterloo Gallery.

I will not go into raptures over Apsley and its treasures — we have done that before on this blog. In fact, several times, and you’ll find the website here. But keep in mind that neither the exterior nor the interior are original. While the exterior was remodeled before 1820, the interiors reflect more of the tastes from the Victorian era.

Here is the entrance, as it was refaced in Bath Stone after the Duke purchased Apsley House from his brother Richard, Marquess of Wellesley, in 1817. Originally the house was smaller and finished in red brick.

The map below shows the route we will take on this visit to Regency London.  We start at Apsley House, approximately at A on the map, which is the tube stop just outside of Apsley House. The layout of the streets in 2011 is quite different from 1811. Today the broad boulevard of Park Lane (in green) connects with Piccadilly and other streets in a dizzying traffic circle. Apsley House is entirely cut off from the other streets, and the buildings that stood beside it were long ago demolished. The rather dark picture above shows how Apsley House stands isolated behind all the traffic.

Today it sits in the eastern most part of Hyde Park.  From Apsley, we will walk in a generally easterly direction toward B on the map, which is Piccadilly Circus, also non-existent in 1811.  Along Piccadilly, we will see a few remnants of the Regency Era and just before we get lost in Piccadilly Circus, we will retrace our steps to the top of St. James Street (on the map a tiny bit to the right of the Green Park tube sign) and walk down (southerly) St. James Street until it ends at — what else? — St. James Palace, beyond Pall Mall.

On the south,  or right side of Piccadilly (as you head toward today’s Piccadilly Circus) is Green Park, open space which resembles the way it looked in 1811. On the north, or left hand side of Piccadilly are solid banks of buildings most dating from later than the early 19th century, with a few exceptions.  Gone is Devonshire House which once welcomed London’s aristocracy and royalty. It was demolished in 1924. Below is a picture from The Queen in 1896.
Above is a photo from Wikipedia taken in 2010, more recent than any of mine, of the gates of Devonshire House which now serve as an entrance to Green Park, almost across Piccadilly from their original location.

Above is a building variously known as Cambridge House and the former In and Out Club. This imposing house was built in the mid 18th c. for the 2nd Earl of Egremont. It was later owned by the 1st Marquess of  Cholmondeley and then by Prince Adolphus, Duke of Cambridge.  From 1855 to 1865, it was known as Palmerston House, where Lord Palmerston, Prime Minister, and his wife, Emily, Lady Palmerston (nee Lamb, formerly Countess Cowper) entertained and conducted much of the business of the government.  In the 20th century, it became the Naval and Military Club, often called the In and Out Club, after the large signs on the pillars in front of the courtyard. In 1996, the Naval and Military Club moved to different premises in St. James Square.  The building then stood empty and sadly neglected until last year, when construction began on what will be yet another hotel. In fact, the whole of the area around Apsley House will soon be comprised of hotels before too much longer.  

Moving eastward, and also on the north side of the street, we arrive at Burlington House, now the home of the Royal Academy of Art.  There are remnants of the Regency era building here, but the exterior and much of the interior are greatly altered, not to mention the artwork in the courtyard.

The house and its grounds were remodeled by the same Lord Burlington that designed and built Chiswick House in grand Palladian Style.  Like many of the mansions on Piccadilly and in Mayfair, it used to have gardens, extensive courtyards, stable blocks, all the accouterments of country mansions — which they once were. As the West End became more and more desirable, these gardens and most of the courtyards were built over.

 

Above are the John Madejski Fine Rooms in the Royal Academy, which have been restored close to their appearance in the 18th century.  These rooms are often open without charge to visitors and display portraits of RA members such as Reynolds and Gainsborough. The other galleries have been greatly altered from the original and house changing exhibitions.

Next door, we find Albany where so many famous Regency gentlemen (not to mention numerous fictional heroes) lived. The house was once the home of Lord and Lady Melbourne, then the Duke of York, before it was converted to apartments.  Byron had rooms here, as did (much later) Georgette Heyer.  Below, two views of Albany, from the front and the side.  Across Piccadilly is Hatchard’s Book Shop.

 

Hatchards Book Store, 187 Piccadilly, Est. 1797

 

A bit farther east on Piccadilly (assuming you can tear yourself away from all the tempting titles at Hatchards) is St. James Church, 197 Piccadilly, built in 1684 and designed by Sir Christopher Wren. Its interior has many carvings by Grinling Gibbons, and despite some renovations in the 19th and 20th centuries, it is much as it appeared during the Regency.

Now retrace your steps past Hatchards and walk to Fortnum and Mason, on the corner of Piccadilly and Duke Street.  Although it began in 1707 in St. James Market, the large building  is modern. Nevertheless, you may want to sample one of the restaurants or at least take home a catalogue of their mail-order wares.  Visit the website here.

Fortnum and Mason, 181 Piccadilly, est. 1707

Proceed westerly to the corner of St. James Street and turn left, or south.  At the bottom, you will see St. James Palace, as I photographed it from a distance.

Charming print of cherry seller outside St. James Palace, c. 1811
Today’s view of St. James


From Ackermann’s Microcosm of London, the scene at a drawing room in St. James Palace in 1808.  St. James Palace was the official residence of the King. Even today, foreign ambassadors serve at the Court of St. James, though they are received by the Queen at Buckingham Palace.

On your walk from Piccadilly to St. James Palace, most of the buildings you pass were constructed later than the Regency, but not all, for here are several of the famous men’s clubs of St. James and several shops with roots in the era.

Whites Club
Brooks Club

 

Boodles Club
Berry Bros. and Rudd, Wine Merchants, est. 1698

 

Lock and Co. Hatters, est.1676

 

 

A walk around Regency London with tour guide Kristine Hughes is included on the itinerary for Number One London’s Town & Country House tour in May 2024. Complete itinerary and details can be found here.

 

A FASHION FOR PORTRAITS

Victoria and I visited Fashioning Masculinities: The Art of Menswear exhibition at the V&A last year. Below, I’ve selected three of the most memorable portraits to share with you. In each, the sitters’ clothing and pose were chosen to impart a very definite statement and served to define how they would be perceived by the viewer.

             Once owned by Horace Walpole, the wooden cravat above was carved to imitate gros point de Venise, a heavily textured lace fashionable for both men and women during the middle of the 17th century.

   

Charles Coote, 1st Earl of Bellamont, in Robes of the Order of the Bath by Sir Joshua Reynolds. While this portrait is today derided as an example of camp excess, at the time it was painted, the plumed headdress, tassels and beribboned shoes were meant to imply patriarchal power. Originally, the Earl’s robes were a rich scarlet red, the pigment now having faded to a feminine pink. Reynolds considered fashion to be fleeting, so rarely painted dress in such detail as above.

                           

                

This elaborate robe de chambre of brocaded silk was made from a woman’s skirt.

Fleetwood Hesketh by Joseph Wright of Derby 1769. Here, Hesketh is dressed as a country squire in hunting pink. The powder horn visible in his pocket and his relaxed pose signal that he is a man of leisure, with time to devote to his chosen pursuits. The skirted coat, perfect when riding, evolved into the frock coat.

                                

 

Captain Gilbert Heathcote by William Owen, circa 1801-1805. Heathcote, a Navy captain, adhered to official guidelines in the tailoring of his uniform, embellishing it with gold braid, buttons and epaulettes to signal to the observer that he was both wealthy and fashionable.

Do you have a favourite amongst the masculine portraits of the period? Please leave a comment and share your thoughts with us.

 

 

AH, LISBON

Vibrant, historic, unique, diverse – Lisbon. I’ve been twice in the last year, preparing for Number One London’s Peninsular War Tour in May, 2024. It’s a fabulous city, able to wow first time visitors with it’s river, hills, cobblestone streets, old town Alfama and an abundance of UNESCO World Heritage Sites. As to diversity, start with transport – you can easily travel around Lisbon via their iconic trams, in a tuk tuk or by boat. Of course, you can also take a cab or walk, which is the best way to see all the nooks, crannies and history of Lisbon.

Tuk tuks are everywhere and can be booked for a tour in advance or hailed as a taxi. You’ll find tuk tuk ranks dotted around the City.

A ride on one of the iconic Lisbon trams is a must do – but avoid Tram 28 like the plague. The line uses an older, heritage tram and it’s route passes many of the popular sites in the City, two reasons for the journey having become a crowded tourist trap, more often than not operating with standing room only.

You’ll see the decorative tiles Lisbon is known for everywhere, beneath your feet, on buildings and on ceilings. The Arabs brought the tiles to Lisbon from Egypt in the 12th century. You can read more about the tiles here.

If Lisbon’s 25 de Abril Bridge looks familiar, it’s probably because it was designed by the same company that constructed the Bay Bridge in San Francisco. Standing at the southern end of the bridge is the Christ the King (Cristo Rei) monument, inspired by the Christ the Redeemer statue in Rio de Janeiro.

 

 

Among the UNESCO sites we’ll be visiting during the Peninsular War Tour is the Belem Tower, below.

A 16th century fortification, the Tower has stood through the centuries as a landmark for explorers, navigators and commercial shipping.

Nearby, we’ll find the Monument to the Discoveries, celebrating the 15th and 16th century Portuguese explorers who made Portugal the most powerful seafaring nation of the age.

But there’s more to Lisbon than UNESCO sites, history and monuments. There’s food. And drink. And we’ll be sampling both – there will be tapas!

 

And Pastel de Nata. A Portuguese egg custard tart created by 18th century monks who used egg whites for starching clothes. What to do with all the left over egg yolks? Viola. Pastel de Nata. To simply call them custard tarts is to do them a disservice and yet the flavour is elusive and hard to describe, though the likes of Anthony Bourdain and Phil Rosenthal have tried their best to do so. One taste and you, like me and millions of others, will be hooked.

We’d love to show you Lisbon on Number One London’s Peninsular War Tour in May, 2024. You’ll find the complete tour itinerary and further details here.