The London and Waterloo Tour – Hampstead, the Heath and Kenwood House and Gardens

What can I say about Hampstead Heath except that it lives in the mind as a preserve for brigands and highwaymen; a wild and woolly expanse of nature that can only be traversed at one’s peril? Okay, okay, I know that it has shrunk’s considerably in size until it now totals 790 acres and that the Heath has grown decidedly tame, more’s the pity, but I still want to see it with me own eyes. Located just four miles from Trafalgar Square, the Heath is one of the highest points in London, includes 26 ponds, a few bogs and includes an area of land that runs from Hampstead to Highgate.

In June, I want to visit Hampstead and see the Heath. Hampstead is supposed to be worth a trip in and of itself, a picture postcard pocket of London. I’m looking forward to exploring an area of London I haven’t seen before and to strolling the streets and promenade, visiting the shops and the Spring at Well Walk and to simply enjoying the scenery. Oh, and to stopping in at Louis Patisserie, which everyone says has the best cakes and pastry ever. Afterwards, I plan to head out on foot across the Heath to Kenwood House.

Kenwood House is a former stately home on Hampstead Heath with an art collection boasting Rembrandts, Turners, Reynolds, Gainsboroughs and Vermeers. The House itself is a stunning neoclassical white villa whose Adam Library is considered one of the most important rooms designed by Robert Adam in the country. The home was owned by the great judge, Lord Mansfield. Later Earls of Mansfield redesigned the parkland and Kenwood remained in the family until 1922.
When developers attempted to buy the estate, the house and grounds were saved for the public by the brewing magnate, Edward Cecil Guinness, the first Earl of Iveagh, who bought Kenwood House and 74 acres of parkland in 1925. In 1928, when he died, the Earl bequeathed the Kenwood Estate and part of his collection of pictures to the nation. As you may expect, I’m especially anxious to see The Brummell Children, painted 1781-82 by Sir Joshua Reynolds. Yes, that Brummell, and his brother, William.

This is the first year that I’ve been gardening seriously – from digging out the garden, to planting it and to babying it. So I’m especially eager to see Kenwood’s gardens, which were laid out by Humphry Repton in the 1790s. Thankfully, the farm, dairy, stables, kitchen garden, lakes, woods and meadows are all still in existence, as is Repton’s strictly ornamental false bridge shown at right. You can read more about the gardens here.
Oh, and if you happen to be a Blondie fan, she’ll be giving a concert at Kenwood House Saturday, 26 June 2010 at 7:30 p.m.

The London and Waterloo Tour – Book and Print Sellers

Books, glorious books! What better reason to go to London than to browse the second hand and antiquarian book shops? Oh, the musty smell of the stacks, the light coating of dust atop the books, the heart stopping finds one occasionally makes! I once came home from England with, quite literally, a huge suitcase full of books. I crammed my personal items into a duffel and used the suticase for the books. The customs agent couldn’t believe it. Nor could either of us lift it.

On our London/Waterloo tour, Victoria and I have set aside a day to do the book shops on Charing Cross Road and the adjacent Cecil Court, to be followed by print buying at Grosvenor Prints.
Charing Cross Road runs immediately north of St Martin-in-the-Fields to St Giles’ Circus (the intersection with Oxford Street) and then becomes Tottenham Court Road.

Charing Cross Road is renowned for its specialist and second-hand bookshops and more general second-hand and antiquarian shops such as Quinto Bookshop, Henry Pordes and Any Amount of Books. Oh, the books I’ve found at Pordes! This trip out, I’ll be looking for letters, diaries and journals of the day(s), as per usual, and anything Regency, as per usual, and whatever else I may fall over that strikes my fancy, as per usual. And I must make a list of all the authors I want to search for – British authors whose books are hard to find here. I know that Victoria will be looking for books by Angela Thirkell.

Smaller second-hand and specialist antiquarian bookshops can be found in the adjoining Cecil Court, where shops selling specialist books (children’s, theatre, travel, etc) stand side by side and where both Victoria, Diane Gaston and myself have picked up prints and maps in the past. The shopfronts have not been altered in more than a century and the traditional hanging signs announce specialists in rare and antiquarian books, maps and prints and all manner of related printed material including stamps and banknotes. It was at David Drummond’s shop, Pleasures of Past Times, that I picked up a favorite Regency find – a ticket of admission to view the trappings installed at Westminster Abbey for the Coronation of George IV.

Victoria and I will be ending our day at Grosvenor Prints. You’ll find in a previous post that I’ve already been to this printseller’s shop and bought a number of prints related to the Duke of Wellington. While they have a searchable online catalogue, the bulk of their stock is kept in folders in the basement and when you arrive, you can tell the salesperson what you’re interested in. Then you sit down to wait for a few minutes and they return from the depth with treasures untold. This time, Victoria and I are going to email ahead in order to let them know what we’re looking for and when we’ll be in. While I’ll be seeking prints related to the Duke of Wellington (surprise!), Victoria is looking to add to her collection of fashion prints from 1800 to 1820 and for engravings of Margaret Mercer Elphinstone, Princess Charlotte, Lady Melbourne, Lady Cowper, Lady Palmerston and other ladies of the period. We promise to let you know what we find.

Continued below . . . .

As a side note, I wanted to let you know about another Charing Cross Road. A long-standing correspondence between New York based author Helene Hanff and the staff of a now defunct bookstore on the street, Marks and Co., was the inspiration for the book 84 Charing Cross Road (1970). The book was made into a 1986 film with Anne Bancroft and Anthony Hopkins and also into a play and a BBC radio drama. Any bibliophile, especially an American bibliophile, will be enchanted by the letters that pass from Ms. Hanff to the staff and vice versa during her years of placing orders with them. Friendships develop, news is exchanged and family events shared. Both the book and movie are both charming and touching and highly recommended.

London and Waterloo Tour – Kensington Palace

Kensington Palace has been home to the royal court, on and off, since William and Mary took up residence at Kensington House, as it was then known, shortly before Christmas 1689. The accession of George I was celebrated at Kensington with a bonfire in the gardens, where the household servants and courtiers toasted their new king with six barrels of strong beer and over three hundred bottles of claret. It was George I who set about making extensive renovations to the property, though he didn’t spend much time at the Palace. George II, on the other hand, loved the Palace, but didn’t entertain lavishly. After his sudden death at Kensington on 25 October 1760, the Palace would never again serve as the seat of a reigning monarch.
Now the story heats up – George III’s fourth son, Edward, Duke of Kent, was given two floors of rooms in the south-east corner of the Palace in 1798, below the State Apartments. The Duke undertook extensive renovations of the main rooms of the Palace with Wyatt as his architect before hastily moving to Brussels to escape his debts. In 1817, Princess Charlotte, who was the only legitimate heir to the throne, died in childbirth. The Duke of Kent (and all of the other unmarried royals) realized that it would behoove him to find himself a bride and set about the business of begetting a legitimate heir. In 1818 the Duke married Victoire, Dowager Princess of Leiningen, the sister of Prince Leopold of Saxe-Coburg – the late Princess Charlotte’s husband. Kent was cleverer than most of his brothers when he chose a wife. Victoire of Leiningen was a widow and already had proved her fertility by having had two healthy children.
Victoire, Duchess of Kent
The Duke of Kent and his bride moved into Kensington Palace and Princess Victoria was born there on 24 May 1819 and christened the following month in a private ceremony in the Cupola Room. Unfortunately, the Duke lived only nine months after the birth of his daughter but the Duchess of Kent and her daughter continued to live at Kensington until the accession of Queen Victoria in 1837. On 20 June 1837, very early in the morning, Princess Victoria was awakened and told that her uncle William IV had died and that she was queen.  Throughout the 19th century, the Palace was slightly neglected, its rooms doled out as grace and favour homes for minor royals or loyal retainers. A bit of glamour was restored to the Palace when Princess Margaret took up residence there, and of course the Palace will forever more be linked to its most glamorous resident, Diana, Princess of Wales.
An installation called “Enchanted Palace” is on now and running through January 2011. It’s a combination of fashion, performance, storytelling and film that runs throughout the palace and tells the story of its former residents. Installations in the state apartments are by designers including Vivienne Westwood, William Tempest and Stephen Jones and illustrator/set designer Echo Morgan who, working alongside Wildworks Theatre Company, take inspiration from the palace and the royals who have lived there. Contemporary designs are displayed alongside historic items from the collection, including dresses worn by Princess Diana. Each room tells a story about a former resident.  A somewhat maudalin tone is set by the Room of Royal Sorrows, focused on the emotional torment of Queen Mary II as she tried in vain a produce an heir. It is set in her bedchamber, giving the display an unsettling authenticity. The focus of the room is a ‘dress of tears’ created by Aminaka Wilmont, while on the bed is a figure of the queen, dressed in blue, face hidden. “The first time you walk into the room, it has an aura of sadness, but also incredible beauty,” said designer Marcus Wilmont, part of the team that decorated the room and came up with the outfit worn by the mannequin representing Queen Mary. “She tried really hard, but she had many miscarriages. She was a very loved queen, and we wanted to try to capture her spirit.” There are dozens of antique glass bottles known as “tear catchers” in the room, once used during times of mourning. It was thought that bottling the tears would catch and contain sorrow. Visitors are encouraged to leave a handwritten note about the last time they cried.

Wildworks’ interactive ‘wishing throne’ is the centrepiece of the King’s Presence Chamber, while the theme of dance is reflected in the Council Chamber, where dresses belonging to Princess Margaret and Princess Diana are displayed within a silver birch forest installation. The Independent calls the installation “so
peculiar it is as if you’ve stepped into Tim Burton’s ‘Alice in Wonderland.” Read the entire article here.

One can only wonder what Queen Victoria would have thought of these avant garde goings on in her childhood home. . . . . Would she be amused?

After touring the interior of the Palace and the gardens, Victoria and I will be taking tea in the Orangery. In addition to the Royal Champagne Tea, the Orangery is featuring an Enchanted Palace Tea featuring chocolate ganache and raspberry shortbread. To see all of the Orangery’s menues, click here.

Kristine

London and Waterloo Tour – Apsley House

One of the very first stops Victoria and I will be making together is a visit to Apsley House, the Duke of Wellington’s London home.  Apsley House is, of course, the place from which we took the name for this blog. The house became familiarly known as Number One, London as it was the first house after the Knightsbridge toll gates that travelers passed upon entering London.

Apsley House, originally a red brick building, was built between 1781-1787 by neo-classical architect Robert Adam for Baron Apsley, later the second Earl Bathurst. It was purchased by Marquess Wellesley, elder brother to Arthur Wellesley, in 1807, with financial difficulties following soon after. Needing a base of operations and residence in London, and seeking to ease his brother’s financial burdens, the ever practical Duke purchased the house in 1817.
Wellington settled upon architect Benjamin Wyatt to carry out restorations to Apsley House. Wyatt  expanded Apsley by two bays, and built the Waterloo Gallery for the Duke’s paintings and refaced the house with Bath stone. Wellington presided over the redecoration of Apsley House’s interiors in Regency fashion and hosted annual Waterloo Banquets to commemorate his victory of 1815, entertaining fellow officers from his campaigns in the Peninsular War and at Waterloo.

The house was used for entertaining on a grand scale, and Wellington’s great dinner and dessert services are on display. The Sèvres Egyptian Service was commissioned by Napoleon for his Empress Josephine. The vast silver Portuguese Service, with an 8 metre long centrepiece, adorned the table at the annual Waterloo Banquet, a great event at which the Duke entertained officers who had served under him at Waterloo and in the Peninsular War.

From 1992-1995 Apsley House was restored to its former glory as the private palace of the ‘Iron Duke’. Apsley House is the last great London town-house with collections largely intact and family still in residence.

The first Duke of Wellington possessed a collection of art and fine furnishings perhaps unrivalled by any contemporary.  After the Duke’s victory over Napoleon at Waterloo, grateful nations and private citizens showered Wellington with gifts of thanks, including a fine Sevres porcelain service from Louis XVIII of France, and superlative Portuguese silver.

There are also 200 paintings from the royal collection of the Kings of Spain that Wellington recovered from Joseph Bonaparte after the Battle of Vitoria in 1813. After King Ferdinand VII was reinstated as monarch, he asked Wellington to keep the paintings as a gift of thanks. The Duke, no fool he, agreed. Among these paintings are works by Goya, Velasquez, Correggio, and Rubens.

Front and centre upon entering Apsley is Antonio Canova’s huge statue of Napoleon, portrayed as an ancient Greek athlete. The sword carried by Wellington at Waterloo is on display in the Plate and china Room, as well as the sword of his great foe Napoleon.

I suppose I should come clean and confess that the last time I was at Apsley House I set off the alarms. Really. It was in the Waterloo Chamber. I was looking at the 8 metre long silver centerpiece on the table and simply could not believe my eyes. The entire thing was coated in a layer of dust. My eyes must be deceiving me, thought I, as I wiped a fingertip across one of the figures. Well, not only was there, indeed, dust on my finger, but the alarms began sounding and by the time a guard entered the room, I’d turned my back and was studying the full length portrait of George IV. No matter that I was the only person in the room, I simply acted as though nothing at all had happened. And as far as I’m concerned, it hadn’t. Hopefully, they feel the same and will let me back in this June.   Kristine

London and Waterloo Tour – St. James's Street

One of the first stops on our London and Waterloo tour will be a stroll through the St. James’s area of London. Here’s a bit of history:

St James’s was once part of the same royal park as Green Park and St. James’s Park. In the 1660s, Charles II gave the right to develop the area to Henry Jermyn, 1st Earl of St Albans, who proceeded to develop it as a predominantly aristocratic residential area with a grid of streets centred on St James’s Square.

St James’s takes as its borders Piccadilly, Haymarket, the Mall and Green Park. This part of London became the centre of fashion in the 1530s when Henry VIII built St James’s Palace on the site of St James’s Hospital, a former leper hospital. The palace was one of the principal royal residences for more than 300 years and continues to be the Court’s official headquarters. Foreign ambassadors to the UK are still known officially as ‘Ambassador(s) to the the Court of St James’.

Until the Second World War, St James’s remained one of the most exclusive residential enclaves in London. Famous residences in St James’s include St James’s Palace, Clarence House, Marlborough House, Lancaster House, Spencer House, Schomberg House and Bridgewater House. It is now a predominantly commercial area with some of the highest rents in London and, consequently, the world. Corporate offices in St James’s include the global headquarters of BP and Rio Tinto Group. The auction house Christie’s is based in King Street, and the surrounding streets contain a great many upmarket art and antique dealers.

St James’s is also the home of many of the best known gentlemen’s clubs in London, and is sometimes, though not as often as formerly, referred to as “Clubland”. The “clubs” found here are organisations of English high society and include White’s, Boodle’s and Brooks’s Clubs. A variety of groups congregate here, such as: royals, military officers, motoring enthusiasts, and other groups. In 1990, the Carlton Club, traditional meeting place for members of the Conservative Party, was struck by an IRA bomb. In a similar vein, the area is also home to fine wine merchants Justerini and Brooks and Berry Brothers and Rudd, at numbers 61 and 3 St James’s Street respectively. Adjoining St James’s Street is Jermyn Street, famous for its many tailors. St James’s is also famous for being home to some of the most famous cigar retailers in London. At 35 St James’s Street is Davidoff of London, 19 St James’s Street is home to J.J. Fox and 50 Jermyn St has Dunhill; this makes the area a Cuban cigar haven.

Also once located in St. James’s was Almack’s Assembly Rooms in King Street, about which we’ll be blogging tomorrow. Visit the LondonTown page for St. James’s Street for an in-depth look at everything in the area today.

The statue of Brummell by Irena Sedlecka was erected on London’s Jermyn Street in 2002.