A DAY OUT IN WINDSOR

I’ve been fortunate enough to have visited Windsor many times, but one of the most memorable visit was that on our 2014 Duke of Wellington Tour. As our coach drew into Windsor, our tour group was greeted by the sight of draft horses delivering beer to a nearby pub. From that moment, we knew that our visit to Windsor would be something special, and I’m glad to say that it was, indeed.

Our group stayed at the Castle Hotel, above, where Victoria and I had both stayed before and which is a personal favourite. The hotel is directly across from some of Windsor’s landmarks, including the Guildhall, below, and the Crooked House.
A wedding taking place at the Guildhall, above, a la Prince Charles and Camilla, who were married there in 2005.
Side view of the Guildhall with statue of George of Denmark, Queen Anne’s consort

Click here for a tour of the inside of the Guildhall and the history of the building, which we covered in a prior post.

Windsor’s Crooked House, built in 1592 and reputed to have a secret passage in the basement leading to Windsor Castle that facilitated trysts between Charles II and Nell Gwynn.
The statue of Queen Victoria which stands at the end of the street leading to the Castle.

It was a glorious day for our group visit to the Castle.

We even got a peek at the van belonging to “Her Majesty’s Supplier of Lighting Fittings and Allied Components.”
You can read Victoria’s prior post on the Waterloo Chamber at Windsor Castle here. 
After our tour of the Castle, a pub lunch was enjoyed at The Horse and Groom, the very same pub that received the delivery of ale courtesy of the draft horses.

Our table afforded us a birdseye view of the Town, but unfortunately we didn’t get a glimpse of the Guard’s Band that day – these photos were taken a few days later by Victoria during our extended stay after the conclusion of the Tour.

We’ll once again be based in Windsor during Number One London’s Town & Country House tour in May, 2024. We hope you’ll consider joining us for what promises to be a truly unique experience – the tour ends with us staying at Hartwell House, a magnificent country house hotel. You’ll find the complete itinerary and further details here.

 

A Visit to Regency London

Victoria here, inviting you to come with me to Regency London! Do not forget to don your special eyeglasses, the ones that will eliminate all evidence of city development after 1820 or so, including Victorian remodeling, post-Blitz reconstruction, contemporary skyscrapers, autos and buses, and modern clothing.

Substitute for horns, diesel engines and ever-present sirens the clip clop of hooves, the squeaking of cart-wheels and the cries of peddlers and hawkers of milk, eel pies, fresh buns: “Who will buy my ….” 

We shall start at the old address, No. 1 London (above), the site of Apsley House, home of the Duke of Wellington. The original Adam house was re-faced in Bath stone; the Duke entertained here, particularly at the Battle of Waterloo annual anniversary banquet, beginning in the appropriately named Waterloo Gallery.

I will not go into raptures over Apsley and its treasures — we have done that before on this blog. In fact, several times, and you’ll find the website here. But keep in mind that neither the exterior nor the interior are original. While the exterior was remodeled before 1820, the interiors reflect more of the tastes from the Victorian era.

Here is the entrance, as it was refaced in Bath Stone after the Duke purchased Apsley House from his brother Richard, Marquess of Wellesley, in 1817. Originally the house was smaller and finished in red brick.

The map below shows the route we will take on this visit to Regency London.  We start at Apsley House, approximately at A on the map, which is the tube stop just outside of Apsley House. The layout of the streets in 2011 is quite different from 1811. Today the broad boulevard of Park Lane (in green) connects with Piccadilly and other streets in a dizzying traffic circle. Apsley House is entirely cut off from the other streets, and the buildings that stood beside it were long ago demolished. The rather dark picture above shows how Apsley House stands isolated behind all the traffic.

Today it sits in the eastern most part of Hyde Park.  From Apsley, we will walk in a generally easterly direction toward B on the map, which is Piccadilly Circus, also non-existent in 1811.  Along Piccadilly, we will see a few remnants of the Regency Era and just before we get lost in Piccadilly Circus, we will retrace our steps to the top of St. James Street (on the map a tiny bit to the right of the Green Park tube sign) and walk down (southerly) St. James Street until it ends at — what else? — St. James Palace, beyond Pall Mall.

On the south,  or right side of Piccadilly (as you head toward today’s Piccadilly Circus) is Green Park, open space which resembles the way it looked in 1811. On the north, or left hand side of Piccadilly are solid banks of buildings most dating from later than the early 19th century, with a few exceptions.  Gone is Devonshire House which once welcomed London’s aristocracy and royalty. It was demolished in 1924. Below is a picture from The Queen in 1896.
Above is a photo from Wikipedia taken in 2010, more recent than any of mine, of the gates of Devonshire House which now serve as an entrance to Green Park, almost across Piccadilly from their original location.

Above is a building variously known as Cambridge House and the former In and Out Club. This imposing house was built in the mid 18th c. for the 2nd Earl of Egremont. It was later owned by the 1st Marquess of  Cholmondeley and then by Prince Adolphus, Duke of Cambridge.  From 1855 to 1865, it was known as Palmerston House, where Lord Palmerston, Prime Minister, and his wife, Emily, Lady Palmerston (nee Lamb, formerly Countess Cowper) entertained and conducted much of the business of the government.  In the 20th century, it became the Naval and Military Club, often called the In and Out Club, after the large signs on the pillars in front of the courtyard. In 1996, the Naval and Military Club moved to different premises in St. James Square.  The building then stood empty and sadly neglected until last year, when construction began on what will be yet another hotel. In fact, the whole of the area around Apsley House will soon be comprised of hotels before too much longer.  

Moving eastward, and also on the north side of the street, we arrive at Burlington House, now the home of the Royal Academy of Art.  There are remnants of the Regency era building here, but the exterior and much of the interior are greatly altered, not to mention the artwork in the courtyard.

The house and its grounds were remodeled by the same Lord Burlington that designed and built Chiswick House in grand Palladian Style.  Like many of the mansions on Piccadilly and in Mayfair, it used to have gardens, extensive courtyards, stable blocks, all the accouterments of country mansions — which they once were. As the West End became more and more desirable, these gardens and most of the courtyards were built over.

 

Above are the John Madejski Fine Rooms in the Royal Academy, which have been restored close to their appearance in the 18th century.  These rooms are often open without charge to visitors and display portraits of RA members such as Reynolds and Gainsborough. The other galleries have been greatly altered from the original and house changing exhibitions.

Next door, we find Albany where so many famous Regency gentlemen (not to mention numerous fictional heroes) lived. The house was once the home of Lord and Lady Melbourne, then the Duke of York, before it was converted to apartments.  Byron had rooms here, as did (much later) Georgette Heyer.  Below, two views of Albany, from the front and the side.  Across Piccadilly is Hatchard’s Book Shop.

 

Hatchards Book Store, 187 Piccadilly, Est. 1797

 

A bit farther east on Piccadilly (assuming you can tear yourself away from all the tempting titles at Hatchards) is St. James Church, 197 Piccadilly, built in 1684 and designed by Sir Christopher Wren. Its interior has many carvings by Grinling Gibbons, and despite some renovations in the 19th and 20th centuries, it is much as it appeared during the Regency.

Now retrace your steps past Hatchards and walk to Fortnum and Mason, on the corner of Piccadilly and Duke Street.  Although it began in 1707 in St. James Market, the large building  is modern. Nevertheless, you may want to sample one of the restaurants or at least take home a catalogue of their mail-order wares.  Visit the website here.

Fortnum and Mason, 181 Piccadilly, est. 1707

Proceed westerly to the corner of St. James Street and turn left, or south.  At the bottom, you will see St. James Palace, as I photographed it from a distance.

Charming print of cherry seller outside St. James Palace, c. 1811
Today’s view of St. James


From Ackermann’s Microcosm of London, the scene at a drawing room in St. James Palace in 1808.  St. James Palace was the official residence of the King. Even today, foreign ambassadors serve at the Court of St. James, though they are received by the Queen at Buckingham Palace.

On your walk from Piccadilly to St. James Palace, most of the buildings you pass were constructed later than the Regency, but not all, for here are several of the famous men’s clubs of St. James and several shops with roots in the era.

Whites Club
Brooks Club

 

Boodles Club
Berry Bros. and Rudd, Wine Merchants, est. 1698

 

Lock and Co. Hatters, est.1676

 

 

A walk around Regency London with tour guide Kristine Hughes is included on the itinerary for Number One London’s Town & Country House tour in May 2024. Complete itinerary and details can be found here.

 

What We Saw At Waterloo – June 19, 2010

In 2010, Victoria Hinshaw and I both crossed an item off our respective bucket lists by attending the re-enactment of the Battle of Waterloo. We began in Brussels, toured some of the ancillary battles sites, including the village of Waterloo and La Belle Alliance and then we visited the camps which the re-enactors had set up, beginning with the Allied camp. Our first glimpse of the site was at Hougoumont. Here are some highlights of our day –

 

The grounds of the Chateau Hougoumont where the Allied re-enactors had set up their camp, complete with horses, trailers, tents and families.

The memorial reads: “To the memory of General Baudin who fell in front of these walls 18 June 1815.”  General Marechel de Camp Baudin was the bridgade commander who led the first assault on Hougoumont and was the first French general to die in the battle.

This is one of the women who were acting the role of a soldier, most of the others were cooks and camp-followers. The braids are decorative, but are they regulation?!

A view of the battlefield from the Chateau Hougoumont.

Some horses came with their own quarters.

Here is a Hussar engaging in every military man’s favorite exercise.

This uniform is carefully pressed with white gloves at the ready.

As we had previously visited the battle sites leading up to Waterloo (Quatre Bras, Ligny), we thought it only fitting to do a recce of the French encampment, centered around Le Caillou, where Napoleon slept the night before the battle.

This is how the building usually looks, but on the weekend of the 195th anniversary of the defeat of Napoleon, the museum here and the grounds were chock-a-block with French re-enactors for the Sunday battle.  They seemed amazingly upbeat though the outcome had been known for almost two centuries.

That’s Napoleon in the gray.

Shades of Marengo!
Poor old Field Marshal Ney, above and below, tried his darndest and for his efforts, he was shot for treason – but he had a very fancy uniform. The phrase “proud as a peacock” comes to mind.
Actually there were quite a few fancy uniforms among the French forces.
Elsewhere, the French attempted to uphold their reputation for exceptional cuisine.
The soldier does not seem to appreciate the lady’s cooking!
Déjeuner.
Above a few civilians who were at the French encampment.  When we suggested to the mademoiselles that they looked like characters from Jane Austen’s novels, they were aghast.  “Oh, non, non!” they exclaimed.
An example of French humour. Tres amusant.

The Wallace Collection, Hertford House, London

by Victoria Hinshaw

The Wallace Collection, located in what was Hertford House in Manchester Square, named after the Duke of Manchester, who built a house (then called Manchester House) on the north side in 1777, attracted by the good duck shooting in the area. In 1797 the 2nd Marquess of Hertford acquired the lease and it became known as Hertford House.

In the 19th century it was home to Sir Richard Wallace (1818–90), illegitimate son of the 4th Marquess, who displayed much of the Hertford family’s fabulous collection of fine and decorative arts here. In 1897 Lady Wallace left it to the nation as the Wallace Collection. You will find a short, introductory video by the Museum’s director here.


Hertford House today is a rare example of a London town house occupying the whole side of a garden square. Inside, the grand staircase, above, features a Louis XV balustrade that was made between 1733-41 for the Bibliotheque du Roi in the Palais Mazarin in Paris, being sold as scrap iron when acquired for Hertford House. Imagine!

Some of the rooms still retain the look of an elegant town house.  Above, the Front State Room holds portraits of royals and gentry.  On either side of the fireplace, the portraits are by Sir Joshua Reynolds (1723-1792), on the left is Lady Elizabeth Seymour-Conway, and right, Frances, Countess of Lincoln.

Also in this room is a portrait of Queen Victoria by Thomas Sully (1783 – 1872), showing Victoria in her coronation robes, looking very young (she was nineteen) and lovely.

In fact, this one room is singular in that it contains so many of the iconic portraits known to Regency aficionados. For instance, Sir Thomas Lawrence (1769 – 1830) painted this stunning portrait of Margaret, Countess of Blessington, in 1822.  Margaret (1789–1849) led an interesting life, marrying twice. She was an intimate of the Count D’Orsay and a friend of Lord Byron.  She herself earned her living by writing for a time, but died in Paris, almost without funds.

John Hoppner (1758-1810) painted the Prince of Wales (later George IV) in 1792. In 1810, the Prince presented the portrait to the 3rd Marquess of Hertford, who held several court appointments and advised George on art. At the same time, the Marchioness of Hertford, mother of the 3rd Marquess,  was the Prince’s favorite  mistress.

If all this sounds incredibly confusing, welcome to the complicated story of the Seymour-Hertford family, their fantastic town house, their incredible art collection, and their involved relationships! Read more here.

Elsewhere in the Collection are further often seen portraits –

The Laughing Cavalier by Franz Hals, (c. 1580 – 1666)  one of the Wallace Collection’s most admired works.

Gainsborough painted Mary Robinson as Perdita, the role she played in Shakespeare’s A Winter’s Tale. The Prince of Wales saw her on the stage and fell in love, his first rather public affair. Mary holds a miniature of him in her hand.
The Duke of Wellington with Colonel Gurwood at Apsley House

(working on the Despatches), by Andrew Morton.

However, the Wallace Collection is so much more than paintings.

There are two huge rooms displaying arms and armour from around the world.

And furniture, furnishings, clocks, miniatures and china,

amongst many other things.

A visit to the Wallace Collection is on the itinerary for Number One London’s Town and Country House Tour – details and full itinerary for the Tour can be found here.

Reproduction prints of many of the paintings featured above can be purchased directly from the Wallace Collection.

A TOUR GUIDE IN ENGLAND: WALKING HIGHCLERE


Kristine here – As some of you may recall, before the 2010 Wellington Tour began, I had posted about how much I was looking forward to walking the grounds at Highclere Castle, which was a stop on the Tour. As depicted on Downton Abbey, the grounds always seem interesting, inviting and in need of my closer perusal. When we visited, I had the opportunity to set off by myself and to simply take in the gardens, the countryside and the grounds. I’ve remembered that day many times since and thought I’d post about it again.

Here, I offer you just a few of the views I was fortunate enough to encounter. Can you spot the one photo I didn’t take myself?

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

If you’d like to make your own memories in England, visit Number One London Tours to learn about our upcoming tours – we look forward to traveling with you soon!