LOOSE IN LONDON: DOING THE CHIMP WALK

Many of you have commented on the amount of things Victoria and I seem to cram into each and every day whenever we’re in London. It’s true – we’re on a mission, we’re only there for a period of time and we want to see and experience all that we can. More often than not, we forget that we’re only human (and of a certain age) and so we push ourselves,expecting our bodies to respond to all we ask of it and expecting no unwanted consequences in return.  Boy, are we surprised when, by the end of a busy day, we become aware of our bodies balking at the onslaught and teaching us a lesson by making us aware of aches, pains and diminished energy. Our feet, naturally, become the biggest complainers. Slowly, over the course of a day, the toll on our bodies becomes evident, especially in the way we walk.

Having a distinctive walk of one’s own is not always a bad thing. After all, there have been many famous walks through history – there’s the Cake Walk of the 1940’s

The Camel Walk
The Crip Walk
And of course the Moon Walk
Unfortunately, the walk Victoria and I tend to develop by day’s end is not quite so pretty. It’s a gait that comes from sore backs, aching hips and, the biggest culprit, sore feet. All those elements combine to have a strange effect on our gait at the end of a London sightseeing day.  You can watch it here.  Yes, dear Reader, Victoria and I are now officially The Chimp Sisters, at least when we’re in England. 

LOOSE IN LONDON: A VISIT TO CLARENCE HOUSE

Victoria here, inviting you to our take on Clarence House, London,.  Kristine and I  booked our tour while the current residents, the Prince of Wales and his wife, Camilla, Duchess of Cornwall, were off on vacation.

Poster advertising the summer opening of Clarence House

This was not the greeting we received when we arrived.  Oh, well.

Clarence House is located adjacent to St. James’s Palace (redbrick, on the far right) and next to Lancaster House, on the left.


1874 engraving of Clarence House

Clarence House , designed by John Nash,was built for the Duke of Clarence between 1825 and 1827. After the death of his elder brother, George IV, the duke became King William IV in 1830.  He and his wife, Queen Adelaide, continued to live in Clarence House until his death in 1837.

George IV’s extensive plans with Nash for remodeling Buckingham Palace were not finished at the king’s death.  According to Wikipedia, “Unlike his elder brother George IV, the Duke of Clarence was not a connoisseur of art and fine furnishings. The interior of Clarence House was plainly decorated and furnished in comparison to Buckingham Palace and York House.”

Queen Elizabeth, The Queen Mother, lived at Clarence House from 1953 until 
her death in 2002 at age 101.
The Morning Room
Portrait of Princess Elizabeth, 1933 by Philip de Laszlo
The Morning Room, current photo
The Morning Room 1870’s; photo by Horatio N. King
Royal Collection Trust/© Her Majesty Queen Elizabeth II 2014
The Morning Room is pretty in blue,
The tour of Clarence House takes in only a few rooms on the ground floor. The Morning Room was the most attractive, and very feminine, as if a cloud of little princesses would materialize in their billowy organza gowns at any moment.
The Mystery Portrait?  Seems obvious to us: it is Queen Elizabeth, the Queen Mother
But both Kristine and I are positive the guide told a story about it being a portrait of Princess Elizabeth by artist Augustus Strong who was in such awe of the sitter that he made her look awkward. When I was surfing the web for more info, I found another blog post on a visit to Clarence House that told the same story about the painting.  Must have been the same guide, the same misinformed guide,  
Dining Room
The Lancaster Room
I’m sorry to say I found this room almost claustrophobic with its crowded feeling and  myriad designs. ‘Less is more’ was not the byword for the creator of this decor!

The Horse Corridor
We know the Queen Mother was a horse lover and owner of a fine racing stable. This handsome corridor was a treasure trove for us horse-crazy types. For others, not so much.
The Library
No pictures are allowed on the grounds or within Clarence House. These pictures come from official sources, but I feel quite sure that I could not have taken any more attractive. Which led us to the question: is this the place that royal artwork comes to die?  While one would not exactly say it is shabby, it’s not very elegant (other than the Morning Room).  Yet it seems too formal for the residents to lounge around in their bathrobes and slippers. We did not get upstairs, however, which is where they probably relax. 

The Garden Room

Prince Charles in his pram at Clarence House, 1950
Royal Collection Trust/© Her Majesty Queen Elizabeth II 2014

Many members of the Royal Family have lived at Clarence House in its nearly 200-year history.  Princess Elizabeth and Prince Philip, Duke of Edinburgh, lived here from 1949 until they moved to Buckingham Palace in 1952 when she became Queen.  The Prince of Wales moved back to Clarence House in 2003 with his wife, Camilla, Duchess of Cornwall.

Prince Charles inspired a lovely garden, which seemed to have yielded considerable produce. Gardening and land use are among the Prince’s favorite interests.

 In this view from the entrance,  the adjacent St. James’s Palace is clearly evident.

The View from the Mall
For more information on Clarence House, click here.
For Kristine and me, the visit only whetted our appetites for our visit to Buckingham Palace, coming soon.

LOOSE IN LONDON: FROM THE RIVER TO CLARENCE HOUSE

As you’ll recall, Victoria and I lucked out with gorgeous weather for our mudlarking adventure.

Looking in both directions from the Southwark Bridge

We decided to up towards Gabriel Wharf for a bite of lunch and on our way we passed a few landmarks you may recognize.

The Globe Theatre
with Shakespeare’s bench on the pavement out front.

As usual, Gabriel’s Wharf, a shopping and dining destination, was doing a brisk business. We settled upon the Wharf Restaurant
And it wasn’t long before we were tucking in to a plate of mushroom risotto accompanied by glasses of crisp, cold prosecco.

After lunch, we needed to get back across the River, so we walked out the back of the Wharf to a street known as the Upper Ground. This is where the docks once stood where, once upon a time, the streets teemed with a decidedly rough and ready trade – sailors who had just docked after months at sea and who were looking to let loose, ladies of the night (or day) looking to make a bit of coin, foreigners of all sorts seeking to sell or buy cargoes of exotic goods, street hawkers, cab men, coster mongers, fishermen, boatmen, etc. etc. The ships drove the neighborhood and the streets would have been awash in people of all stripes. Today, however, these were the sights we were met with.

ITV Studios

Of course, this is more the way I was picturing it in my mind

“Where are we going?” Victoria finally asked.

“Waterloo. Station. And the Duke of Wellington Pub.”

“Do you know the story about Churchill and Waterloo Station?” Victoria asked me.

“I don’t think so.”

“Before he died, Churchill  worked on the plans for his own funeral. He was going to be buried at St. Martin’s Church in Bladon, in Oxfordshire, where many members of the Spencer Churchill family had been buried.”

“So,” Victoria went on, “Churchill’s fune
ral cortege would have traveled to Oxford by train. And trains to Oxford leave from which London station?”

“Paddington,” I answered.

“Exactly. But Churchill asked if it would be possible for his funeral train to depart from Waterloo Station, instead. Certainly, and official told him. It would mean diverting tracks and re-route thousands of daily tube passengers, it would involve redirecting signals and a host of other alterations, but in theory it could be done. Looking pleased, Churchill told him to arrange it when the time came. But why, asked official. What did Churchill have against Paddington Station? Nothing, he replied, but no doubt other countries would send heads of state to attend the funeral. France would no doubt send a representative, to which the official agreed. “Well,” Churchill said, “I don’t want to pass up the opportunity to force French President de Gaulle to have to walk through Waterloo Station.”

“Are you making this up?”

“No,” Victoria laughed, “If it isn’t true, it should be. Where are we going? Are you sure Waterloo Station down this way? It doesn’t look right.”

“The last time I walked this way, I wound up at Waterloo. It’s just down here,” I said, pointing.

Two girls were passing and Victoria asked them if this were the way to Waterloo Station. They told that indeed it was, and pointed in the direction I’d just indicated.

“Oh, ye of little faith,” I said. “And look, there’s the Wellington Pub. They haven’t moved that, either.”

Of course, this was the perfect opportunity for a photo op. Note the people in summer wear in the background.

And then take note of my fur lined boots!

Another summery sign seen outside of Waterloo Station

And believe it or not, this is the poster we were met with inside the station, advertising the Wellington Exhibit we’d planned to see at the Tower. Nice to know I had unconsciously dressed to match Wellington’s uniform. He had Wellies, I have fur lined boots.

Getting off of the tube at Victoria Station, Victoria and I were met with this pub, located inside the Station. We popped our heads inside, but it was sadly uninspiring and without much period charm. We walked through the Station and found the entrance to the Grosvenor Hotel, where we’d all be staying for the first leg of the Duke of Wellington Tour. 
As you’ll see by the photo above, we were quite satisfied after inspecting the room in which we’d be holding our Welcome afternoon tea for our tour participants. 

With still more on the day’s schedule ahead, we headed out onto Buckingham Palace Road and headed towards Buckingham Palace, passing one of our old haunts, the Bag O’ Nails pub, along the way.
Before long, we’d reached the Queen’s Gallery, where Victoria and I have attended many an exhibition. There’s another old haunt of ours just outside the Gallery – a long, low wall just perfect for resting upon, so we decided to take a short sit before going on.

After our break, we carried on, finally reaching the front of the Palace.

It was here that Victoria realized she’d left her camera back at the stone wall. I volunteered to go back for it and fast walked back the way we’d come, only to find the camera gone! A man saw me looking for something and volunteered that if it was a camera, he’d handed it in at the front desk inside the Queen’s Gallery – thank goodness!
Returning both the camera and myself to Victoria, we turned and started up the Mall, which was free of vehicle traffic as this was a Sunday. 

The Mall on Sunday

Flowers in the gardens bordering the mall

the pond along the Mall
Eventually, we reached Green Park, where we turned left and walked up to Milkmaid’s Passage, which brought us out near Spencer House and across from Duke’s Hotel. 
This is the lane, or alleyway, that servants from the aristocratic houses in St. James’s used in order to cut across to Green Park in order to buy milk from the cow keepers who sold milk by the pailful. 
Just behind Milkmaids Passage stands Lancaster House, above, where, in 1848, Chopin entertained Queen Victoria, Prince Albert and the Duke of Wellington. You’ll find more on the history of Lancaster House here
Before long, Victoria and I arrived at Clarence House, below, in time for our 4 p.m. guided tour. 
Clarence House
More Loose in London Coming Soon!

LOOSE IN LONDON: KRISTINE MUSES ON MUDLARKING

You may recall a prior post about mudlarking on the River Thames that I wrote a few years ago – you’ll find it here. I had been longing to return to the River again and was chuffed when Victoria said she’d like to take a turn at mudlarking while we were in London.

Victoria and I started out as part of a London Walks mudlarking tour on Sunday morning, with at least thirty other people in our group. The group was so big that the guide and her assistant broke us up into two groups, while she went back and forth relating the history of the Thames, it’s bridges and, incidentally, mud larking. This went on for quite some time before Victoriasidled up and asked me if we were ever going to get the opportunity to actually get our hands dirty, so to speak. After all, we were almost an hour into the walk and we were still on the northern side of the river.

Finally, we got across the Thamesand no sooner had we arrived then we lost the tour group. Both tour groups, in fact. The guide had organized us, in two groups, around a set of steps while she told us about something to do with shipping history. Victoria and I had only briefly wandered away and when we turned back, all thirty-something of them had vanished. Considering the size of the two groups, it was uncanny that we could find no sign of any of them. Poof! and they were gone. This did not bode well for our own turns as tour guides in the not too distant future.

“What are we going to do now?” Victoria asked, a tad worried.
“We go mud larking, as planned.”
“But where?”
“Anywhere. There are several sets of stairs on this side of the Thames that lead down the river. If the gate at the top of the steps is unlocked, all we have to do is climb down to the river bank.” I looked over the railings on the Queen’s Walk to the riverbed below. “Look,” I said, pointing at some near distant mud larkers. “They’ve gotten themselves down there, we can, too.”
“Are we allowed? I mean, can we just go down at any point, or is there a designated mud larking spot?”
“Well, no one’s ever stopped me before. If a Peeler with a truncheon comes along and threatens to haul us in as vagrants, we’ll move on. Come on, we’ll go down to the steps that Brooke and I used last time. I know they’re accessible.”

So we walked down to the spot in question and sure enough, the gates were unlocked. Not only that, but there was some sort of Clean Up the River type event going on, so there were several people picking through the sand already. Vicky and I got out our Ziploc bags and climbed down the stairs.
“You want to pick through the stuff at the top here, near the wall and stairs. Everyone typically heads for the waterline first, and they walk right past some good stuff. Here,” I went on, ”take this stick and use it to push the sand aside.”  Within minutes, Vicky was mud larking like a pro, searching for blue and white pottery shards and anything else of interest. I found myself a large, flat shell and used that to dig with.

Here’s a photo of me on the River bank, wearing my now famous fur lined boots. Before long, Victoria and I had drifted apart. Her wanderings took her in one direction, mine in another as we both dug through a few decades, if not centuries, of silt and sand.

I love standing on the river bank with the tide out, exposing bits of Londononly a few people get to see.  It’s a way of communing with London, of getting to the heart of the City I love best. It isn’t glamorous, rather it’s real life at its most rough and ready. At one time, it was home to those who were London’s poorest – the mud larks who combed this stretch of river bank in search of anything of any value that they could turn into coin for a meal or a bed for the night. Just think of all of their stories, the tales that could be told by people who sailed the river, worked the river, whose lives were tied in some way or another to the eternal rhythm, the ebb and flow of the mighty Thames. 

I’ll always remember seeing the opening scenes in one of the Robert Downey Jr. Sherlock Holmes films – the London docks of the 19th century. Never had I seen a movie set that looked so exactly as I had always pictured a place in my mind’s eye. I felt that what I was looking at was 19th century London, magically brought to life on the screen. Imagine my dismay when I later found out that the scenes had actually been shot at Stanley Docks in Liverpool. Here’s a trailer from the film – there’s actually very little of the docks in the clip, but it’s a hoot.

You’ll see from the photos below that it was glorious London day, perfect weather for being outdoors. This is what the riverbank looked like when we were there.

However, this is what I saw in my mind’s eye as I gazed out at the Thames. 

Yes, Victoria, I was picturing a place where everyone was wearing period costume. And sailing in period ships.

Back in the 21st century, Victoria and I had a fabulous time collecting treasures from the River. Pottery shards, pipe stems and bowls, animal bones, driftwood, bits of metal and, most surprisingly, shells. We spent not a few hours treasure hunting before I looked up to see Victoriafurther ahead, waving an arm at me in a universal gesture that meant “get over here.”

“We’ve got to wrap things up,” she said when I’d reached her. “We need to eat something and then make our way over to Clarence House.” We’d booked a tour of Clarence House for four o’clock that afternoon, another place we’d always wanted to see, but which is rarely open to the public.

Reluctantly, I agreed but stopped by the station the Clean Up the Thames group had set up nearby. In addition to the sand sculptures below, they had set up a table manned by River historians and archaeologists who were available to a provide insight into the items people had found that day.

I showed them the bones I had found and their best guess was that they had probably come from a dog. 
My pottery shards were fairly self explanatory.
The pipe stems and pipe bowl I’d found were a different story. The archaeologists actually had a book with them containing photos of pipes from all periods and going by the shape and size of my pipe, they were able to tell me that mine was early 18th century. The photo above doesn’t do justice to the pipe bowl, it has a very elaborate design carved into the bowl. The expert was much taken with it and told me that it had to have belonged to someone of means. These pipes were meant to be disposable. One bought one already filled with tobacco, smoked it and chucked it away, many times into the River. They weren’t typically the sort of item one spent time carving designs into. He was quite impressed with my find and I was dead chuffed.
Perhaps my most interesting find was this tooth. I’m holding it upside down so that you can see the three rather large roots. The consensus is that it had probably come from a horse. 
Victoria’s treasures were much prettier and are pictured above: shells, clay pipe stem, blue-and-white shards, tile pieces.
You’ll find the black and white River photos above and many more period photos of all areas of London and London life on my Pinterest board, Old London

More Loose in London Coming Soon!

LOOSE IN LONDON: WHAT KRISTINE SAW AT HIGHGATE CEMETERY

Victoria and I had finally arrived at Highgate Cemetery. It was a glorious afternoon – warm, sun shiny and the Cemetery was practically deserted. We were able to stroll the lanes and explore the East Cemetery all on our lonesomes. Save for the occasional birdsong, the air was still, quiet and the graves themselves were quite beautiful.

Victoria and I strolled in companionable silence, she a bit ahead of me as I threaded my way past crosses and angels, stopping to read some of the gravestones. At one time, all of these people were the light of someone’s life – a cherished spouse, a beloved child, a much missed grandparent, a favourite sibling or one’s closest friend. They were mourned, tears were shed over their loss and their graves were no doubt tended faithfully. Now, one hundred years on at least, they were nothing but forgotten bones in a cemetery, albeit resting beneath impressive monuments. It is said that no one is truly gone as long as there is someone, one person, who continues to remember them. I doubted there were many resting here who still had someone to remember them in 2014.

Meandering down the path, I was brought up short by one of the next graves I encountered. 

“Vicky!”
“Hmmm?”
“Look what I found.”
“What is it?” she asked, coming to stand at my side. She read the gravestone and then looked at me. “Trust you to find a connection to Artie at Highgate. Who’s Michael?”
“Who’s Viscount Dangan?” I asked in return. 
“Is it a family title?”
“Earl Cowley, Marquess of Douro, Lord Mornington . . . . . Viscount Wellesley I know. Dangan I do not.”
“Maybe it’s not even our Wellesleys.” 
“Has to be. How many other Wellesley families can there be? And how many who produced a viscount?” I looked at the stone again. “He was only six when he died.” 
Further research once I got home revealed that Michael would have been the Duke’s grand nephew, a descendant of his brother Henry and one of Henry’s children whom the Duke and Kitty helped to raise. He died of leukemia. ***

Eventually, Victoria and I made our way to the West Cemetery in order to join the 3 p.m. tour group. Once we were gathered, our tour guide gave us a brief history of the Cemetery, which opened in 1839. As we gathered in the large inner courtyard, our guide painted a vivid picture of the Cemetery as a thriving business concern – the courtyard would have been filled with hearses, carriages and male mourners as upwards of forty funerals a day were carried out on a typical day. Services had to be timed to the minute, as well as the arrival and departure of the attendant retinues, in order for everything to have run smoothly. You can read the Wikipedia entry on the Cemetery here.

The West Cemetery had a different feel to it from the East side – wilder, more imperfect, more tumble down, more macabre in a Hammer Studios way. In fact, it occurred to me that most of the cemeteries depicted on film had perhaps been modeled after the East Cemetery. Nothing could have been more perfect. Sunlight filtered through the branches overhead and our tour group followed the leader through the stillness as we took in the surrounding graves and monuments, the silence broken only by his commentary on what we were seeing and the history of funeral architecture. 

Here, in the exclusive Egyptian Avenue, crypts were sold for the highest prices. Mourners coming to pay their respects often brought picnic lunches and erected tables within the crypts of their loved ones. Today, the plaques bearing the names of the departed are moss covered and the doors locked behind cobwebs that have been spun over the decades.

The Circle of Lebanon, above, is another of the exclusive section of crypts at the Cemetery. It was here that our guide took a detour and led us into an underground burial chamber. Once inside, there was almost no daylight, thus most of the photos I took did not come out well. Here’s one of mine below.

And here’s one taken in better light that I swiped off the internet so that you’d have a better idea of the space we were in. As I said, we were nearly in the pitch dark, surrounded on all sides by sealed crypts. As you can see in the photo below, there are sky lights in the ceiling, but by 2014 the vegetation had grown over them, dimming the space further. It was so dark that I had to step in close to peer at the stones that were marking the individual graves.

So you can imagine my surprise, nay shock, when I leaned down to read the lower stones only to be met by this sight.

Thank God the lid was still intact.

Perhaps one of my favourite graves is that of Tom Sayers, above. The grave stone, with the image of his faithful dog, a Mastiff named Lion, draped over his coffin as chief mourner is reminiscent of another of my favourite works of art, “The Old Shepherd’s Chief Mourner,” by Edwin Landseer.

Our group stood around the grave appreciating the poignancy of it all until our guide asked if any of us knew who Tom Sayer was. No one spoke up and for a time I considered whether or not I should answer. It seemed that either Victoria or I had been the only ones to know the answer to several of our guides previous questions. Victoria had been the only one among us to know who the lesbian author Radclyffe Hall was, which delighted our guide.  I was loathe to have the Americans once again provide the answer to his question. However, when it became apparent that no one else in the group was going to volunteer, I said, “A boxer. The best bare knuckle fighter in Victorian England.”

The guide’s eyes widened, “Yes! And it’s not too far a stretch that an American should know the answer to that question, is it?”

“Not if you know the story,” I answered. And so he began to relate the story of Sayers’s career to our group. You can read all about it here.

Sayers died in 1865 and huge crowds, made up of many of London’s rabble rousers and fight enthusiasts, followed his funeral cortege to Highgate Cemetery on the day of his burial. As the Morning Post of 16 Nov. 1865 put it:  The scene was “…an exhibition for which irredeemable blackguardism, brutal levity and barbaric ferocity, we are sure the like never disgraced the hallowed precincts of that most hallowed of spots – an English graveyard.” 

On our way towards the exit near the end of our tour, Victoria called me over to see something she’d found in the underbrush.  

A single, perfect wild strawberry to remind us that life goes on.

______________________________________________________

You’ll find the Highgate Cemetery website here, which is full of information of interest, including lists of other notable graves and the history of the Cemetery. Do also check out the site of The Friends of Highgate Cemetery – these are the people who volunteer their time as guides and who are at the forefront of restoration and upkeep for the Cemetery.

*** From Wikipedia: Earl Cowley is a title in the Peerage of the United Kingdom. It was created in 1857 for the diplomat Henry Wellesley, 2nd Baron Cowley. He was Ambassador to France from 1852 to 1867. He was made Viscount Dangan, of Dangan in the County of Meath, at the same time as he was given the earldom. This title is also in the Peerage of the United Kingdom. Lord Cowley was the eldest son of Henry Wellesley, 1st Baron Cowley, who like his son served as Ambassador to France. In 1828 he was created Baron Cowley, of Wellesley in the County of Somerset, in the Peerage of the United Kingdom. A member of the prominent Wellesley family, Cowley was the fifth and youngest son of Garret Wellesley, 1st Earl of Mornington, and the younger brother of Arthur Wellesley, 1st Duke of Wellington, and Richard Wellesley, 1st Marquess Wellesley.