LOOSE IN LONDON: KRISTINE MUSES ON MUDLARKING

You may recall a prior post about mudlarking on the River Thames that I wrote a few years ago – you’ll find it here. I had been longing to return to the River again and was chuffed when Victoria said she’d like to take a turn at mudlarking while we were in London.

Victoria and I started out as part of a London Walks mudlarking tour on Sunday morning, with at least thirty other people in our group. The group was so big that the guide and her assistant broke us up into two groups, while she went back and forth relating the history of the Thames, it’s bridges and, incidentally, mud larking. This went on for quite some time before Victoriasidled up and asked me if we were ever going to get the opportunity to actually get our hands dirty, so to speak. After all, we were almost an hour into the walk and we were still on the northern side of the river.

Finally, we got across the Thamesand no sooner had we arrived then we lost the tour group. Both tour groups, in fact. The guide had organized us, in two groups, around a set of steps while she told us about something to do with shipping history. Victoria and I had only briefly wandered away and when we turned back, all thirty-something of them had vanished. Considering the size of the two groups, it was uncanny that we could find no sign of any of them. Poof! and they were gone. This did not bode well for our own turns as tour guides in the not too distant future.

“What are we going to do now?” Victoria asked, a tad worried.
“We go mud larking, as planned.”
“But where?”
“Anywhere. There are several sets of stairs on this side of the Thames that lead down the river. If the gate at the top of the steps is unlocked, all we have to do is climb down to the river bank.” I looked over the railings on the Queen’s Walk to the riverbed below. “Look,” I said, pointing at some near distant mud larkers. “They’ve gotten themselves down there, we can, too.”
“Are we allowed? I mean, can we just go down at any point, or is there a designated mud larking spot?”
“Well, no one’s ever stopped me before. If a Peeler with a truncheon comes along and threatens to haul us in as vagrants, we’ll move on. Come on, we’ll go down to the steps that Brooke and I used last time. I know they’re accessible.”

So we walked down to the spot in question and sure enough, the gates were unlocked. Not only that, but there was some sort of Clean Up the River type event going on, so there were several people picking through the sand already. Vicky and I got out our Ziploc bags and climbed down the stairs.
“You want to pick through the stuff at the top here, near the wall and stairs. Everyone typically heads for the waterline first, and they walk right past some good stuff. Here,” I went on, ”take this stick and use it to push the sand aside.”  Within minutes, Vicky was mud larking like a pro, searching for blue and white pottery shards and anything else of interest. I found myself a large, flat shell and used that to dig with.

Here’s a photo of me on the River bank, wearing my now famous fur lined boots. Before long, Victoria and I had drifted apart. Her wanderings took her in one direction, mine in another as we both dug through a few decades, if not centuries, of silt and sand.

I love standing on the river bank with the tide out, exposing bits of Londononly a few people get to see.  It’s a way of communing with London, of getting to the heart of the City I love best. It isn’t glamorous, rather it’s real life at its most rough and ready. At one time, it was home to those who were London’s poorest – the mud larks who combed this stretch of river bank in search of anything of any value that they could turn into coin for a meal or a bed for the night. Just think of all of their stories, the tales that could be told by people who sailed the river, worked the river, whose lives were tied in some way or another to the eternal rhythm, the ebb and flow of the mighty Thames. 

I’ll always remember seeing the opening scenes in one of the Robert Downey Jr. Sherlock Holmes films – the London docks of the 19th century. Never had I seen a movie set that looked so exactly as I had always pictured a place in my mind’s eye. I felt that what I was looking at was 19th century London, magically brought to life on the screen. Imagine my dismay when I later found out that the scenes had actually been shot at Stanley Docks in Liverpool. Here’s a trailer from the film – there’s actually very little of the docks in the clip, but it’s a hoot.

You’ll see from the photos below that it was glorious London day, perfect weather for being outdoors. This is what the riverbank looked like when we were there.

However, this is what I saw in my mind’s eye as I gazed out at the Thames. 

Yes, Victoria, I was picturing a place where everyone was wearing period costume. And sailing in period ships.

Back in the 21st century, Victoria and I had a fabulous time collecting treasures from the River. Pottery shards, pipe stems and bowls, animal bones, driftwood, bits of metal and, most surprisingly, shells. We spent not a few hours treasure hunting before I looked up to see Victoriafurther ahead, waving an arm at me in a universal gesture that meant “get over here.”

“We’ve got to wrap things up,” she said when I’d reached her. “We need to eat something and then make our way over to Clarence House.” We’d booked a tour of Clarence House for four o’clock that afternoon, another place we’d always wanted to see, but which is rarely open to the public.

Reluctantly, I agreed but stopped by the station the Clean Up the Thames group had set up nearby. In addition to the sand sculptures below, they had set up a table manned by River historians and archaeologists who were available to a provide insight into the items people had found that day.

I showed them the bones I had found and their best guess was that they had probably come from a dog. 
My pottery shards were fairly self explanatory.
The pipe stems and pipe bowl I’d found were a different story. The archaeologists actually had a book with them containing photos of pipes from all periods and going by the shape and size of my pipe, they were able to tell me that mine was early 18th century. The photo above doesn’t do justice to the pipe bowl, it has a very elaborate design carved into the bowl. The expert was much taken with it and told me that it had to have belonged to someone of means. These pipes were meant to be disposable. One bought one already filled with tobacco, smoked it and chucked it away, many times into the River. They weren’t typically the sort of item one spent time carving designs into. He was quite impressed with my find and I was dead chuffed.
Perhaps my most interesting find was this tooth. I’m holding it upside down so that you can see the three rather large roots. The consensus is that it had probably come from a horse. 
Victoria’s treasures were much prettier and are pictured above: shells, clay pipe stem, blue-and-white shards, tile pieces.
You’ll find the black and white River photos above and many more period photos of all areas of London and London life on my Pinterest board, Old London

More Loose in London Coming Soon!

AND FROM ELSEWHERE AROUND THE WEB . . . . . . . .

Spitalfields Life – A New Home for Old Family Photographs
Risky Regencies – From Ice to Ice Cream
The Chirugeon’s Apprentice – 19th Century Safety Coffins
English Buildings – Savile Row, London
Laurie Benson’s Cozy Drawing Room – Mourning Pictures: An Expression of Grief in Georgian England
Reading the Pastt – A review of The Downstairs Maid by Rosie Clarke
English Historical Fiction Authors – The Importance of Horse Gaits in the Past

LOOSE IN LONDON: WHAT KRISTINE SAW AT HIGHGATE CEMETERY

Victoria and I had finally arrived at Highgate Cemetery. It was a glorious afternoon – warm, sun shiny and the Cemetery was practically deserted. We were able to stroll the lanes and explore the East Cemetery all on our lonesomes. Save for the occasional birdsong, the air was still, quiet and the graves themselves were quite beautiful.

Victoria and I strolled in companionable silence, she a bit ahead of me as I threaded my way past crosses and angels, stopping to read some of the gravestones. At one time, all of these people were the light of someone’s life – a cherished spouse, a beloved child, a much missed grandparent, a favourite sibling or one’s closest friend. They were mourned, tears were shed over their loss and their graves were no doubt tended faithfully. Now, one hundred years on at least, they were nothing but forgotten bones in a cemetery, albeit resting beneath impressive monuments. It is said that no one is truly gone as long as there is someone, one person, who continues to remember them. I doubted there were many resting here who still had someone to remember them in 2014.

Meandering down the path, I was brought up short by one of the next graves I encountered. 

“Vicky!”
“Hmmm?”
“Look what I found.”
“What is it?” she asked, coming to stand at my side. She read the gravestone and then looked at me. “Trust you to find a connection to Artie at Highgate. Who’s Michael?”
“Who’s Viscount Dangan?” I asked in return. 
“Is it a family title?”
“Earl Cowley, Marquess of Douro, Lord Mornington . . . . . Viscount Wellesley I know. Dangan I do not.”
“Maybe it’s not even our Wellesleys.” 
“Has to be. How many other Wellesley families can there be? And how many who produced a viscount?” I looked at the stone again. “He was only six when he died.” 
Further research once I got home revealed that Michael would have been the Duke’s grand nephew, a descendant of his brother Henry and one of Henry’s children whom the Duke and Kitty helped to raise. He died of leukemia. ***

Eventually, Victoria and I made our way to the West Cemetery in order to join the 3 p.m. tour group. Once we were gathered, our tour guide gave us a brief history of the Cemetery, which opened in 1839. As we gathered in the large inner courtyard, our guide painted a vivid picture of the Cemetery as a thriving business concern – the courtyard would have been filled with hearses, carriages and male mourners as upwards of forty funerals a day were carried out on a typical day. Services had to be timed to the minute, as well as the arrival and departure of the attendant retinues, in order for everything to have run smoothly. You can read the Wikipedia entry on the Cemetery here.

The West Cemetery had a different feel to it from the East side – wilder, more imperfect, more tumble down, more macabre in a Hammer Studios way. In fact, it occurred to me that most of the cemeteries depicted on film had perhaps been modeled after the East Cemetery. Nothing could have been more perfect. Sunlight filtered through the branches overhead and our tour group followed the leader through the stillness as we took in the surrounding graves and monuments, the silence broken only by his commentary on what we were seeing and the history of funeral architecture. 

Here, in the exclusive Egyptian Avenue, crypts were sold for the highest prices. Mourners coming to pay their respects often brought picnic lunches and erected tables within the crypts of their loved ones. Today, the plaques bearing the names of the departed are moss covered and the doors locked behind cobwebs that have been spun over the decades.

The Circle of Lebanon, above, is another of the exclusive section of crypts at the Cemetery. It was here that our guide took a detour and led us into an underground burial chamber. Once inside, there was almost no daylight, thus most of the photos I took did not come out well. Here’s one of mine below.

And here’s one taken in better light that I swiped off the internet so that you’d have a better idea of the space we were in. As I said, we were nearly in the pitch dark, surrounded on all sides by sealed crypts. As you can see in the photo below, there are sky lights in the ceiling, but by 2014 the vegetation had grown over them, dimming the space further. It was so dark that I had to step in close to peer at the stones that were marking the individual graves.

So you can imagine my surprise, nay shock, when I leaned down to read the lower stones only to be met by this sight.

Thank God the lid was still intact.

Perhaps one of my favourite graves is that of Tom Sayers, above. The grave stone, with the image of his faithful dog, a Mastiff named Lion, draped over his coffin as chief mourner is reminiscent of another of my favourite works of art, “The Old Shepherd’s Chief Mourner,” by Edwin Landseer.

Our group stood around the grave appreciating the poignancy of it all until our guide asked if any of us knew who Tom Sayer was. No one spoke up and for a time I considered whether or not I should answer. It seemed that either Victoria or I had been the only ones to know the answer to several of our guides previous questions. Victoria had been the only one among us to know who the lesbian author Radclyffe Hall was, which delighted our guide.  I was loathe to have the Americans once again provide the answer to his question. However, when it became apparent that no one else in the group was going to volunteer, I said, “A boxer. The best bare knuckle fighter in Victorian England.”

The guide’s eyes widened, “Yes! And it’s not too far a stretch that an American should know the answer to that question, is it?”

“Not if you know the story,” I answered. And so he began to relate the story of Sayers’s career to our group. You can read all about it here.

Sayers died in 1865 and huge crowds, made up of many of London’s rabble rousers and fight enthusiasts, followed his funeral cortege to Highgate Cemetery on the day of his burial. As the Morning Post of 16 Nov. 1865 put it:  The scene was “…an exhibition for which irredeemable blackguardism, brutal levity and barbaric ferocity, we are sure the like never disgraced the hallowed precincts of that most hallowed of spots – an English graveyard.” 

On our way towards the exit near the end of our tour, Victoria called me over to see something she’d found in the underbrush.  

A single, perfect wild strawberry to remind us that life goes on.

______________________________________________________

You’ll find the Highgate Cemetery website here, which is full of information of interest, including lists of other notable graves and the history of the Cemetery. Do also check out the site of The Friends of Highgate Cemetery – these are the people who volunteer their time as guides and who are at the forefront of restoration and upkeep for the Cemetery.

*** From Wikipedia: Earl Cowley is a title in the Peerage of the United Kingdom. It was created in 1857 for the diplomat Henry Wellesley, 2nd Baron Cowley. He was Ambassador to France from 1852 to 1867. He was made Viscount Dangan, of Dangan in the County of Meath, at the same time as he was given the earldom. This title is also in the Peerage of the United Kingdom. Lord Cowley was the eldest son of Henry Wellesley, 1st Baron Cowley, who like his son served as Ambassador to France. In 1828 he was created Baron Cowley, of Wellesley in the County of Somerset, in the Peerage of the United Kingdom. A member of the prominent Wellesley family, Cowley was the fifth and youngest son of Garret Wellesley, 1st Earl of Mornington, and the younger brother of Arthur Wellesley, 1st Duke of Wellington, and Richard Wellesley, 1st Marquess Wellesley.

LOOSE IN LONDON: KRISTINE MUSES ABOUT HIGHGATE CEMETERY

Highgate Cemetery is another of those places that have been on my bucket list for years. I’ve always wanted to visit, but somehow never had the luxury of time in order to add it to past itineraries. So, after Kenwood House in the morning, Victoria and I headed over to Highgate via the bus. The bus itself was another thing I’d never done before – whilst navigating my way across London and England via the tube and railway seems easy peasey, the bus system mystified me before Victoria took me in hand and explained all the vagaries of the process. I admit I’m still a bit puzzled, as often during the coming weeks Victoriawould say that the approaching bus wasn’t the one we were waiting for, but let’s get on anyways. Huh? Why are we getting on a bus that isn’t ours? It doesn’t matter, she’d say, climbing aboard. I, of course, followed. Blindly and like a trusting sheep. Granted, we always reached our destination, but I still don’t have the whole bus thing down in my head, so I doubt I’ll be using it again if I’m in London without Victoria (quelle horror!).
The weather was glorious – warm and mild, with bouts of watery sunshine. And I was still wearing my fur lined boots. That morning, Victoria had found me sitting on the side of my bed, applying cushioned bandages to my feet.
“What are you doing?” she’d asked.
“Covering my blisters. Then I’m going to put on socks and then my boots.”
“Not those fur lined boots again!”
“Have to. They’re the only shoes I’ve got with me that don’t cause me to scream in pain with every step.”
“Do you really need all those band aids?” I raised my as yet unbandaged foot so that she could get a better look. “Holy Crow! I had no idea your feet were that bad!”
“Thus the fur-lined boots. And the fact that I’ve got no shame in wearing them in the middle of a balmy English summer. We have so much to do, none of which I want to miss out on, so band-aids it is. As Wellington said, `A man’s gotta do what a man’s gotta do.’”
“He did not. Wellingtondid not say that.”
“You don’t think so?” I said, ripping open another plaster. “I’ll bet he did. Many times. Think about it.”
“Okay, he might have said something along those lines, but who really said it?”
“John Wayne. And maybe Winston Churchill.”
So now here we were, on the bus traveling from Kenwood House in Hampstead towards Highgate Cemetery. As we rode, I thought about what Victoriahad said at Kenwood – that I always expect there to be people at these sites who are dressed in period costume. Sometimes, no kidding, I do find myself a tad disappointed in the reality of a place. I do expect period people to be present. Georgiana should be strolling the grounds at Chatsworth, complete with straw bonnet and a saucy tilt to her chin. Brummell should be sauntering up St. James’s Street with a walking stick in hand and clever insults at the ready. A carriage or two, along with a fresh pile of horse manure, would not go amiss. It would add to the period ambiance. As would a regiment of foot practicing squares in Hyde Park. Or milkmaids standing round Green Park with their cows nearby. I want to eat ices at Gunter’s and present my card at Apsley House, preferably to FitzRoy Somerset himself. I’d like to be able to visit Almack’s in order to see, first hand, just how lousy the refreshments were. I want to look up in the sky and witness balloon ascents. And go to the Exeter Change. I want a waterman to row me across the Thames to Vauxhall Gardens. If I met Caro Lamb and Princess Lieven, would they be as awful as I imagine they were? Would the original Earl Grey tea really taste like the 21st Century blend? How long would I last without Bacardi rum? Did Queen Victoria really bray like a donkey when she laughed? Was Prince Leopold really drop dead gorgeous at the time of his wedding to Princess Charlotte? 
“Our stop is next,” Victoriasaid, bringing me out of my reverie. We were almost at Highgate Cemetery– I’d finally be able to strike it off my bucket list. And it would most certainly not disappoint as the place would be filled with period people. Granted, they’d be dead and buried and not on view as they strolled the paths, but technically they’d still be there. 

 Highgate Cemetery Coming Soon!

VIDEO WEDNESDAY – CHRISTMAS IN ENGLAND


Having spent a few Christmas’s in England, I can assure you that there’s no where else I’d rather be just now. Since that’s impossible (sigh) we’re bringing you some yuletide videos that we hope will warm the cockles of your hearts. **


Seasonal activities in London

How to flame a Christmas pudding

2010 Victorian Christmas Festival in Portsmouth

Flashmob of British Army musicians surprises Christmas shoppers in Gateshead’s Metrocentre

John Lewis Christmas advert 2014

Sainsbury Christmas 2014 advert remembering soldiers in 1914 – must see!

Victorian Christmas – make your own Christmas cards

How to make a Victorian Christmas pudding 

** Definition from www.smh.com.au – One of the meanings of “cockle” is the chamber of a kiln: in reference to the heart, it refers to the chambers, of which there are four (two atria and two ventricles). The heart has always been associated with emotions, especially love, excitement and fear, probably because when we feel a strong emotion we feel our heart thumping and beating faster. So when something “warms the cockles of our heart”, it is a reference to something pleasant that makes our heart beat faster and makes us feel good. It is probably also the origin of the saying that something gives us that “warm and fuzzy feeling.”