Category: Kristine Hughes

Do You Know About Foyle's War?

Oh, boy. This one’s a winner. Not Regency, not Victorian, but a series that will quietly grab you and have you hooked by the end of the first episode.

I’d written this post in draft weeks ago and only found out yesterday from Jo Manning that the new episodes were being aired on PBS Mystery starting last night. Sorry, sorry, sorry for missing the boat on this, but there’s no time like the present to let you know about Foyle’s War if you aren’t familiar with it. And if you are, there’s no time like the present to tell you that next two new episodes in the series will air on Sunday, May 9 (Killing Time) and Sunday, May 16 (The Hide).

In early World War II Britain, as British soldiers and pilots valiantly resist the German forces on land and in the air, their kinsmen at home face head-on the effects of the awful war that has engulfed their nation. Food rationing, black-outs, German bombing raids, all these and more are daily reminders that no one is to be spared.

For Detective Chief Superintendent Christopher Foyle of the Hastings police department, a man who served his country in World War I and then rose through the ranks of the police force to his current position, sitting on the sidelines during this war is frustrating. Requesting more direct involvement but continually rebuffed by his superior officer, DCS Foyle is further frustrated by a shortage of manpower that impedes his powers of policing.

As Foyle quickly learns, however, the role he plays is in no way a small one, for the war has certainly not brought a cessation of crime. If anything, it has intensified the heinous nature of domestic crime when carried out against innocent people already suffering, sacrificing, and struggling to persevere in such a brutal time.

Each episode of Foyle’s War, created by Anthony Horowitz (Midsomer Murders), blends real-life war stories with tales of treachery and suspense. Whether investigating sabotage, looting, stolen food or fuel supplies, police brutality of conscientious objectors, treason, or murder, Foyle and his colleagues must wage their own personal war amidst the tumult of a larger one. But more than a period whodunnit, Foyle’s War is redolent with rich human drama subtly revealed through the lives of these main characters who make up the heart of the series. Steadfast and loyal to each other, they strive to uphold the values for which they and their countrymen – their loved ones – are fighting and dying.
 

Michael Kitchen, as Foyle, doesn’t say much and prefers fly fishing to socializing, but Oh My is he clever. The human side of the war is emphasized through continuing secondary plot lines that involve the ongoing love life of Foyle’s female driver, Samantha. She even has an ongoing fling with Foyle’s son, an ace fighter pilot. Foyle’s second in command, Sergeant Milner is a wounded vet who lost a leg in the war – a fact his wife is unable to deal with.

Foyle’s War was created in 2001 by author Anthony Horowitz and commissioned by ITV1 to fill the void following the end of long-running detective series Inspector Morse. Set in Hastings, it ran to 19 episodes and featured Foyle’s attempts to catch criminals taking advantage of wartime confusion. Now, three more episodes have been made (wooo hooo!), with Michael Kitchen reprising his role and Foyle’s peacetime exploits are likely to feature his female driver, Sam, more prominently. Foyle’s War will return to ITV1 with a “new style series” set in June 1945, after VE Day signalled the end of the conflict in Europe, but with the war against Japan in the Far East not yet concluded.

“Like everyone else, detective chief superintendent Christopher Foyle needs to feel his way in this new world. Keen to retire, but bound to his old job by the shortage of senior men, Foyle is thrust into the dangerous worlds of international conspiracy and execution, military racism and national betrayal,” ITV said.

The series producer, Jill Green, added: “This fascinating period post-VE day has rarely been featured on TV and once more Foyle’s War will be unearthing true stories that reflect tougher, moodier times.”

Living With the Duke of Wellington

I’ve been living with the Duke of Wellington for nigh on thirty years now – reading about him, researching him and, perhaps most fun, collecting items associated with him. The first portrait of the Duke I ever bought is pictured at right. If you can believe it, I stumbled upon it in a thrift store in Florida and paid just $99 for it. Afterwards, I brought a photo of it with me to London and took it to Grosvenor Prints in Seven Dials and asked the gentleman there what he thought it was worth. He hemmed and hawed on giving me an appraisal without actually seeing the piece, but did tell me that mine was one of a series of eight engravings done shortly after the Duke’s death to commemorate the high points thereof. My engraving shows the Duke being installed as Chancellor of Oxford University and the frame is rosewood. When I told the man how much, or how little, I’d paid for the piece, he peered at me over the top of his glasses and said, “Madam, you got yourself a bargain.”

The next portrait I bought was this reproduction of Thomas Phillips’s 1814 painting of the Duke. Unfortunately, there isn’t an amusing story attached to this purchase, just ordered it through the mail, took it to be framed and matted and hung it above my fireplace. I must say, though, Artie looks tres festive when wreathed in garland at the holidays! My father bought the pheasant at an auction decades ago and when he returned home with it, both my mother and myself thought he was crazy. However, now I’m ever so glad he found it, as it’s so veddy Victorian in appearance and goes quite well on the mantle, non?

On a subsequent trip to London, I returned to Grosvenor Prints and spent quite a few hours perusing their Duke of Wellington stock, finally choosing this engraving because it seemed to match the first engraving in size and subject composition. It’s a contemporary engraving of Sir Thomas Lawrence’s 1821 portrait of the Duke, with Copenhagen’s head visible in the lower left corner. I had it matted and framed to match the first engraving.

On that same visit, I also bought this engraving of Elizabeth Hay, 2nd Duchess of Wellington and favorite daughter-in-law of the Duke. I also have an engraving of the Duke showing Elizabeth over the field of Waterloo on horseback. My husband tries to make me understand that these pictures should all be hung together, museum-like in a large room or gallery and not ranged over every conceivable bit of wall space in a smallish family home in which current day people actually live. I told him that I agreed. The collection as a whole would look infinitely better in a townhouse in Bath’s Royal Crescent or a Grade II listed period home in, say, Gloucestershire. I further told him that as soon as he bought me one or the other I would move each and every picture and knick knack to our new house. No need to tell you that I’m still waiting for word that our Georgian manor home has been purchased.  
One wall in my office is taken up with various prints and here hangs Sir Thomas Lawrence’s most iconic image of the Duke, as well as the engraving on the field of Waterloo I mentioned earlier at bottom left. The framed document in the middle is a land indenture and the document at top right is an edition of the London Chronicle from 1771. Prince Leopold (or Leopold, King of the Belgians) is matted in red top left. Can I tell you how much enjoyment my passion for the past has afforded me over the years, giving me the excuse to visit bookshops, printsellers, antique shops and stalls and the like?  While I love each find, I think my favorite piece of Wellington memorabilia is one of his handwritten envelopes, seal still intact, that I found on Ebay!
And, of course, all the book finds, whether associated with the Duke or not. Here are but a few. It always makes me chuckle when people ask me whether I’ve actually read them all. Obviously, these people are a breed apart from you and I. So, that’s a quick tour of my Wellington collection. When we go to London in June, Victoria and I plan to visit Grosvenor Prints and the bookstores in Charing Cross Road and Cecil Court. No doubt we’ll be coming home with more finds.

I can hear my husband groaning now.

My London by Kristine Hughes

I’ve been to London many times and whenever those who don’t know me very well ask why I keep returning to the same city, I’m hard pressed to explain to them what London means to me. My London is not the city that exists now. Madame Tussaud’s and the London Eye are all well and good, but my London is the old city, the Square Mile that was bordered to the north by the Oxford Road, to the South by Vauxhall Gardens, to the east by Mile End Road and to the west by Hyde Park. To my mind, Richmond, Hampstead, Brixton and Golder’s Green are not in London. Though I may visit these places, they lay outside the parameters of the London I see in my mind, the London I see when I walk the streets today. You can still see Georgian, Regency and Victorian London on practically every street. Kensington Palace, St. James’s Palace and Apsley House still exist. Hatchard’s bookshop and Fortnum and Mason, the Burlington Arcade and the Tower are still to be found. True, there are no longer Hansom cabs or sedan chairs for hire, no hawkers crying their wares in the streets and, certainly, no dandies strolling in St. James’s Street, but every now and then you come across a London view so perfect, so historically right, that it makes the trip worthwhile.

One of the stops I always make while in London is Apsley House, London home of the Dukes of Wellington, where today you’ll find all of the many paintings and gifts bestowed upon the first Duke by grateful nations on display. While the current Duke of Wellington does live there, the portions of Apsley House now open to the public have a museum feel, there’s nothing of Wellington the man left to see except for a small room in the basement that houses some of his army gear. But again, portions of the upstairs rooms do offer views onto 19th century life. Enough to make me return time and again.

Perhaps what I love best about London are the modern day memories my visits have provided and the people I’ve met along the way. There was the time I was strolling down the Mall with a tour group and our way was suddenly blocked by a burgundy Rolls Royce coming out of a drive and stopping right in front of us. It was an older Rolls and the windows were as large as those found in some houses. Looking through the back passenger window, my gaze met and held that of Prince Charles. He was dressed in full regimental regalia no less. He smiled at me and raised his gloved hand to the visor of his hat in a jaunty salute before the car pulled away. Then there was the day that I was taken to the Victoria and Albert Museum and for a cruise up the river by David Parker, then curator of the Dickens House Museum. At one point during our ramblings, David took hold of my elbow, stopped me and pointed to a second story window. Looking up, I saw Inigo Jones’s ceiling of the Banqueting House through the upper storey windows. Amazing. Another memory I’ll always cherish is the time Anthony Lejeune, author of The Gentlemen’s Clubs of London, invited me to dinner at Brooks’s Club. Walking up the stairs to the second floor dining room, I came face to face with Sir Thomas Lawrence’s full length portrait of George IV. Having port after dinner in library, I gazed at the portraits of the Dilettanti Society that range the walls and marveled at the fact that there were bed billows, in white pillow cases, placed on the arms of the leather couches, ready for any member who felt the overwhelming need of a nap.

On our upcoming trip to London this June, as soon as I land on the Saturday, I’ll meet up with Victoria Hinshaw and the first thing we plan to do is to walk the St. James’s area. We’ll visit the lesser streets, give a nod to the Almack’s building, stroll by the statue of Beau Brummell and, no doubt, raise a pint at the miniscule Red Lion pub in King Street, a perfectly preserved time capsule of a Victorian pub.  No doubt I’ll be returning home with many more memories to treasure . . . . .  . More musings on adventures ahead soon, as well as detailed blogs on the sites Victoria and I have on our itinerary.  

Boodle's Club

During the Regency and Victorian eras, Boodle’s Club, in St. James’s Street, was noted for the number of baronets who were members. It’s been recorded that when a waiter called out “Sir John, you are wanted,” a whole host of gentlemen would at once respond. This is rather a quaint anecdote, but it must be remembered that the club was established chiefly for “county people,” who had a proper respect for their own importance. Until the late 19th century, before Boodle’s came under the management of a committee, there was a kind of secret tribunal, the members of which were fictitiously supposed to be unknown. “This conclave conducted its proceedings with great secrecy, and its very existence was only inferred from the fact that at intervals, varying from six months to fifteen years, some printed notices appeared in the club rooms.” But these notices only referred to dogs or strangers, who were looked upon by the ancient members as very objectionable intruders.
Another rule was that members dining in the coffee room must wear evening dress. However, there was another apartment for those who found it necessary to keep to their morning clothes. Boodle’s was very strict and chaste on etiquette laws. Boodle’s Club was originally known as the “Savoir Vivre,” and took its particular name from the founder, and was established, like many of the other famous clubs of the day, in St. James’s Street.Gaiety and the joy of good living marked its early career very conspicuously, as may be gathered from “the Heroic Epistle to Sir William Chambers,” I773:
For what is Nature ? Ring her changes round,
Her three flat notes are water, plants, and ground ;
Prolong the peal, yet, spite of all your clatter,
The tedious chime is still ground, plants and water ;
So, when some John his dull invention racks,
To rival Boodle’s dinners or Almack’s,
Three uncouth legs of mutton shock our eyes,
Three roasted geese, three buttered apple pies.
White’s, Brookes’s, and Boodle’s for many years fought for supremacy, with masquerades, dinners, and “ridottos.” Boodle’s outside appearance is still very unpretentious, and perhaps sombre, from an architectural point of view, but the interior has a number of interesting features, especially in regard to some of the pictures by Gillray and others.
Among the exceedingly eccentric members of the club, two at least are deserving of passing comment. Michael Angelo Taylor, at one time M.P., and John, the tenth Earl of Westmorland. Taylor was “Paul Pry ” personified, and was an everlasting gossip. The Earl was very thin. Coming in one day, says Edward Walford in “Old and New London,” Taylor found Lord Westmorland, who had just dined off a roast fowl and a leg of mutton. “Well, my lord,” said Taylor, “I can’t make out where you have stowed away your dinner, for I can see no trace of your ever having dined in your bare body.” “Upon my word, I have finished both, and could now go in for another helping,” replied Westmorland. Walford adds that his lordship was notorious for his prodigious appetite, and on several occasions was known to have eaten the better part of a good joint and a couple of fowls.
The Club house, at No. 28 St. James’s Street, was designed by the Adams brothers and erected by John Crunden about 1765. The saloon on the first floor at Boodle’s is still noted for the stateliness of its appearance, opening from which on each side are two small apartments. One of these, according to tradition, was, in the Regency days of high play, managed by a cashier who issued counters and occupied himself with the details connected with the game; while the other room was reserved for special gambling members who wished to play in quietude.
It was not an easy matter to be elected a member of Boodle’s, and when Mr. Gayner became the manager, he would sit in state in a small chamber adjacent to the principal saloon, or front room, which, of course, was sacred to the members. Says Ralph Nevill, “When a candidate was proposed they (the members) walked across and deposited their black or white balls, after which they retired again to the front room. After a short time Mr. Gayner would shout ‘elected’ or ‘not elected,’ as the case might be, the ceremonial being gone through separately for every candidate.” But Mr. Gayner, it is said, took no account of the balls, but scrutinized all who were proposed from his peep-hole, and if they did not meet with his approval the black ball predominated.

Mr. Gayner, notwithstanding, was a very liberal and kind man, and prevented many a young fellow from getting into the hands of the money lenders and usurers who were in constant wait for the young unfledged geese who were ready to be plucked, by advancing them the wherewithal to assist them out of impending difficulties. There are several anecdotes in regard to his generosity and kindness in such cases. He always kept a large amount of cash in his safe, and at his death is said to have been owed no less than £10,000, which, however, by a clause in his will, was not to be demanded from the borrowers. After his death, Mr. Gaynor’s sister succeeded him in the proprietorship of Boodle’s. She died in 1896, when the club was purchased by its members.

The Source of Madness in Alice in Wonderland

We all know and love Lewis Carroll’s Alice in Wonderland and the audacious characters therein, like the Queen of Hearts and the Mad Hatter. But with the release of the latest film version of the tale comes a discussion on just how the Mad Hatter got his name – even Johnny Depp chimes in on the speculation. Was the name really meant to be the “Mad Adder?” Or did the Hatter’s madness have to do with mercury poisoning, a pitfall of the trade in the 19th century? You can read the full article here.