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THOMASINA'S NOTEBOOK, A TALK BY DR. GLYNIS RIDLEY
Back in October, I attended the 2015 Annual General Meeting of the Jane Austen Society of North America, held in Louisville, Kentucky. I have reported here on several of the presentations there (Ship’s Surgeon, JASNA AGM Tidbits, Mary Crawford at Almack’s?, Age of Caricature, men’s clothing) and associated jaunts to Locust Grove, the Kentucky Horse Park, and the Cincinnati Art Museum.
One of my favorites of the Special Interest talks at the AGM was “Thomasina’s Notebook and Thomas Lefroy’s House: Life of a Young Woman in Austen’s Dublin.”
Dr. Ridley spoke about a book found in a Paris Flea Market by her husband, and the fascinating mystery she is uncovering.
When he brought the book to his wife, Dr. Ridley’s husband was not fully aware of just what he had discovered. Only after considerable research has Dr. Ridley begun to unravel the stories of the owner and her family. And even more exciting, she discovered a link with Jane Austen.
The notebook belonged to Thomasina, daughter of Thomas Gleadowe-Newcomen, 2nd Viscount Newcomen (1776–1825) and his long-time mistress Harriet Holland, who bore him eight children. Like peeling an onion, layer by layer, more mysteries are revealed.
Newcomen was an unmarried banker and lived in a grand Dublin mansion with Harriet and their children; why did he and Harriet never marry? Obviously, from clues in Thomasina’s commonplace book, the family associated with Dublin’s leading citizens, some of whom wrote in the book. They lived together as a family in a fine Dublin mansion, and their country home was Carrigglass, aka Carrickglass, about which more later.
In 1825, the Newcomen Bank failed and Lord Newcomen killed himself, at age 48. Still to be tracked down are the movements of Harriet and her children, at first to France, then back to England. In later years, where did they all end up, and particularly what happened to Thomasina? Dr. Ridley has a few leads and perhaps some clues, and we await her findings eagerly.
And now for the Jane Austen connection, a serendipitous a matter indeed. Carrigglass, the country home of the Newcomens, was purchased by Thomas Lefroy (17876-1869) in the 1820’s after the demise of the bank and its owner. Thomas Lefroy was the student whose flirtation with Jane Austen in 1796 has been the object of much attention in the last few years, turned into a romantic film (Becoming Jane, 2007). After his “interlude” in Hampshire with Jane, Thomas Lefroy returned to Dublin, became a member of the bar and eventually Lord Chief Justice of Ireland. In 1837, he had the house rebuilt in the Tudoresque style. He and his descendants lived at Carrigglass until its sale in 2005.
As a sad postscript about this property, one version of the wretched fate of Cairrgglass, can be found here.
Dr, Ridley certainly presented us with a fascinating account of her research mysteries and the need for further investigation. Along the way, she presented many comparisons to the characters in Jane Austen’s novels. We could easily identify a Marianne (SandS) and a Harriet Smith (Emma). We continue to wonder, did Harriet Holland or Thomasina ever find themselves a Mr. Darcy or a Mr. Knightley?
Previous books by Glynis Ridley:
THE DUKE OF WELLINGTON TOUR – WHAT KRISTINE SAW AT FROGMORE HOUSE
AGATHA CHRISTIE'S MOUSETRAP
Victoria here, reporting on the recent presentation of this venerable play as the holiday offering of the Milwaukee Repetory Theatre
Jonathan Gillard Daly
A CELEBRATION OF THE 125TH ANNIVERSARY
OF AGATHA CHRISTIE’S BIRTH
The Mousetrap by Agatha Christie, Directed by J.R. Sullivan
The Mousetrap opened in 1952 and is still running, the longest run in London history.
This American production was well done, with the shabby genteel set, the characters with all their secrets, and of course, our unexpected twist at the end.
In the J-S, critic Mike Fischer wrote of one of the characters, “‘Who am I?,’ he asks. ‘You do not know. Where do I come from? You do not know.’ When everyone is acting all of the time, how can we, ever? Forget the occasional creak in Christie’s plot. In this Mousetrap, the thrills and chills are timely and psychological, living as we do in a world where none of us is ever quite what we seem — leaving all of us caught in a trap of our own devising.”
It’s all fun — and as a wish for 2016, you could do no better than to hope for another evening of enjoyment at the hands of the skilled Miss Christie.
GEORGIAN ART FROM THE NEW MILWAUKEE ART MUSEUM
SOME GEORGIAN ART FROM
THE NEW MILWAUKEE ART MUSEUM
And now to some promised Art from the Georgian Period, in both Britain and the U.S., her colonies during much of the period 1714-1837
Also on view until May 31, 2016 are two more portraits by Copley. The MAM states, “For the inaugural exhibition in the Constance and Dudley Godfrey American Art Wing’s Focus Gallery, the Milwaukee Art Museum will show two rare paintings never before exhibited in the United States: a pair of pendant portraits of American colonists Anne and Duncan Stewart by the country’s first old master, John Singleton Copley. Painted by Copley in 1767, the portraits show the Scottish couple who were prominent in Boston and Connecticut politics until the American War of Independence, when t
hey took the loyalist side. In honor of their support, the English king restored their estates confiscated during the Jacobite Uprising, and the couple returned to Scotland, taking the portraits with them. Now owned by Edinburgh’s Stewart society—descendents of the sitters—the works will be returning to the United States for the first time in almost 250 years.
I hope I didn’t miss too much — I am delighted to say there will be many return visits to the newly re-hung galleries!


























