The Lady Who Went Too Far

A new film has been announced – The Lady Who Went Too Far. From the writer and producer of The King’s Speech comes the story of Lady Hester Stanhope, based on the biography “Star of the Morning,” by Kirsten Ellis. Set during the Napoleonic Wars, the story follows the life of world traveler Stanhope and contains elements of a political thriller as Hester moves through Europe and the Middle East.

“She was a female Lawrence of Arabia, a hundred years before Lawrence,” said screenwriter David Seidler, whose credits also include Tucker: The Man And His Dream.

“It wasn’t that she was trying to change the world, she was just living the life that she thought she should have been afforded, to go on these great adventures, she did have a voice that should be heard,” producer Gareth Unwin told Screen. “If you ever want to find great stories, you only have to look to our past.”



Lady Hester Stanhope

 “Hers is a very powerful story that’s never been told cinematically before,” added biographer Kirsten Ellis. “She’s an undiscovered iconic emblem and the film will lift the lid on what made Hester spend half her life in the Middle East and what she tried to achieve there.”

In reviewing the book for The Independent, Robert Irwin swipes at Hester by closing with, “Though she (Ellis) writes well, it is not clear that her subject deserves so much devotion. During communal strife, Hester sheltered refugees and could be generous, but more often she was mean. She was also histrionic, superstitious, malicious and vainglorious. One has to rid oneself of the romantic trappings in order to see Hester Stanhope as what she became before her death in 1839 – a batty and embittered old English expat living on tick. There are thousands like her all over the world today.”

Of course, Reader, we are not concerned with those living today. We are, however, always interested in a true 19th century character, and as such Hester qualifies. As does Brummell if one is going to speak of being “histrionic, superstitious, malicious and vainglorious,” not to mention living on the tick. If authors were to stick only to those subjects who were worthy of praise or plaudits, the non-fiction shelves would be bare, indeed. Brava to Ellis for taking Hester on. We wait to hear who will play her in the film.

You can find Ellis’s book at Amazon here and visit the author’s website here

Demmed Painters

From the Duke of Wellington to Lady Shelley

London, March 1, 1825.

My Dearest Lady,

” . . . . I wish that I could as easily to myself satisfy you about the picture. But I cannot describe to you the inconvenience it is to me to sit. In fact, between Cabinets, Committees of the House of Lords, conferences with foreign Ministers and our own Ministers, etc., etc., the painters take up the only time I should have, if it was not for them, to transact business of any kind, or to read anything.

“I should not, nor do I, mind attending a good artist. But really, to sit as a ‘ Study ‘ to a young one who will never paint a picture as long as he breathes; and to pass three hours with him, and to have even one’s own reflections interrupted by his impertinence during that time, is more than human patience, even mine, can bear.

“However, I have promised him one more sitting, and he shall have it. But mind, that will make the tenth for this picture—viz. six at Maresfield and four in London; and I know that, after all, it will not be worth a pin!

Ever yours most affectionately,

Wellington

The portrait referenced appears at the top of the post. Is it, or is it not, worth a pin, after all?

Look What I Found

During my decades long research into the life and times of the Duke of Wellington, I often think I’ve exhausted every scrap of info ever posted on the web about him. In frustration, I began to enter weird search terms in the hopes of finding something new – Wellington + dogs, Wellington + lobster, Wellington + Charlie Sheen. This worked fairly well, turning up scraps of new, odd and decidedly informative data. Then, I started doing the same semi-random searches using Google Images for other areas of research. I swan, you never know what’s going to pop up. I had so much fun with a recent image search, I’ve decided to share it with you.

I entered “Regency+Row+Bath” in Google Images and got . . . .

This photo led me to a fabulous site titled Cheltonia, all about “the Curiosities of Cheltenham Spa, Past and Present.” It’s a site filled with articles and photos on various architectural details, old streets, placenames, maps and tons of historical tidbits. Warning: you’ll be there awhile.

This photo linked to an Illustrated Glossary of Victorian Sartorial Terms, a subpage of A Compendium of 19th Century Fashions published by the University of Texas. Here’s a photo of an 1801 Court Dress found on the site.

There are tons of fashions on the site, each photo gorgeous and each can be enlarged. Enjoy!

This photo led to a site called In Jane Austen’s England, written by the lady who also runs Sense and Sensibility Patterns. It’s a travel blog about her trips to England to walk in the Regency era. Last post appears to be 9/24/10, but there are tons of pages and pics from this amusing lady who now apparently lives in Kenya. The photos are beautiful and numerous and her text engaging.

 
I  was led to a site called English Buildings: Meetings With Remarkable Buildings run by Philip Wilkinson, the author of The English Buildings Book, by the photo above. I liked the site so much that I’ve added it to our “Amusing Blogs” section.

And the photo below led me to a site called Demolition Exeter, about the destruction of that City’s historic buildings and old streets.

And finally, I met a girl with a sense of fashion and a sense of humour, Miss Nightingale, at Beyond the Pale, via this photo

Here’s a taste of Miss Nightingale’s prose from her “About Me” section: “Affianced to a wonderful man, I currently reside in rather grandly named Royal Tunbridge Wells, located in the county of Kent in the UK. Far from living in the castle (or, at the very least, a medium sized mansion) we so obviously deserve, we live like paupers rent a small flat. I am waiting for that benevolent [yet previously unknown] relative to leave me their entire estate, and expect the hand-written-on-vellum letter from their Dickensian solicitors any day now…

“It should be obvious to even the most casual observer that I am pretty much obsessed with the Victorian and Edwardian [also, to a lesser extent, 1920’s/30’s/40’s] eras, and have been for as long as I can remember. I distinctly recall my mother asking me what I would like to be when I was older. I replied: `A pickpocket!’ which didn’t exactly swell her maternal bosom with pride. Thank goodness I decided I wanted to be a ballet dancer [ha! Short-lived], an actress [secretly feel I missed my calling], a writer [secretly still wish] or Prime Minister [unwise] instead.”

Lots of fashions, yuks and gorgeous photos – I’ve added Beyound the Pale to our blogroll, too.

More finds soon . . . . . .

Do You Know About the Duchess of Duke Street?

The Duchess of Duke Street is yet another gem from Masterpiece Theatre, in which Louisa Trotter works her way up from being a skivvy to being the Queen of cooks, cook to the King, and owner of the Bentinck Hotel. Based on the true story of Rosa Lewis, one of England’s first recognized female chefs, who worked her way up through the culinary ranks in order to own the Cavendish Hotel and to rub shoulders with celebrities and royalty along the way. Her no nonsense take on life and what it throws at you is at the core of this lavishly produced series that is chock full of humor and heart. Created by John Hawkesworth (Upstairs, Downstairs) and starring Gemma Jones (Bridget Jones’s Diary, Sense and Sensibility) as Louisa and Christopher Cazenove, above (A Knight’s Tale, TV’s Dynasty) as Charlie, the dashing love of her life. Spread out over two series, there are thirty-one episodes for viewers to relish.
                                                       The series more than loosely follows Rosa’s life story. Hired to work in the kitchens of the Comte de Paris, Rosa learned to cook at the elbow of the Comte’s French chef, copying his techniques and watching his every move as she rose through the ranks to become head kitchen maid. In 1887 Rosa was poached by the Duc d’Orleans as his cook. He hired her out on nights when her skills weren’t needed at his home, allowing Rosa the opportunity to see grander and grander kitchens and to learn from better and more experienced chefs along the way.  In time, Rosa became the first female cook to be employed at White’s Club, where a member made a pass at her. Rosa dubbed him “an amorous old woodcock in tights” and was dismissed shortly thereafter. But never fear, things only looked up for Rosa from then on.
There are several versions describing how the real life Rosa met Edward VII. According to Time Magazine, it was Lady Churchill who introduced them. However, the Cavendish Hotel biography states they first met while she was employed by Philippe, Comte de Paris and that Edward VII complimented her for the excellence of the dinner. Whatever the circumstances, Rosa and Edward formed a friendship that would last for years. Rumours of an affair between the two began to circulate and, in 1893 Rosa married a butler by the name of Excelsior Lewis (nicknamed Chiney, probably on account of his outlandish christian name). It was an arranged marriage, clearly intended to end the rumours and along with it came a stylish house in Easton Terrace. Rosa would later explain: “Me family said that if I didn’t marry Mr Lewis they’d shoot me. I told the parson to be quick and get it over and done with. We were married, I threw the ring at him outside the church door and left him flat.” Though the couple remained married, they only continuted to live together for a year. The Prince of Wales was understandably grateful that Rosa had made such a sacrifice on his behalf and it is widely believed that it was Edward, as King, who purchased the Cavendish Hotel in Jermyn Street for Rosa in 1902.
Whilst their romance might have cooled by that late date, Rosa and the King remained friends and Rosa had a private entrance installed for Edward and his royal guests so that nobody would notice their late-night parties in the grand drawing rooms of her hotel. Another admirer of her culinary skills was Kaiser Wilhelm II, who presented her with his portrait, which Rosa deigned to hang in the downstairs public loo. 
Rosa is played to perfection in The Duchess of Duke Street by actress Gemma Jones, who was first recognised outside the UK in 1974, after playing the Empress Frederick in the BBC television drama series Fall of Eagles. Gemma went on to play Mrs. Dashwood alongside Kate Winslet, Alan Rickman and Emma Thompson in the Academy Award-winning period drama Sense and Sensibility (1995).

To read more about the real Rosa Lewis . . . .
You can watch a bit of The Duchess of Duke Street here

Nunhead Cemetery

Nunhead Cemetery in Southwark is perhaps the least known, but the most attractive, of the seven Victorian cemeteries on the outskirts of London. It’s formal avenues of towering lime trees and original Victorian planting gives it a truly Gothic feel. Its history, architecture and stunning views make it a fascinating and beautiful place to visit. While much of the cemetery is mysterious and overgrown, many of its features have recently been restored to their former glory. This is thanks to funding from the Heritage Lottery Fund and Southwark Council.

There is a tour conducted by the Friends of the cemetery, open to all, on the last Sunday of each month, starting from the Linden Grove gates at 2:15 p.m. and the two-hour guided tour of a romantic and overgrown Victorian cemetery features 1,000 ivy-clad angels and mighty Victorians buried in the green heart of Peckham.  Consecrated in 1840, Nunhead contains examples of the magnificent monuments erected in memory of the most eminent citizens of the day, which contrast sharply with the small, simple headstones marking common, or public, burials. It’s formal avenue of towering limes and the Gothic gloom of the original Victorian planting gives way to paths which recall the country lanes of a bygone era.

The following account of Nunhead Cemetery appeared in a volume titled, Old Humphrey’s Walks in London and its Neighbourhood (1845) –

This Nunhead Cemetery of All Saints, occupies a commanding site between Peckham and the Kent road, sloping down to the east, north, and south-west, at a distance of some three or four miles from London, and, though far from being completed, gives a fair promise of equaling those which have already won the public approbation. It is the largest of all the cemeteries, comprising at least fifty acres.

In walking to this place I observed, on a neighbouring hill, a singular-looking erection, and the gravedigger, who is even now, with an assistant, preparing a “narrow house” for an inanimate tenant, tells me it is a telegraph. . . . There is a glorious view of London from this spot. The five oaks stretching themselves across the cemetery are strikingly attractive; and when the church is erected on the brow of the hill yonder, it will be a goodly spectacle. The palisades of the boundary, mounting tier above tier; the fine swell of the ground and commanding slope; the groups of young trees, and flowers of all hues, are very imposing. In a few fleeting years the cemetery will be, indeed, an interesting spectacle.

I have walked round the spacious enclosure. What an extended space for a grave-ground ! What a goodly homestead for the king of terrors! Here seems to be room enough to bury us all! At present the monuments are but few; but this is a want that mortality will soon supply. Fever, and consumption, and death, and time, are industriously at work. It is not to one, but to all, that the voice of the Eternal has gone forth: ” Dust thou art, and unto dust shalt thou return,” Gen iii. 19.

And in The Sunday At Home, Voume 25 (1878), we read:

MANY “parks” in the suburbs of London are now treeless, or planted only, in front “gardens,” with shrub-like trees. A visitor of Nnnhead Cemetery, however, unacquainted with its history, must feel inclined to say, “Here is a picturesquely wooded and undulating Surrey park, in which double rows of houses have not supplanted shady avenues; the turf and trees, over and under which a favoured few once wandered, have been turned into a receptacle and a canopy for thousands of the dead, who, whatever was their station in life, are like the dead slave in the Greek Anthology, all now “equal to Darius.'”

Nevertheless, some forty years ago, the cemetery was simply fifty acres of field and meadow. All the tasteful planting has been done by the cemetery company, and it is rare as well as rich, including shrubs which prove that landscape-gardening here is made a speciality, and that no expense is spared upon it. Within the cemetery, there is an ably superintended, strongly-manned nursery, which keeps the flower-beds bright, and the graves also, after the old Welsh custom. It is curious to think of little coffin-shaped parterres, bordered with whitewashed stones, and planted with old-fashioned flowers, far away in the quiet hollows of the Welsh hills—most of the graves with no other memorial than the piously-tended flowers, when on a summer day we see the blaze of blossom at the foot of gleaming marble and glittering granite in Nunhead. But it is winter at the time of our pleasant wanderings there. Some of the graves are still bright with flowers, but glossy shrubs are their chief adornment. Throughout the place, however, laurustinus blossoms freely, although chrysanthemums hang wilted heads, and rowan trees and holly and rose bushes are red with equally seasonable berries. In spite of gardener’s care, and the mildness of the season, there is nevertheless, an unmistakable look of winter in the place. Trees and bushes are leafless; dark, dank dead leaves lie trodden, or waiting to be trodden, into the fat clay; jungles of leafless sprays bend under sugared-almond-like ovals.

Although, since the Bishop of Winchester consecrated the forty-acre All Saints portion of the ground in 1840, some 45,000 persons have been buried in that portion, and the unconsecrated divided from it by no invidious boundary,—there are solitudes still in Nunhead cemetery; graveless, or only dotted with single tombstones, white, grey, black or green. Moss-grown red paths wind into nooks that seem, so far as either dead or living are concerned, as far from London as if thoy were in the Fiji Islands, until we hear the rumble and panting of one of the trains that frequently rush around. The roar of London is audible in Nunhead; the drab masonry of South London, redeemed from meanness only by its smokily, mistily, mysterious mass, spreads almost to the gates, but on other sides you see green swelling country, houseless, or only marred by straggling lines of brick and mortar.

The first grave in Nunhead was dug in October 1840. The average number of burials in it, during the last ten years, has been 1685 per annum, 1350 in the consecrated, and 335 in the unconsecrated ground. The total of burials having been more than four myriads, it is almost startling to hear the number of the “square” in which any one of the slightest notability or notoriety lies, given without a second’s hesitation by the superintendent. Before singling out graves of any kind o
f note, let us ramble round the cemetery.

The birds are not singing, but their half sad little chirpings and twitterings seem more in harmony with a burial ground than full sung, especially on a day like this, when a winter sun is vainly trying to shine through brown-holland-like clouds. The sheen of the silver birches’ bark seems self-evolved in the sombre midday dusk; willows and ashes “weep” still over green stones, on whose graves they have already shed their leaves.

Nunhead Cemetery is open daily, 8am-4pm in winter.
You can read a poem entitled Nunhead Cemetery by Charlotte Mew here and watch a video of the cemetery here.