Have Yourself a Stately Home Christmas

Each year, at the beginning of November, I start checking the mailbox for my invitation to spend Christmas at Stratfield Saye. Each year, I’m disappointed in this hope. All is not lost, however, as I’ve still been fortunate enough to spend a few Christmas’s, and a New Year’s Eve or two, in England anyways. Recently, Victoria and I were mulling over our choices for future holiday stays and we both thought it would be grand to really splash out and spend the hols at a stately home or three – even if none of them are Stratfield Saye.

 

 

Victoria suggested Castle Howard, above, in Yorkshire, which will be decorated and receiving visitors until 22 December. From their website: “Beautifully decked out each Christmas by the Hon.Simon and Mrs Howard, a visit to Castle Howard fills the festive season with sparkle and cheer. Approach the magnificent 18th-century house along the Christmas tree-lined drive.

 

“Inside, discover breathtaking interiors lit by candle and firelight, dressed with magnificent trees, a stunning display of traditional Howard family ‘twigs’, winter garlands and floral arrangements. Christmas at Castle Howard includes live music performances daily, audiences with Father Christmas and delicious seasonal menus in the restaurant and cafés. Remember to leave enough time to visit the gift shops, Farm Shop and Garden Centre where you can pick up that special Christmas gift.”

Victoria also suggested Wiltshire’s Bowood House, above, for which she harbors a soft spot in her heart, not least because it’s home to the current Marquis and Marchioness of Lansdowne. Speaking of whom, here’s the invitation to visitors from the Lady of the House: “For the second year the Marchioness of Lansdowne invites you to Bowood House Christmas Extravaganza.  See Bowood House decorated for a family Christmas and indulge in a fantastic shopping experience.  Come and see stunning stalls filled with handmade toys, Christmas food, antiques, evening clothes, indulgences, shoes, books, silk flowers, handbags, furs, puzzles, table decorations, candles, book signing by famous food writers and much much more.” The Extravaganza has become a seasonal favorite – last year, the Duchess of Cornwall paid a visit.

 

While Bowood House itself closes to the public before Christmas proper, the Bowood Hotel, Spa and Golf Resort.offers a two night Christmas Break, which includes a Christmas Eve visit to Lord and Lady Lansdowne –

 

Two Night Christmas Break – Get away for two nights with dinner, bed and breakfast, as well as full use of our spa facilities. What the break includes:

Christmas Eve
Arrive in time for a Champagne High Tea, served between 3pm and 4pm, before heading down to Bowood House to join Lord and Lady Lansdowne for carols in the private family chapel, followed by mulled wine and mince pies in the Orangery. Return to the hotel for a delicious three course dinner. If you wish to attend midnight mass in the village church, transport will be available. Then it’s time to relax. Enjoy a nightcap or a complimentary hot chocolate before you head up to bed and remember to put your Christmas stocking on your door before you go to sleep.
Christmas Day
Start the day with a full Wiltshire Breakfast. Spend the morning relaxing or work up an appetite with a walk in the beautiful Bowood Grounds. Santa will arrive with gifts for all. Lunch will be a gourmet experience offering traditional Christmas fayre, with a menu designed and cooked by our Executive Chef. The afternoon is a time for a nap or to watch the Queen’s speech and if you’re peckish, you’ll be able to help yourself to a delicious rolling buffet in the evening.
Boxing Day
Enjoy a full Wiltshire Breakfast and then make use of the luxurious Spa facilities before you leave. If you want to postpone your departure, add an extra night bed and breakfast from only £170 per room.
From only £450 per adult, £200 per child. Prices are based on two people sharing a twin or double room, single supplement applies, upgrades are available at a supplement. Price per child is based on sharing with two adults. If two or more children, an adjoining room will be offered for £375 per child, subject to availability. For more information or to make a reservation please call Bowood Hotel Reception on 01249 822228.

Personally, I’d love to see Chatsworth House at the holidays. The Duke and Duchess of Devonshire first opened the House to visitors at Christmas as a way of making up revenues after a year of poor visitor attendance due in part to hoof and mouth disease in the local area. Now, decades on, the Chatsworth Christmas displays are a well loved tradition for visitors from near and far.

 

This year, from November 9 to December 23, Chatsworth offers Christmas displays on the lower
floors of the house. The theme for Christmas 2013 is ‘The Lion the Witch and the Wardrobe at Chatsworth.’ In addition, each year the House hosts Christmas Market Weekends, seasonal floral workshops and twilight evenings.

The Cavendish family also own Bolton Abbey in Yorkshire and its there that you can enjoy a magical walk and discover the 12 scenes from the traditional carol come to life. Explore Strid Wood to find the 12 scenes – see 7 swans a-swimming, 3 real french hens and have a go on the drums. Nearby, the Devonshire Arms Country House Hotel and Spa offers its own fabulous Christmas Package. From their website:

With its signature puddings and wild moors, Yorkshire is a marvellously English place to spend Christmas. One of the county’s finest properties is the 30,000-acre Bolton Abbey Estate in the Dales, owned by the Duke and Duchess of Devonshire; and, on it, the Devonshire Arms Country House Hotel and Spa is offering two- and three-night Christmas packages. A Champagne reception and dinner in the Michelin-starred Burlington Restaurant will warm guests up for some carol-singing,

Christmas Eve –

Champagne Afternoon Tea, this will be served in the lounges and will include a variety of delights
19.00 Drinks Reception in the Cocktail lounge
19.30 Seated for a set menu dinner The Burlington Restaurant. We respectfully advise that the dress code for this evening is Jacket and Tie
22.30 The Choir will leave to take their place in The Priory for Midnight Mass. We invite you to board the 1920’s Charabanc to chauffeur you to The Priory from 10.45 pm
23.30 Celebrate the First Mass of Christmas
00.30 Once safely back at the Hotel, and if you can fit it in, enjoy hot chocolate, marshmallows, brandy, mulled wine and mince pies as a bed time treat.

 

Christmas Day
Breakfast is served in the Burlington Restaurant.
10.00 Morning mass at the Bolton Priory for those wishing to attend, The Priory is approximately 1 mile along the river or road. Reception has information on other Church services.
12.30 Champagne reception in the cocktail lounge.
13.30 The Traditional Christmas Luncheon, served in the Burlington Restaurant.
16.30 Games or walk
19.00-20.00 A Christmas buffet will be served in the Burlington. Help yourself to as much as you can eat.
20.30 Christmas Pub quiz to be held in the Brasserie.

Boxing Day

8.00-10.00 Traditional Breakfast will be served in the Burlington Restaurant.
12.00 noon Join the Airedale Beagles in the Devonshire’s front car park on their traditional Boxing Day hunt. Mulled wine & mince pies will be available to keep you warm!
12.00 noon For those of you who have chosen to go on the guided walk with Eddie, please meet in Reception at 12.00 noon, to see the Beagles & returning at approx 3.30pm to 4.00pm.Packed Lunch will be provided.
12.30–14.00 For those not attending the walk, a Boxing Day lunch is served in The Burlington Restaurant.
19.00-00.00 Champagne Reception prior to Boxing Night Black Tie Dinner with wine package and Jazz Band in the Cavendish Room, this is when the prizes will be given to those who have won the competitions.

Three-night packages from £1,645 per room. Devonshire Arms Country House Hotel and Spa, Bolton Abbey, Skipton, North Yorkshire (01756 710441; www.thedevonshirearms.co.uk)

THE ORIGINS OF THE CHRISTMAS CARD

From  Christmas Cards & Their Chief Designers By Gleeson White (1894)

The origin of the Christmas card is, fortunately for its future historians, not lost in the mists of antiquity, that popular hiding place for all sorts of origins; but as clearly fixed as Archbishop Usher’s date of Creation – B.C. 4004 – with more trustworthy evidence to support it. In 1846, Sir Henry Cole (then plain Mr) suggested the idea of a specially designed form of greeting to send to friends at Christmas. Mr J. C. Horley, R.A., acting on the hint, produced a design of a trellis of rustic-work, in the Germanesque style, divided into a centre and two side panels. In the panels are figures representing two of the acts of charity, “feeding the hungry” and “clothing the naked;” in the centre is a picture of a merry family party, including three generations, grandparents to grandchildren, quaffing draughts of wine.

It was evident that some such individual, whether called buyer or commercial traveller, comes between the manufacturer and the retailer in almost every instance. Not only has this personage to reckon with the taste of shop-keepers, which varies from the best to the worst, with a tendency to the latter, but he has also his own standard to defend. Hence he sells most readily not only those goods the average retail trader is most likely to choose for himself, but a great many others which, since they approve themselves to the vendor, he can recommend with sincerity. It is strange that this needle’s eye, through which so much Applied Art has to pass ere it reaches the public, is not more often recognised as the chief obstacle to its progress. The public should not be held responsible for declining to purchase goods which never came under its eyes; the manufacturer should not be held blameworthy for the poor level of the Art he offers, when, possibly, he has tried and tried in vain to induce his travellers and the trade buyers to support his efforts to produce good designs.

Although 1846 has been so far accepted as the undisputed date of the first card, just before going to press, Mr Jonathan King, the owner of the largest collection, has called my attention to a paragraph in a journal of some standing, where a Mr Thomas Shorrock, of Leith, is said to be the real inventor of the Christmas card, seeing that a year or two before the above date he issued one, with a laughing face, and the motto “A Gude New Year to Ye.” Whether this be the card which is elsewhere said to have been engraved on a copper- plate by a workman, Daniel Aikman, in 1840 or 1841 and published with a Scotch motto, I am unable to prove. Should either of these statements be accurate, although one might, without special pleading, claim that a New Year secular greeting is not quite the same as one marking a religious festival, it would be best to give later inventors equal credit, and assume, what would be probably correct, that neither knew of the doings of the others.

So, too, the statement that engravers’ apprentices of Northumberland or Yorkshire (the stories differ, and one questions if such a class of artists exists in either place in sufficient numbers to found a custom), are in the habit of sending specimens of their own work to friends at Christmas, and have done so for a long period, may or may not be true, but is hardly likely to have been the source whence the card was derived. Equally difficult is it to obtain any details of Messrs Goodall’s cards in 1862 (or 1864, authorities vary,) which were probably the first issued to the ordinary trade. Despite a former sentence crediting Messrs Goodall with the honour of being the first publishers of Christmas cards, (always excepting the Sir Henry Cole card of 1846,) and, notwithstanding the fact that several of their cards, issued in 1864 and 1865, from designs by C. H. Bennett, are reproduced here, it is possible that other candidates might put forward reasonable claims.

It seems probable that ornamented note paper and envelopes appeared just before the cards, that the designs in relief, identical with those on the stationery named, were either simultaneously or very shortly after stamped in the centre of a card, which had its edges coloured or embossed. Certain it is that T. Sulman was very early in the field with relief-decorated paper and cards, and with lithographed designs. Leighton, of Fleet Street, and Mansell, of Red Lion Square, are also amongst the first, while R. Canton, (who started Valentine and Birthday card production in 1840,) and Dean & Sons issued many of their publications with special Christmas mottoes. The innovation of stamping reliefs in two ormore colours is dated to 1858. The introduction of foreign “chromo-lithograph pictures,” to replace those hitherto coloured by hand, or by stencil, is traced to Elliott, of Bucklesbury, in 1850, and to Scheffer and Scheiper, (I have but the phonetic spelling of these names,) in 1851. This item in the preparation of “made-up” Birthday Cards and Valentines had hitherto been very rudely prepared by colouring plain embossed relief with a brush, or stencilling lithographs, afterwards embossed and cut out.

 

An improvement in these devices is traced to a man whose professional occupation was to colour designs upon linen bands for the Irish trade. These cut out devices were prepared at a cost of 4d. per 1,000, the hands earning about 15s. a week, until Germany sent over more cheaply produced imitations at one-sixteenth of the cost. Thierry, of Fleet Street, known as the father of the Christmas card trade, was, doubtless, the first to introduce the elaborately embossed reliefs which afterwards came over in cart loads. Then they cost 8os. per 100 sheets, now their price has fallen to 10s. the 100 for large quantities. When one remembers that at first—and for many years after- a large majority of the cards, (which, however little they interest us here, helped to spread the fashion), were made up from foreign chromo-lithographs, even by firms of the high standing of Marcus Ward, we find that this importation of foreign embossed relief takes its place as an important commercial factor in the rise of the industry.

With Messrs Marcus Ward & Co., who started the production of Christmas cards as early as 1867, coincidentally with the opening of their London house, however, we come to a very different class of manufacturers. Here is a house, one of the earliest in production, with a record that reaches the highest level of decorative excellence ever touched by the Christmas card. This firm for awhile monopolised the whole of the better-class trade. Beginning with the use of German ” chromos,” usually mounted on card with lithographed borders in gold and colours, of home manufacture, they soon issued reproductions of original designs by artists of repute, and gained a position where they stood without rivals. It was, I believe, owing to the acute perception of one of the partners of this firm, Mr. William H. Ward, that Miss Kate Greenaway was “discovered” as a designer. At the earliest “Black and White” Exhibition at the Dudley Gallery Mr. Ward’s attention was drawn to Miss Greenaway’s work; and recognising that her special talent was in the direction of costume figures and dainty colours, he induced her to design for the firm.

Illustrator Kate Greenaway designed this card entitled “The Merry Dance When Dinner’s Done.”
Christmas card by Kate Greenaway
Christmas card by Kate Greenaway
It is this characteristic which must be reckoned to the honour of Marcus Ward’s cards; not because they employed celebrated artists more freely than other firms—capable designers indeed were commissioned, but their list of well-known painters will not compare in mere numbers for a moment with those of several of their near rivals—but because they saw that an architectural, not a pictorial, aim was the correct one. To talk of architecture in connection with so ephemeral an object as a Christmas card may sound absurd, but, nevertheless, I think all students of decoration must admit that its treatment should be more nearly allied to the surface decoration of buildings than to transcripts of nature, which are, in theory, attempts to imitate the out-look from a window of the building. This latter, usually held to be the aim of the pictorial artist, cannot be employed without degradation upon mechanically-produced reproductions in colour; but the artificial convention — the idea of decorative as distinguished from pictorial art— wherever you find it for stained glass, mosaic, enamel, inlay or colour printing, has another purpose to fulfil, which is more admirably achieved when the limitations of the material are duly observed.
Note: Alternately, the Hyperallergic site has published an article on Creepy Christmas Cards, which you’ll find here.

YOU MIGHT BE A REGENCY REDNECK IF…

 It is that time of year once more! We at Number One London are inordinately fond of Christmas. We kick off the month of December with a Christmas favorite!

CHRISTMAS EDITION

(c) Aberdeen Art Gallery & Museums; Supplied by The Public Catalogue Foundation

I write Regency historical romance because I fell in love with the era at the age of nine, and my love has only grown stronger since. I love the manners, the rules of proper conduct, the elegant clothes (especially men in breeches and boots,) travel in carriages and on horseback, the stately homes, and every aspect of life in this unique period.

Be that as it may, I have come to realize there are some aspects of Regency life, even in the most elite portions of society, that would not be amiss in the red plastic cup, mud-bogging, tobacco spitting locale in which I live today. Directions to my house do include the words “Turn off the paved road.”

Lest you think I use the term “redneck” as a pejorative, I spent a large portion of my childhood living in mobile homes in the South. My mother’s family were Native American sharecroppers. My father’s family were Pennsylvania coal miners. I know who and what I am. Jeff Foxworthy, the leading expert on the redneck lifestyle, defines it as “a glorious lack of sophistication.” For the purposes of this essay, and in my semi-expert opinion, that is the definition we will use.

There are examples of redneck behavior to be found in every race, religion, socio-economic group, and country in the world. I now realize the same is true of every historical era. Rednecks have been with us forever. Even during that most gracious and elegant of times—The Regency.

Prove it, you say? I give you a series of Regency Christmas traditions any self-respecting redneck would be happy to call his or her own.

Snapdragon

Under the heading of a Regency version of “Hey y’all, watch this!” comes the Christmas game of Snapdragon. Raisins and nuts were soaked in brandy in a large shallow bowl. The lights were put out, and the brandy lit. People had to try and grasp a raisin or nut and eat it without burning themselves. The winner was the person who managed to capture and eat the most. I think you’d have to soak me in brandy to get me to try it!

Bullet Pudding

Another Regency era Christmas game with a redneck flair is bullet pudding. One must have a large pewter dish piled high with flour pushed to a peak at the top. A single bullet is placed at the crest of the “pudding.” Players take turns cutting a slice of the “pudding” with a knife. The person who is slicing the “pudding” when the bullet falls must then put their hands behind their back and poke about in the pile of flour with their nose and chin to find the bullet. Once they find it, they must retrieve it with their mouth. All the while trying desperately not to join their companions in laughter as this will result in flour being inhaled into the mouth and nose. Regardless, the bullet retriever ends up with flour all over his face. Any game played with live ammunition and the promise of someone ending up covered in a mess would be as welcome at a Redneck Christmas as it was at Regency Christmases.

Wassailing!

There were no Christmas carolers in Regency England. However, wassail groups would go from house to house singing begging songs in the hope of receiving food, drink, and money. Wassail was a mixture of beer, wine, and brandy and was usually served to the singers at each house. Every house. A great many houses before the night was done. I think I’ve seen groups like this around my neighborhood at Christmas-time.

 

 

 

 

 

 

Very few houses had our idea of Christmas trees during the Regency. Such decorated Christmas trees were made popular in England by Queen Victoria and Prince Albert in the middle of the 19th century. However, trees were not left out of the Regency holidays. On Epiphany Eve, men would gather round a fruit tree, usually in an orchard, with cider and guns. In an ancient ceremony, they would drink to the tree and fire the guns to drive away evil spirits and promote the vigor of the trees. Horn-blowing was an alternative to firing guns. (Sounds like a Regency tail-gating party to me!)

The Yule Log

Speaking of trees, what could be more fun than a large group of men sent out into the woods to find the largest log possible to burn in the Christmas fireplace? The yule log had to be large enough to burn through the entire twelve days of Christmas. In fact, it had to be large enough to burn through to Twelfth Night and leave enough to be used to light next year’s log. Between the mine is bigger than your’s aspects of the hunt for the yule log and the opportunity to show off one’s strength in helping to drag the log home, this Regency Christmas tradition is rife with redneck possibilities.

 

 

 

 

 

 

Mistletoe and Kisses

Round out your Regency Christmas outdoor adventures with shooting mistletoe out of the trees (a method used by many Regency bucks) and hanging it about the house in every doorway and dark corner, a Regency version of spin-the-bottle if ever I’ve heard one.

 

A FLAMING DESSERT

Oh, and don’t forget a Christmas dessert for which many families put the ingredients on layaway. K-Mart did not invent the concept. The original Christmas clubs were for families who could not afford to pay for the ingredients for their Christmas pudding all at once. Wives in less affluent households deposited their pennies with their local shopkeepers in order to have the money to purchase those luxury food items necessary for a proper Christmas pudding. And after all of that, said dessert was brought to the table amidst great pomp and ceremony and… set on fire. Anyone who doesn’t believe your average redneck would shout “Hell, yeah!” at the idea of a flaming Christmas dessert has never been to a Christmas barbecue in the South.

At the end of Christmas Day, men and women of every age, no matter how strict the rules of society, tend to celebrate this joyous holiday with a bit more exuberance than decorum prescribes. Even Regency ladies and gentlemen, at least during Christmastide, might show “a glorious lack of sophistication.” So should we all!

THE FOODS OF LONDON CHRISTMAS MARKETS 1845

by George Scharf

From The Book of Christmas: Descriptive Customs, Ceremonies, Traditions by Thomas Kibble Hervey (1845)

Everywhere, throughout the British Isles, Christmas-eve is marked by an increased activity about the good things of this life. “Now,” says Stevenson, an old writer, “capons and hens, besides turkeys, geese, ducks, with beef and mutton, must all die; for in twelve days, a multitude of people will not be fed a little . . .” The abundant displays of every kind of edible, in the London markets, on Christmas-eve, with a view to the twelve days’ festival, the blaze of lights amid which they are exhibited, and the evergreen decorations by which they are empowered —together with the crowds of idlers or of purchasers that wander through these well-stored magazines—present a picture of abundance, and a congress of faces, well worthy of a single visit from the stranger, to whom a London market, on the eve of Christmas, is, as yet, a novelty.

The approach of Christmas-eve, in the metropolis, is marked by the Smithfield show of over-fed cattle; by the enormous beasts and birds, for the fattening of which medals and cups and prizes have been awarded by committees of amateur graziers and feeders;—in honor of which monstrosities, dinners have been eaten, toasts drunk, and speeches made. These prodigious specimens of corpulency we behold, after being thus glorified, led like victims of antiquity, decked with ribands and other tokens of triumph— or perhaps, instead of led, we should, as the animals are scarcely able to waddle, have used the word goaded—to be immolated at the altar of gluttony, in celebration of Christmas! To admiring crowds, on the eve itself, are the results of oil-cake and turnip feeding displayed, in the various butchers’ shops of the metropolis and its vicinity; and the efficacy of walnut-cramming is illustrated in Leadenhall market,—where Norfolk turkeys and Dorking fowls appear, in numbers and magnitude unrivalled. The average weight given for each turkey, by the statement heretofore quoted by us, of the number and gravity of those birds sentup to London from Norfolk, during two days of a Christmas, some years ago—is nearly twelve pounds; but what is called a fine bird, in Leadenhall Market, weighs, when trussed, from eighteen to one or two-and-twenty pounds,—the average price of which may be stated at twenty shillings; and prize turkeys have been known to weigh more than a quarter of a hundred weight.

Leadenhall Market

Brawn is another dish of this season; and is sold by the poulterers, fishmongers, and pastry-cooks. The supply for the consumption of London is chiefly derived from Canterbury, Oxfordshire, and Hampshire. “It is manufactured from the flesh of large boars, which are suffered to live in a half-wild state, and, when put up to fatten, are strapped and belted tight round the principal parts of the carcass, in order to make the flesh become dense and brawny. This article comes to market, in rolls about two feet long, and ten inches in diameter, packed in wicker baskets.”

 

Another feature of this evening, in the houses of the more wealthy, was the tall Christmas candles, with their wreaths of evergreens, which were lighted up, along with the Yule log, and placed on the upper table, or dais, of ancient days. Those of our readers who desire to light the Christmas candles, this year, may place them on the sideboard, or in any conspicuous situation.

 

Our account of Christmas would not be complete,—without giving some description of the forms which attended the introduction of the  boar’s head at the feasts of our ancestors. The boar’s head soused, then, was carried into the great hall, with much state; preceded by the Master of the Revels, and followed by choristers and minstrels, singing and playing compositions in its honor. Dugdale relates that at the Inner Temple, for the first course of the Christmas dinner, was ” served in, a fair and large bore’s head, upon a silver platter, with minstrelsye.” At St. John’s, Oxford, in 1607, before the bearer of the boar’s head,—who was selected for his height and lustiness, and wore a green silk scarf, with an empty sword-scabbard dangling at his side,—went a runner, dressed in a horseman’s coat, having a boar’s spear in his hand,—a huntsman in green, carrying the naked and bloody sword belonging to the head-bearer’s scabbard,—and “two pages in tafatye sarcenet,” each with a “mess of mustard.”

THEY DIDN’T BURN WITCHES, THEY BURNED WOMEN

BUT NOT IF THEY WERE WELSH!

 

Wellcome collection

Accusations of witchcraft across Europe for several centuries resulted in the persecutions, imprisonments, torture and executions of hundreds to thousands of people, most of them women. There were an estimated 1000 executions in England, and between 3,000 and 4,000 killings in Scotland.  However, oddly enough, only five people were hanged for witchcraft in Wales. Why?

After all, Welsh court records dating from the 16th century, held at the National Library of Wales, show that suspicions and verbal accusations of witchcraft like those seen across the rest of Britain and Europe were common in Wales. They also happened under similar circumstances where accusations often followed an argument, or a request for charity which was denied.

The records indicate bitter arguments between neighbors and family members often precipitated these accusations. Horses were killed, cattle were bewitched, pigs perished, men and women were injured, there were miscarriages and even murders in these accusations. Their accusers were neighbors, relatives, and in many cases, people with financial and personal reasons to make such accusations. However, if a case came to court, juries usually found the accused not guilty. Again, we ask Why?

Actually, there were a couple of very good reasons.

First of all, Wales was considered a land of magic, enchantment, superstition, and connection to the supernatural long after the rest of Britain had become enlightened. People from the rest of England, both the wealthy and aristocratic and the poor and uneducated, often went to Wales looking for consultations with enchanters and soothsayers and healers.

Wise women, cunning folk and soothsayers, were highly regarded in Wales, using magic to perform important services for the community. They were often the only physicians available in entire counties. Their knowledge of herbal medicine and folk remedies was unsurpassed in Britain. They served as midwives, arbitrated arguments, advised on animal husbandry and crop plantings, and performed myriad other services through the simple witchcraft of centuries of knowledge passed down from mother to daughter.

Women in Wales even looked like witches. They tended to dress in long, heavy woolen skirts, aprons, blouses and large woolen shawls. Most village women brewed mead and ale. They let their community know that there was ale for sale by placing some form of signage outside their cottages. The most popular and well-remembered of these signs was a broomstick.

 

 

 

There is speculation among some researchers that the traditional tall, black hat of the Welsh woman served as inspiration for the wide-brimmed hat of the fairy tale witch.

Another good reason was the adherence of the Welsh to unreformed religion long after the Church of England was established and made the faith of Britain. The Welsh preferred to worship within the household in ways that mimicked Catholic practices.  They believed in prayer rather than doctrine. There is evidence that many people continued to seek the aid of charmers instead of the church. Elizabethan and Stuart politicians frequently spoke about the religious ignorance in Wales.

Priests were asked to create curses in the form of prayers. People consulted wise women to offer prayers that melded the Catholic faith with old Celtic practices. Many in Britain considered Wales a country steeped in darkness due to their adherence to so many of the old ways.

A charm attributed to Gwen ferch Ellis, the first woman to be hanged for witchcraft in Wales, included the words “Enw’r Tad, y Mab, a’r Ysbryd Duw glân a’r tair Mair” (translated as “the Father, the Son and the Holy Spirit of God, and the three Marys”.) These charms were never really meant to cause harm, but only to ward off evil.

Charm written out by Gwen ferch Ellis
(Image: Michael Jones/National Library of Wales)

A third, and most fascinating reason was the power of language, the Welsh language, to be more specific. When witch hunts came to Wales in the form of witch hunters appointed by Parliament like Matthew Hopkins (c. 1620 – 12 August 1647)  they had a number of strikes against them. In addition to the attitudes of the people who were judges and made up juries when it came to witchcraft none of the witch hunters spoke or read Welsh.

Frontispiece from Matthew Hopkins’s The Discovery of Witches (1647), showing witches identifying their familiar spirits

Evidence in many of these cases consisted of people hearing supposed spells and being able to speak them back to the witch hunter to be written down. Any writings of the accused witch be they recipes or books of herbal medicine were seized, but they proved useless because none of the English or Scot witch hunters could read them. Needless to say any Welsh-speaking individuals asked to translate pleaded ignorance of what was written. No sense in taking chances when it came to crossing a Welsh woman, just in case!

 

 

IN MEMORY OF THE THOUSANDS OF PEOPLE, MOSTLY WOMEN, MURDERED FOR THE SUPPOSED CRIME OF WITCHCRAFT ALL OVER THE WORLD TO THIS DAY.

AND IN HONOR OF THESE FIVE MARTYRS TO WELSH TRADITION

BENDIGEDIG FYDDO

1594

Gwen ferch Ellis, of Bettws, Denbighshire

1622

Rhydderch ap Evan, a yeoman, Caernarvonshire,

Lowri ferch Evan, Caernarvonshire

Widow Agnes ferch Evan,  Caernarvonshire

1655

Margaret ferch Richard,  Anglesey