Number One London

FOR YOUR CHRISTMAS LIST

A FEW ITEMS YOU MIGHT WANT TO WRITE TO SANTA ABOUT —

For six wonderful jaunts into the milieu of Jane Austen and the Regency, be sure you ask for an annual subscription to Jane Austen’s Regency World magazine. I never tire of reading about the news about Austen (and you might be surprised how much there is!), the events held in England and North America–and elsewhere, and many well-researched articles about Miss Austen, her family, friends, and times. To subscribe, click here.

I love these Jane Austen Calendars…filled with things Jane did, events from her life and letters, and from the various characters in her novels. I hang this near my morning tooth-brushing mirror and while I perform this necessary task, I read that day’s item. Perfect way to start the day — or over your early morning tea or with a coffee. Order several for your friends and family.

For more information, click here.

For the order form, click here.

Illustration from the Calendar for July:

Miss Bates calls out to Mr. Knightley:

“How d’ye do?–how d’ye do?…Pray come in; do come in, You will find some friends here.”

Long Lost Insults, just one of many sets of Knowledge Cards, a stocking stuffer from the wonderful company that brings British items to the U.S.

Access Bridgham and Cook by clicking here.

Darcy and Elizabeth

These adorable salt and pepper shakers are available at Bas Bleu here

Here’s hoping Santa cooperates…

Holkham Hall at Christmas

THE DUKE OF WELLINGTON TOUR: BOATING ON THE THAMES

The next morning, we made our way down to the Thames for a River Cruise with river tour operators, French Brothers. During our coach ride to the River, we glimpsed an antique shop in Thames Street whose windows were simply chock-a-block with tempting items. Promising the group an impromptu visit to the shop afterwards, we continued on to the River.

A large bevy of swans were on hand to welcome us. Although they look regal, when competing for treats, they are quite fierce.

The swans on the Thames are all owned by the Crown, the Worshipful Company of Vintners, or the Worshipful Company of Dyers. In July, each one is captured and marked for ownership, a period called swan-upping.

Young swanling, or cygnet, still with grey feathers

Excellent advice!

As the cruise begins, we pass the Eton Playing fields, upon which the Duke of Wellington said the Battle of Waterloo was won, although there is much debate as to the truth of this anecdote.

Bucolic scenes abound along this stretch of the Thames.

Long Bridge, entry to the Cuckoo Weir Stream, home of a Swan Rescue Center,

Above and below, the Boveney Lock, as far upstream as we cruised.

It is one of 44 locks on the Thames.

The Royal Windsor Racecourse above and below.

Below, the landing for race-goers arriving by boat.

We were afforded occasional glimpses of lovely homes along the River.

Moored tour boat.

Canal Boats can also be found on the Thames.

A glimpse of the railway viaduct that carries the railroad into Windsor.

Interesting vessels…provided for the tourists?

Views of the Castle from the River

Near the Dock is Alexandra Gardens with the nearby Diamond Jubilee Fountain,

installed in 2012.

Our River cruise was a relaxing interlude, but the group had not forgotten our pledge to take them antiquing afterwards, so we made our way back to the shop, whose name we cannot, alas, recall, and in we all trooped. As is her usual modus operandi, Kristine asked the proprietor whether they had any Wellington items for sale and was disappointed when told they had not. No matter, we browsed at a leisurely pace, with each of our group seeking out treasures reflecting their own individual interests. Before long, our adorable Ki pointed out a particular display case, in which sat a miniature of none other than the Duke of Wellington. This case, it transpired, belonged to one of the many dealers who rented space in the shop and so the man on duty had not been aware of this miniature, which Kristine scooped up without further hesitation. Score!

Reader, a fabulous morning was had by all. Especially Kristine. Thank you, Ki Pha!

THEATRE REVIEW – MR. FOOTE'S OTHER LEG

by Guest Blogger Kitt Walsh

Photos: Courtesy of Ian Kelly

Playwright Ian Kelly based his new play, Mr. Foote’s Other Leg on his award-winning book of the same name and in the script he tackles celebrity, cross-dressing, the role of royalty, sexual freedom, obsessive gambling, breast cancer, adultery and aristocracy – and that is only in the first act.

The play centers on the (real) celebrity actor and playwright, Samuel Foote, who trod the very boards of the Royal Haymarket Theatre where I caught the performance during a recent trip to London.

Foote, a man who became tabloid fodder and a celebrity who would have put The Kardashians to shame (his life bumped the American Revolution off the front page of British newspapers in 1776), Foote is brought to uproarious life by the incomparable British actor, Simon Russell Beale. When I spoke to Beale backstage after the show, he confided he hasn’t performed on our shores in a decade and would like to return. Based on the enormity of his talent and his perfect comedic timing, don’t be surprised if he becomes a household name here in the States soon. Broadway must be calling him. He is a marvel to watch.

Donning women’s gowns, wigs, hats and fake breasts, Beale steals every scene he is in and that is no easy feat since he appears with Dervla Kirwan as the gaily promiscuous Irish actress, Peg Woffington; social climbing actor David Garrick (Joseph Millson); and even Ian Kelly, the playwright, taking a comic turn himself as King George III. These actors also share the spotlight with newcomer Micah Balfour as Francis Barber, a Jamaican manservant, and it is his part that helps introduce pathos and tragedy to the second act, where Foote descends into madness and ruin.

But before we get there, the audience is treated to many laugh-out-loud moments delivered in a fast-paced banter by the main characters, as well as supporting appearances by our own Benjamin Franklin and the theatre manager, Mrs. Garner (Jenny Galloway), who brings backstage to life as though we were there and has some of the play’s sassiest lines to help her do so.

Reviewers have called the play “ramshackle” and I agree that as it is hard to understand why certain themes run through the play (fetuses in formaldehyde, Franklin with his kite), while others (a leg amputation, an on-stage death, a royal warrant awarded the Haymarket theatre), advance the action past the sheer exuberance of the comedic lines into the black humor which overtakes the play near its conclusion. I suggest employing the adage “take what you like and leave the rest” if you are in the audience for this play.

The Royal Haymarket Theatre is the perfect venue as many of these “based-on-a-true-story” moments happened right there (and the refurbished theatre is a visual delight with rich velvet curtains, damask wallpaper, crystal chandeliers and gold leaf paint adorning cornices and moldings) and, if the story itself evokes comparisons to Oscar Wilde’s infamous persecution, it is no accident. Wilde debuted several of his own plays at the Royal Haymarket and it seems inevitable that Foote might face the same fate as the Irish playwright. How odd it is that what is referred to as being “gay” and inspires pride parades in these times was called “deviant” and summoned prison chains and ignominy in the 18^th century. But there is no hiding from history and how Foote’s own story plays out is hinted at in the script (and fully described in the book). Because of Beale’s performance, you will care (come prepared with hankies.)

The play is by turns hilarious, empathetic, tragic, absurd and luminous. Kelly, writer of acclaimed biographies of Beau Brummell and Casanova, captured Georgian London and its celebrity-obsessed society perfectly and provided just the right words to serve as pearls issuing forth from Foote’s often petulant mouth as he changes moods as often as his dresses. He hisses obscenities, bitches at his fellow actors, hatches absurd schemes (Othello as a musical comedy) and generally wobbles his way through a very uneven life (the imbalance of which can’t be wholly blamed on losing one of his legs in a bet.)

The play runs through January 23, 2015 at the Royal Haymarket (book tickets here) and Kelly has his fingers crossed that the play will open elsewhere after that (“There are rumors,” he says). Catch it while you can at the Royal Haymarket though, as the play-within-a-play feeling will be heightened by the venue. Order drinks to be served in the gilt and crystal bar between acts and eavesdrop on a little current London gossip while you sip your gin and tonic. Foote would have approved.

THE DUKE OF WELLINGTON TOUR: THE WATERLOO CHAMBER AT WINDSOR CASTLE

To commemorate the victory of the British, Austrian, Prussian, Russian forces and their allies over Napoleon, George IV envisioned a splendid banquet hall. The large hall replaced several rooms in the castle and includes many limewood carvings by Grinling Gibbons and his assistants in the 1680’s,salvaged from a former chapel. Most of the paintings were executed by Sir Thomas Lawrence, (1769-1830) as commissioned for the Room in Windsor Castle designed by Sir Jeffry Wyatville and completed in the reign of William IV. Unless otherwise indicated, all paintings done by Lawrence or his studio.

Watercolour by Joseph Nash of the Waterloo Chamber, 1844
Royal Collection Trust/© Her Majesty Queen Elizabeth II 2014

North Wall, Upper Level

Louis-Antoine, Duke of Angouleme, 1825

Frederick William, Duke of Brunswick, 1848 by William Corden

Prince Leopold of Saxe Coburg, later King of the Belgians, 1821

North Wall, Lower Level

Adolphus, Duke of Cambridge, 1818

Robert Banks Jenkinson, 2nd Earl of Liverpool, c. 1820

William IV, 1832, by Sir David Wilkie

George III, 1820
This portrait is a copy Lawrence and his studio made based on his painting of George III commissioned by the MPs of the City of Coventry in 1792.

George IV c. 1820

Robert Stewart, Viscount Castlereagh, c. 1817

Frederick Duke of York, 1816

East Wall, Upper Level

General Sir James Kempt, 1835 by Robert McInnes

Matvei Ivanovich, Count Platov, 1814

Arthur Wellesley, 1st Duke of Wellington 1814-15

Field Marshal Gebhardt von Blucher, 1814

Sir William Congreve, c. 1805-10 by James Lonsdale

East Wall, Lower Level

Charles William, Baron von Humboldt, 1828

George Canning, c. 1830

Henry, 3rd Earl Bathurst, c. 1820

Ernest Frederick, Count Munster, 1820

South Wall, Upper Level

Henry Paget, 2nd Earl of Uxbridge and 1st Marquess of Anglesey, 1836 by Sir Martin Archer Shee

Alexander Ivanovitch Prince Chernichev, 1818

William II, King of the Netherlands, when Prince of Orange, 1846 by Nicaise de Keyser

South Wall, Lower Level

Ercole, Cardinal Consalvi, 1819

Charles Augustus, Prince Hardenberg, 1818

Tsar Alexander I, 1814-18

Emperor Francis I of Austria, 1818-19

Frederick William of Prussia, 1814-18

Charles Robert, Count Nesselrode, 1818

Pope Pius VII, 1819

West Wall, Upper Level

General Viscount Hill, c. 1820 by Henry William Pickersgill

Charles X of France, 1825

Charles Philip, Prince Schwartzenberg, 1819

Charles, Archduke of Austria, 1819

Sir Thomas Picton, 1836 by Sir Martin Archer Shee

West Wall, Lower Level

John, Count Capo D’Istria 1818-19

Clemens Lothar Wenzel, Prince Metternich, 1819

Armand Emmanuel, Duke of Richlelieu, 1818

General Theodore Petrovich Uvarov, 1818

Views of the Waterloo Chamber, above and below

Waterloo Chamber, as concert venue

For a virtual tour of the Waterloo Chamber, click here.

MAGIC AND MYSTERY DINNER WITH THE GEORGIAN DINING ACADEMY

Presents

An Evening of Mystery and Magic

10^th December 2015

Arrive at 7pm – Carriages 11pm

An historic dining experience transporting guests to the Georgian period, an evening engaging in the frivolity, fun and fine dining within a chop house established in 1757.

In conjunction with Simpson Tavern at 38 ½ Cornhill, London EC3V 9DR, we offer all drinks included, plus a three course supper, entertainment and dashes of history of the City and the Georgians throughout the evening, with music, poetry and song. The rooms are candlelit, so most atmospheric. The Tavern is usually open during the day only, so we are offering an unusual experience in a unique venue.

THE DATE

The Georgian Dining Academy is offering an evening of ‘Magic and Mystery’ on 10^th December 2015, starting at 7pm, Carriages at 11pm. Booking through Eventbrite – click here for details.

THE GUESTS

An ideal occasion for the single, couples and tables of six, or groups if required. We can seat up to 70 people. Please note a costume is not required but welcomed and encouraged. On this festive occasion masks are required to be worn by the guests on arrival.

THE MENU

A festive menu to tempt all, with a warming punch to welcome you, made from a secret recipe created by Miss Kitty Pridden one of the hosts. The menu is pre-order and closely resembles a Georgian feast as we can achieve. We also cater for dietary requirements.

MORE INFORMATION

The Georgian Dining Academy grew out of an idea by Tina Baxter, aka Miss B Takes a Walk, who qualified as a
City of London Guide in 2012. The purpose of the Academy is to create a Georgian, performance style, dining experience in the heart of the City. With the encouragement of Miss Kitty Pridden (also a City Guide of 2012) this novel idea was put into action in 2014. It has proved a successful event which takes place quarterly.