For 2021, Number One London is offering an up-close look at six of Britain’s finest stately homes, each one showcasing impressive state rooms, private family rooms and perfectly preserved “downstairs” domestic spaces, all presented within a leisurely itinerary. Once we check-in to our hotel in the historic spa town of Buxton, the rest of the tour will be taken as day trips, via luxury coach.
The itinerary includes visits to magnificent properties, some of which have been named as one of England’s 10 Treasure Houses – Castle Howard (above), Harewood House and Chatsworth House – while Shugborough Hall, Tatton Park and Lyme Park have been chosen for their unique history and architectural significance.
Click link in photo for complete Tour itinerary and links to each property!
Many people may be surprised to learn that the Duke of Wellington was a keen tennis player – so much so that he had an indoor court built at Stratfield Saye, where he and Prince Albert played a few sets during Queen Victoria and Prince Albert’s visit to Stratfield Saye in 1845, which was reported in the Illustrated London News.
From A History of Stratfield Saye by the Reverend Charles Griffith, Jon Murray 1892:
“. . . On the west side of the road face of the mansion, to the right front, and This building, which is of full size, occupies the site and is built upon the old walls of Lord Rivers’ riding-school. . . At the termination of the university course of the Marquis of Douro, who was afterwards second Duke of Wellington, and of Lord Charles Wellesley, the father of the present duke, the ﬁrst Duke of Wellington erected this building for the amusement of his sons. The ﬁrst duke himself for some years frequently played, in the court, and his butler, Phillips, became one of the ﬁnest players in England of his day, successively beating all the best French players with whom he contended. . . ”
Tennis had been played in England since the middle ages and Henry VIII had a court at Hampton Court Palace. By the 1820s, the only London tennis court still in operation was the James Street court near the Haymarket. The members of this newly revived club invited the Duke of Wellington to join them in 1820, which invitation he gladly accepted. But other aristocratic families also partook of the sport –
From a letter written by Lady Holland, Holland House, 1st Jany., 1816 to Mrs. Creevey [in Brussels] –
“. . . According to the song, ‘London is out of town’ the country houses are overflowing. The love of tennis is come so strongly upon Lord Holland that he has persuaded me rather reluctantly to go once more to Woburn for 3 or 4 days, in order that he may play a few setts. The plea which makes me yield is that I believe exercise keeps off the gout.”
The Sporting Magazine for February 1795 gives us the following description of the Woburn tennis courts – “THE Tennis Court and Riding House (with apartments between to dress in) forms a building 266 feet 8 inches long, and 49 feet 6 inches wide, the whole front of which is stone: The roof is a flat one, and covered with a composition of tar, chalk, etc., instead of lead. There are flues run along the walls, and under the pavement of the Tennis Court, to keep off the damps.”
|Francis Russell, 5th Duke of Bedford|
It was Francis Russell, 5th Duke of Bedford who improved Woburn Abbey, adding a Riding School and the Tennis Court, which would later quite literally be the death of him. It was while playing a game of tennis that the accident occurred which eventually proved fatal. He was struck by a ball; a lingering illness ensued, and he died on the 2nd March 1802.The editor of Horace Walpole: Lord Orford’s Letters to the Countess of Ossory, transcribes from the memoranda of Lord Ossory the following account of the death of Francis, fifth Duke of Bedford in 1802:— ‘On February 27th 1802, I went over to Woburn, hearing of the Duke of Bedford’s dangerous illness. There I found Dr. Kerr. …. The progress of the disease was not favourable, and the symptoms were very bad on Monday morning, till twelve; from that time till five or six, hopes began to revive; then they all vanished, and he was given over, and on Monday morning, March the 2d, about half-past eleven, he expired in a manner in Lord John’s arms.
“Thus died Francis, Duke of Bedford, with a sort of similarity of fate to his father, both of whom I loved with much affection and attachment.”
As lamentable as Francis’s death was, it almost had dire consequences for the beautiful Lady Georgina Gordon, who had been engaged to him. Her mother, the Duchess of Gordon, was not going to let the Dukedom of Bedford escape her, and after Lady Georgina had left off her mourning for her betrothed, she became engaged to his brother and successor, John, sixth Duke of Bedford, to whom she was married a year later. She went on to have ten children.
|1816 Plan of Woburn Abbey – Wikipedia|
But back to tennis . . . From Wikipedia – A plan of the house and “pleasure ground” at Woburn from Hortus Gramineus Woburnensis (1816), a book about horticultural experiments conducted at Woburn. The top is east. A: The house. The whole of the top (east) wing and the eastern end of the north and south wings have been demolished. B: Stable/service blocks. These survive and one now houses the Woburn Antiques Centre. C: The riding school and the real tennis court, which have been demolished. D: The long rectangle at the right of the southern service block is the sculpture gallery, which survives In 1816 the main entrance was on the eastern side of the house, and was reached via a grand arch between the riding school and real tennis court. After the demolition the West Hall in the centre of the West Front became the main entrance once again.
In his Arboretun et Fruticetum Britannicum: or, The Trees and Shrubs of England, Volume 2 (1838), John Claudius Loudon describes the grounds at Woburn and tells us that there is “a passage under the Cape heathery, which forms a portion of a covered way, leading from the mansion to the different objects of interest adjoining it; such as the green-house, sculpture gallery, tennis-court, Chinese dairy, plant-stoves and palm-house now erecting, and finally to the pleasureground, including the aviary, arboretum, salictum, grass-garden, American garden, etc.”
From Tennis by John Moyer Heathcote 1890, “In our own country the game was beginning to lose its popular character, although still played by the higher classes of society. Many old courts were abandoned or destroyed, and we hear of the construction of three only in the latter half of the century: the Duke of Richmond’s at Goodwood, the Duke of Bedford’s at Woburn, and the court in Tennis-court Road, Cambridge, erected in 1734, recently pulled down and replaced by the new buildings of Pembroke College.
“There is, however, no probability of the last age of this eventful history passing into mere oblivion, for the nineteenth century has witnessed a renewed and constantly increasing enthusiasm for Tennis, shown by the number of courts built by public and private enterprise, on improved lines, and equipped with modern requirements, and by the interest taken in all important matches.”
Whilst tennis is still played in England, alas, the courts at Woburn have, indeed, passed into oblivion. During the First World War parts of the Abbey, the riding school and indoor tennis court (now demolished), were converted into a temporary ward for wounded soldiers; some 2,000 patients passed through the Abbey Hospital.
In its first few centuries, Syon seemed to exist under a dark cloud. Lord Somerset died on the scaffold before it was finished; Lady Jane Grey resided here; it served as a prison for the children of Charles I for a time.
By 1764, Syon was still basically a Tudor mansion, looking much as it had when first built in 1547, a courtyard house that offered many challenges to bring up to current taste. The 3rd duke, who succeeded in 1817, rebuilt the walls of the house in Bath stone, and built the conservatory. He entertained “lavishly” at Syon during the reign of William IV and was succeeded by his brother Algernon in 1847. Their descendants today still live at Syon, the family of the 11th Duke, Henry Alan Walter Richard Percy.
From the website: Robert Adam and ‘Capability’ Brown
“The 7th Duke of Somerset died in 1750, and Hugh and Elizabeth, who were to become the 1st Duke and Duchess of Northumberland, inherited the estates. They were leading figures in contemporary society, and would have inherited a house with dated interiors, surrounded by an unfashionable formal landscape. Gardens and House were both in a poor condition.
“The solution was a complete redesign of Syon. In one of his first major commissions, the landscape architect Lancelot ‘Capability’ Brown swept away the formal landscape to the south and west of the House, replacing it with the open views characteristic of the English Landscape movement. Over the course of twenty years he extended this to the north and west, incorporating farmland to the west into the new park, and creating Pleasure Grounds to the north, both centred on large new ornamental lakes. In the House the Scottish architect Robert Adam was commissioned to create a series of striking classical interiors, filled with antiquities shipped from Italy. Adam was not able to change the interior layout of the House, and so used a number of architectural devices to create a suitable impression.”
Following a carefully designed route through Capability Brown’s Park, then through a monumental portico, one enters the Great Hall.
The visitor experiences a dramatic contrast when stepping into the Ante-Room after the subdued serenity of the Hall.
After the brilliant colors of the ante room, the dining room is almost restrained in its gilded elegance. From the Ante-Room, on the corner of the house, one steps into the ivory and gold magnificence of the Dining Room, a perfect example of classic Adam style. Columns, apses, antique statues, and gilt combine with the rich wooden flooring in a pleasing pattern. Adam rarely used soft materials in his eating rooms because carpets, curtains, tapestries and other hangings could absorb food odors. Cleverly concealed in the doorways are compartments holding the dining tables, which were set up for meals and removed for dancing or other activities, while some of the statue bases conceal chamberpots.
The Red Drawing Room was described by Adam as a buffer to the real Withdrawing Room for the ladies, which was in the next chamber, the Gallery, now the Library. The walls are of red Spitalfields silk, while diamonds and octagons on the ceiling contrast with the painted medallions with gilded banding.
Syon Park and House are on the itinerary of Number One London’s Town and Country House Tour in September – details and complete itinerary can be found here.
We arrived in time for a curator’s tour, but we had time to take a quick look around before it began.
The Entrance hall has identical alcoves at each end with a fireplace and two classical statues in each.
Then, to add to the phenomenal variety of decorative motifs, comes the Etruscan Dressing Room, with designs drawn from ancient Etruscan vases discovered in Italy. These designs were eagerly adopted into architectural decor and into popular patterns manufactured by Josiah Wedgwood and others in the mid 18th Century.
The north side of the house is less dramatic that the south side, where the State rooms are. The library looks exactly like the kind of place we need for our most capable work. What are the chances?
The last room on the north side, formerly known as the Breakfast Room, was under renovation. We found it fascinating to see a work in progress.
In the room were several beautiful pieces of what appeared to me to be valuable oriental-style furniture. No explanation was given for the state of the room or the random placement of these items. Guess I’ll just have to go back and see what happened!!
Click here to read about Victoria’s previous visit and the history of the house.
Read here about The Two Lady Jerseys.
Click here for the obituary of Lady Jersey, Almack’s patroness, in a Gentleman’s magazine of 1867.