From The Horse-World of London by William John Gordon (1893)
Tattersall’s is usually looked upon as the headquarters of horsey London. It is certainly the headquarters of the horse of pleasure, but, as has been made clear enough in these pages, that sort of horse is simply lost in the thousands that throng our streets. Tattersall’s is practically the great betting exchange, but the visitor to any of the Monday or Thursday sales will be puzzled to find the least sign of a betting atmosphere at Knightsbridge. The two things are as distinct on those days as, say, the Bank of England and Capel Court. The yard is under cover, a lofty glass-roofed hall, which cost 30,000L to build, and which is as big as many a railway station. It is surrounded by a handsome gallery, behind the arched and columned screen of which every type of pleasure vehicle seems to be ‘on view,’ duly numbered in ‘lots’ for the hammer. In the centre of the gravel area is a drinking fountain, surmounted by the quaint old Georgian bust of the founder, with its eyes fixed on the entrance doors, and its thoughts apparently as far away from water as are those of the crowd around.
It is a different variety of crowd from that which gathers in any other sale yard. London has several ‘repositories.’ There is Aldridge’s in St. Martin’s Lane; there is Kymill’s in the Barbican—these two being the chief; and there are Stapleton’s out in the East, and Ward’s in the West, and the Elephant and Castle in the South, and others which many a horse knows well. There is a sort of horse that ‘knows the lot’; the sort that ‘does the round,’ and brings more money to the auctioneers than to the unfortunate buyers, who ‘find him out’ in a fortnight, and ‘get rid of him sharp’ to an unwary successor; a wonderful animal this horse, ‘quiet in harness, a good worker,’ who has only two faults, one that ‘it takes a long time to catch him in a field,’ the other that ‘he is not worth a rap when caught.’ But this kind of horse does not put in many appearances at Knightsbridge. Tattersall’s has a character to keep up, and it has kept it up for over a hundred years now. It is eminently respectable, from the unused drinking fountain and the auctioneers’ hammer, one of the good old pattern, with a rounded knob instead of a double head, down to the humblest hanger-on.
Entering one of the stables which open on to the yard, and have a dozen or more roomy stalls apiece, we find a horse being measured, to make sure he is correctly described. One would think he was a recruit, from the careful way in which the long wooden arm is brought down so gingerly as not even to press in his skin. Soon his turn will come. Up in the gallery will go his number, and the young auctioneer in the rostrum below —which has a sounding-board, as if it were a cathedral pulpit—will read out his short title.
Out comes the horse at last—tittuppy-trot, tittuppytrot. ‘Ten,’ says one of the crowd. ‘Ten guineas,’ echoes the auctioneer. ‘Twelve,’ comes from the crowd; ‘twelve guineas,’ echoes the Varsity man in the pulpit. And so the game goes on with nods and shouts, each nod or look being worth a guinea, so that the solo runs, ‘Thirteen—thirteen guineas—fourteen guineas—fifteen guineas—sixteen—sixteen guineas— seventeen—eighteen—twenty guineas’—quite a singsong up to—’ twenty-eight guineas’—and so gradually slowing, with a spurt or two to ‘forty guineas’—and then a grand noisy rally till ‘fifty-five’ is reached. ‘Fifty-five?—Fifty-five?—Fifty-five? Last time, Fiftyfive!’—knock—and away goes Captain Carbine’s hunter, to make room for a ‘match pair’ that will change hands at 165 guineas, or perhaps fifty more if the season has begun—the bidding always in guineas, in order that the auctioneer may live on the shillings, as Sir John Gilbert used to do in the old days when the guineas flowed to him for his drawings on the wood.
If you want riding horses or carriage horses you go to Tattersall’s; if you want draught horses for trade, you go to Bymill’s or Aldridge’s, where you not only get the new-comers, but also the second-hand, and many-another-hand, from London’s stables. With those second-hand horses we need not overburden ourselves; our task has been to bring the first-hand horses into London, and sort them out. We have brought in the ‘bus horses, the tram horses, the cab horses, the railway horses, the cart and many other horses. Of the cart horses we could, if it were worth while, say a good deal more. We have said nothing of the distillers, the millers, the soap merchants, the timber merchants, the better class contractors, and half a dozen other firsthand horse-owning trades. Some of the distillers’ horses are said, by those who know, to be as good as any in the brewers’ drays, and by ‘as good’ is meant that they are of the same breeding, and can be compared with them, owing to their being at somewhat similar work.
If you think you know anything of horseflesh and want the conceit taken out of you, by all means attend a repository sale. You will see a horse—it may be a likely mare—led from her stall and stood ready for her turn, and you will probably value her at, to be reasonable, 20L; and she looks worth not a penny less. When her number goes up at the window you will see her shown at her best at a run, and, for a moment, you will be inclined to add hi. to your estimate, But soon a chill will run down your back as you hear the bidding. ‘Three! Three and a half! Four!’ a long pause. ‘Four and a half! Five!’ jerks the auctioneer in the corner, with about as much expression as if a penny had been put in his mouth to work him automatically. ‘For the last time! Five!’ Knock. Five guineas! And as the mare is led back to her stall she seems to Change before your very eyes, and you are ready to admit that she doesn’t look worth a penny more!
by Louisa Cornell – originally published June 26, 2017
Regular visitors to Number One London have read of my obsession with research books written on the Regency era. I collect them with a fervor just short of that of the Regency’s most avaricious bibliomaniac. As a subdivision of my obsession, I want to tell you a bit about my relationship with research books written during the Regency era. What the latest generation of twenty-somethings would call ancient books.
I currently own slightly over 500 research books about the Regency era. They are catalogued online at LibraryThing which is one of the earliest online cataloguing services. I understand there are far more platforms now, but this one has served me well and the community is without peer when it comes to discussing and admiring the libraries of its members. My library is listed as public, which means it can be viewed by any member of LibraryThing. Here’s the link to my Regency Research Book collection, which comprises 1/6th of the books I have catalogued so far. I won’t tell you how many of my books are not catalogued. The number frightens even me.
As dearly as I love my Regency research books, those books written and published during or just after the Regency era are my most prized. Why? It isn’t the monetary value nor the cache of having antique books to display on my shelves. I live in the middle of nowhere and my library is hardly ever seen by anyone else. My old books have incalculable value to me for two reasons.
Their proximity to the era about which or during which they are written puts my research as close to the source as I can reach. Ask anyone who is a fanatic about a certain period and place in history and they will tell you, whether it be visiting an exhibit of clothing sewn and worn during said era or reading a copy of a book written and printed during that era, extant resources are the best. To be able to actually look at an item, be it a Manton pistol or a single-lens quizzing glass or a lady’s corset, transports a person into a place as near to the era as they will ever be absent a teleporting police box, a ring of Scottish stones, or an acquaintance with a couple of gentlemen named Bill and Ted. Books written about an era during that era or shortly afterwards offer the very best view into not only the subject matter, but also into the mind of the writer. An invaluable view to have.
Paterson’s Roads was one of the essential travel atlases of the Regency era. Those huge, unwieldy spiral bound atlases one can purchase at rest stops, restaurants, and in no less a location that Walmart have nowhere near the elegance of this volume, but they serve the same purpose. With Paterson’s Roads in hand a Regency gentleman, an ambitious coachman, or a young lady looking to escape an unwanted marriage might find his or her way nearly anywhere the road might take them. My copy has a bit of scuffing about the cover, but it does include all eight foldout maps intact, a rarity. It also has the added thrill, mixed with a bit of sadness, of coming from the library of a country house. The new owners of Lowick Hall in Cumbria have parted with large portions of the home’s library in order to afford renovations necessary to maintain the house. Their loss is my gain, but I cannot help but wonder at whose hands have touched this book before me and what adventures it took them on before it made its way across the Pond to me.
I own two editions of The Stately Homes of England, Illustrated with 210 Engravings on Wood by Llewellyn Jewitt. One is the 1877 two-volume first edition published in England and the other is volume one of the 1878 edition published in the United States. The British edition was an intentional purchase from a book dealer in Saxmundham, England. The American edition I came upon at a flea market and I simply could not leave it there to languish unappreciated. This book allows me to see these stately homes, many of them gone now, through the eyes of both a writer and an engraver who lived only slightly removed from the Regency era. One cannot put a price on their vision. And the wood engravings are exquisite.
Stately homes of England by Llewellyn Jewitt 1877 edition
My 1890 edition of Glimpses of Old English Homes, Illustrated with drawings and portraits by Elizabeth Balch is a bit worse for wear. As with all of my old books it is carefully wrapped and preserved and I wear gloves when I consult it. She is a fragile old girl, but the information and illustrations and the scholarly research conducted by the author provide myriad little details a researcher more removed from the era might never have the opportunity to see.
Glimpses of Old English Homes by Elizabeth Balch 1890 editionFront page Glimpses of Old English Homes by Elizabeth Balch 1890 Edition
In addition to these three beauties, I own a few more ancient books, as my nephew would call them. I have an 1860 edition of William Makepeace Thackery’s The Four Georges – Sketches of Manners, Morals, Court and Town Life. This book is both entertaining and informative and tells me in no uncertain terms what the author thought of the Georgian era and the people who made the era what it was.
I also have an 1821 edition of Real Life in London: On the Rambles and Adventure of Bob Tallyho, Esq. and His Cousin, the Hon. Tom Dashall through the Metropolis; Exhibiting a Living Picture of Fashionable Characters, Manners, and Amusements in High and Low Life. By an Amateur. Embellished and Illustrated with a Series of Coloured Prints, Designed and Engraved by Messrs. Heath, Alken, Dighton, Brooke, Rowlandson, &c. London: Printed for Jones & Co. This is a fun read and rife with all sorts of ideas for stories set in the Regency era. This is actually an imitation of the original work by Pierce Egan. However, this particular imitation is the one Egan is said to have favored the most. I have to agree with him.
Also on my shelf is The Annual Register, or a View of the History, Politics, and Literature, for the Year 1804 which was actually published in 1806. This is the sort of volume one would have lying about the library or the lounge of a club or anywhere someone might want to pass a few hours reading articles about various subjects as they appeared in the year noted. I cannot tell you how fascinating it is to pick up this book and immerse myself in the major, minor, and every level in between events of a single year during the Regency era.
I also have an 1818 edition of One Hundred Sixteen Sermons, Preached Out of the First Lessons at Morning and Evening Prayer, For all Sundays in the Year by William Reading, M.A. This book is especially close to my heart as it was given to me by a dear friend who knew how much I would treasure it. The inscription of the first owner is dated December 29, 1818. December 29th is my birthday. Reading the sermons probably has not made me a more pious person, but it has given me insight into the religious year and into the way people of this era practiced and thought of their faith.
I said before, there are two reasons I treasure these extant resources so very much. The second reason has nothing to do with monetary value, research value or their usefulness to me as a writer of Regency historical romances. It has to do with me as a human being. My Native American ancestors say “We are not human beings on a spiritual journey. We are spiritual beings on a human journey.”
That spiritual experience is what I have when I hold these books in my hand. When I curl up in a chair with a cup of Earl Grey and a plate of Walker’s shortbread and read the same pages someone from another time and place read I feel a connection, a tie to those long ago readers. I wonder about their lives, their hopes, and their reasons for owning and reading these books before me. When each of these books arrived, I spent a great deal of time holding it and turning it over and over again in my hands. I guess that makes me some sort of book geek, at best, and a book weirdo, at worst. Guilty as charged.
There is a reverence to the written word. Those of us who know the importance of words, of their preservation in these old books, can see as others do not the intangible connection books provide from one era to another, from one person to another, and from one soul to another. The electronic age has provided us with access to plenty of old books via inter-library loan and Google books. I do a great deal of my research this way. I confess if a book is particularly helpful I let the Harvard Bookstore print a Google book up for me. They are cute little volumes and the script and text are presented exactly as they appear in the originals.
In the end, there is simply something about holding a stalwart leather bound volume in my hand and carefully turning the pages of a book other souls thought important enough, for any number of reasons, to preserve so that I might treasure it all over again. In that moment, I understand them. Their soul speaks to mine. And as important as our connection to each other is, we can learn a great deal from our connection to those who have come before us. Old books give us that chance – to connect, to learn, and to grow on our human journey, and our spiritual one.
My Dearest Uncle,—We live in the midst of sorrow and death! My poor good Uncle Cambridge breathed his last, without a struggle, at a few minutes before ten last night. I still saw him yesterday morning at one, but he did not see me, and to-day I saw him lifeless and cold. The poor Duchess and the poor children are very touching in their grief, and poor Augusta,1 who arrived just five hours too late, is quite heart-broken. The end was most peaceful; there was no disease; only a gastric fever, which came on four weeks ago, from over-exertion and cold, and which he neglected for the first week, carried him off.
The good Prince of Prussia you will have been pleased to talk to and see. Having lived with him for a fortnight on a very intimate footing, we have been able to appreciate his real worth fully; he is so honest and frank, and so steady of purpose and courageous. Poor dear Peel is to be buried to-day. The sorrow and grief at his death are most touching, and the country mourns over him as over a father. Every one seems to have lost a personal friend.
As I have much to write, you will forgive my ending here. You will be glad to hear that poor Aunt Gloucester is wonderfully calm and resigned. My poor dear Albert, who had been so fresh and well when we came back, looks so pale and fagged again. He has felt, and feels, Sir Robert’s loss dreadfully. He feels he has lost a second father.
May God bless and protect you all, you dear ones! Ever your devoted Niece, Victoria R.
Back in March, Victoria and I traveled to see the Downton Abbey Exhibition in West Palm Beach, Florida. It was a multi-media extravaganza, using film, projection, interactive displays, props, sets and costumes from the original to bring the series to life. Right off the bat, we were greeted by two familiar faces.
Do take a moment to watch the introductory trailer below to familiarize yourself with the Exhibition –
Props on display, used to impart authenticity to the Downtown sets, even if viewers will never actually see them, include the bank notes above and, below, the telegrams that had such an impact on the plot lines –
Below, items belonging to Tom Branson, including his wristwatch and ribbons won at the local agricultural fair.
Of course, the servants were well represented, as well –
Once through the green baize door, we were greeted by life sized holograms of Mrs. Hughes and Mr. Carson.
In “The Library” visitors are treated to an ever changing array of moving scenes which are projected onto the walls, making you feel as though you are part of the action.
Violet, Dowager Lady Grantham, was a particular of the show for us.
Then it was on to Lady Mary’s bedroom –
And finally, the costumes –
The Ladies of Downton were well represented –
The final exhibit was a representation of the dining room –
And lastly, Lord and Lady Grantham bid us adieu and thanked us for visiting Downton Abbey.
The Downton Abbey Exhibition in West Palm Beach, Florida was scheduled to close on April 22nd and, at the time Vicky and I visited, there were no plans for it to move on to a new location. Click here to see if that’s changed.
In the meantime, here’s a teaser for the forthcoming Downton Abbey movie, set to be released in September 2019.
This post was originally posted here on June 15, 2011
Sir Walter Scott
Sir Walter Scott visited the field of Waterloo in July, 1815 and what follows are his impressions of the battlefield, and Brussels, during that visit – From Memoirs of the Life of Sir Walter Scott by John Gibson Lockhart (1838)
“Brussels, 2d July, 1815.
“This country, the finest in the world, has been of late quite out of our minds. I did not, in any degree, anticipate the pleasure I should enjoy, the admiration forced from me, on coming into one of these antique towns, or in journeying through this rich garden. Can you recollect the time when there were gentlemen meeting at the Cross of Edinburgh, or those whom we thought such? They are all collected here. You see the very men, with their scraggy necks sticking out of the collars of their old-fashioned square-skirted coats— their canes—their cocked-hats; and, when they meet, the formal bow, the hat off to the ground, and the powder flying in the wind. I could divert you with the odd resemblances of the Scottish faces among the peasants, too—but I noted them at the time- with my pencil, and I write to you only of things that you won’t find in my pocket-book.
“I have just returned from seeing the French wounded received in their hospital; and could you see them laid out naked, or almost so—100 in a row of low beds on the ground—though wounded, exhausted, beaten, you would still conclude with me that these were men capable of marching unopposed from the west of Europe to the east of Asia. Strong, thickset, hardy veterans, brave spirits and unsubdued, as they cast their wild glance upon you,—their black eyes and brown cheeks finely contrasted with the fresh sheets,—you would much admire their capacity of adaptation. These fellows are brought from the field after lying many days on the ground; many dying— many in agony—many miserably racked with pain and spasms; and the next mimicks his fellow, and gives it a tune,—Aha, vous chantez bien! How they are wounded you will see in my notes. But I must not have you to lose the present impression on me of the formidable nature of these fellows as exemplars of the breed in France. It is a forced praise; for from all I have seen, and all I have heard of their fierceness, cruelty, and bloodthirstiness, I cannot convey to you my detestation of this race of trained banditti. By what means they are to be kept in subjection until other habits come upon them, I know not; but I am convinced that these men cannot be left to the bent of their propensities.
“This superb city is now ornamented with the finest groups of armed men that the most romantic fancy could dream of. I was struck with the words of a friend —E.: ‘I saw,’ said he, ‘that man returning from the field on the 16th.’—(This was a Brunswicker of the Black or Death Hussars.)—’ He was wounded, and had had his arm amputated on the field. He was among the first that came in. He rode straight and stark upon his horse—the bloody clouts about his stump—pale as death, but upright, with a stern, fixed expression of feature, as if lothe to lose his revenge.’ These troops are very remarkable in their fine military appearance; their dark and ominous dress sets off to advantage their strong, manly, northern features and white mustachios; and there is something more than commonly impressive about the whole effect.
“This is the second Sunday after the battle, and many are not yet dressed. There are 20,000 wounded in this town, besides those in the hospitals, and the many in the other towns;—only 3000 prisoners; 80,000, they say, killed and wounded on both sides.”
I think it not wonderful that this extract should have set Scott’s imagination effectually on fire; that he should have grasped at the idea of seeing probably the last shadows of real warfare that his own age would afford; or that some parts of the great surgeon’s simple phraseology are reproduced, almost verbatim, in the first of “Paul’s Letters to his Kinsfolk.”
At Brussels, Scott found the small English garrison left there in command of Major-General Sir Frederick Adam, the son of his highly valued friend, the present Lord Chief Commissioner of the Jury Court in Scotland. Sir Frederick had been wounded at Waterloo, and could not as yet mount on horseback; but one of his aides-de-camp, Captain Campbell, escorted Scott and his party to the field of battle, on which occasion they were also accompanied by another old acquaintance of his, Major Pryse Gordon, who being then on halfpay, happened to be domesticated with his family at Brussels. Major Gordon has since published two lively volumes of ” Personal Memoirs;” and bears witness to the fidelity of certain reminiscences of Scott at Brussels and Waterloo, which occupy one of the chapters of this work. I shall, therefore, extract the passage.
Louis-Victor Baillot, last French veteran of Waterloo
“Sir Walter Scott accepted my services to conduct him to Waterloo: the General’s aide-de-camp was also of the party. He made no secret of his having undertaken to write something on the battle; and perhaps he took the greater interest on this account in every thing that he saw. Besides, he had never seen the field of such a conflict; and never having been before on the Continent, it was all new to his comprehensive mind. The day was beautiful; and I had the precaution to send out a couple of saddle-horses, that he might not be fatigued in walking over the fields, which had been recently ploughed up. In our rounds we fell in with Monsieur de Costar, with whom he got into conversation. This man had attracted so much notice by his pretended story of being about the person of Napoleon, that he was of too much importance to be passed by: I did not, indeed, know as much of this fellow’s charlatanism at that time as afterwards, when I saw him confronted with a blacksmith of La Belle Alliance, who had been his companion in a hiding-place ten miles from the field during the whole day; a fact which he could not deny. But he had got up a tale so plausible and so profitable, that he could afford to bestow hush-money on the companion of his flight, so that the imposition was but little known; and strangers continued to be gulled. He had picked up a good deal of information about the positions and details of the battle; and being naturally a sagacious Wallon, and speaking French pretty fluently, he became the favourite cicerone, and every lie he told was taken for gospel. Year after year, until his death in 1824, he continued his popularity, and raised the price of his rounds from a couple of francs to five; besides as much for the hire of a horse, his own property; for he pretended that the fatigue of walking so many hours was beyond his powers. It has been said that in this way he realized every summer a couple of hundred Napoleons.
“When Sir Walter had examined every point of defence and attack, we adjourned to the ‘Original Duke of Wellington’ at Waterloo, to lunch after the fatigues of the ride. Here he had a crowded levee of peasants, and collected a great many trophies, from cuirasses down to buttons and bullets. He picked up himself many little relics, and was fortunate in purchasing a grand cross of the legion of honour. But the most precious memorial was presented to him by my wife—a French soldier’s book, well stained with blood, and containing some songs popular in the French army, which he found so interesting that he introduced versions of them in his ‘Paul’s Letters;’ of which he did me the honour to send me a copy, with a letter, saying, ‘that he considered my wife’s gift as the most valuable of all his Waterloo relics.'”
