Thomas Babington Macaulay (1800-1859) |
sketch by Sir Henry Landseer of Lady Holland, Lord Holland and Mrs. Brown (maid) c. 1833, National Portrait Gallery |
he had done on Munro…“
Thomas Babington Macaulay (1800-1859) |
sketch by Sir Henry Landseer of Lady Holland, Lord Holland and Mrs. Brown (maid) c. 1833, National Portrait Gallery |
Victoria , here. Was it my childhood love for Mrs. Tiggy-Winkle?
Or just because they are so darn cute?
Whatever the reason, I love hedgehogs, and over the years, I have collected quite a few. Not real ones, of course. Real ones are increasingly endangered, while those on my shelves are sitting pretty.
Maybe one of the sources of my love for hedgehogs comes from my admiration for the British hedgerow, which gives the countryside so much character. Yet, these are also in danger.
picture from the NLS: National Hedgelaying Society |
I was quite appalled at reading — in a recent issue of Country Life — about the urgency of the need for protecting hedgehog habitats in Britain and developing new ones, perhaps in urban gardens. As usual with vanishing wildlife, we have met the culprit, and he is us, encroaching humans and our urge to pave over everything. Along with loss of habitat, cars and pesticides endanger hedgehogs.
The source for more information is here. Hedgehogs are not native to North America, which makes them all the more interesting — and a bit exotic.
As I was surfing the internet, I found several websites offering hedgehogs as pets. Though I know some people like to tame wild animals, I am not so sure that living in a cage would be very comfortable for a hedgehog. On the other hand, keeping one in the garden might be quite fun. Actually a pair might be more agreeable to the little creatures.
As an example of ideal adaptation, I cannot imagine anything better than a hedgehog. They eat insects and small animals such as frogs, as well as vegetation. Once I played with a baby hedgehog in Greece, feeding it bits of lettuce and tomato. But generally, hedgehogs are nocturnal, so if you want them around in the daytime, I highly recommend the kind I collect: made of wood, ceramic, brass, or fabric.
Before the official start of the conference, my roommate and travel buddy, Judith Laik, and I took in the Frick Museum at 90th and Fifth Avenue.
Their pretty gardens were full of scaffolding, sad to say. But a few roses clung to the fence on Fifth.
After an afternoon of meetings, we went out to catch a breath of fresh (?) air, and saw the rays of the lowering sun gild the Chrysler Building a few blocks away.
Sunset over the Hudson River from our room on the 22nd floor.
I managed to fit in a quick trip to the New York Public Library where I never fail to find an engaging snippet of knowledge in a brief visit. Sometime I’ll spend an entire day there. How about a month?
The noble beasts always get my respect. Are they the guardians of all knowledge – or symbolic of the majesty of the contents behind them? In case it looks like I spent most of my time flitting about the city, let it be known that I worked two full mornings as a volunteer at the editor-agent appointments desk, attended several workshops and PAN (Published Author Network) sessions and many other activities. And I spent a bundle on taxis.
Before the RITA ceremonies on Friday night, Judith and I browsed through the Metropolitan Museum of Art. We could hardly do more than scratch the surface, but it was wonderful.
For example, this sideboard was made in New York City about 1812 by French emigre cabinet maker
Charles Honore Lannuier (1779-1819) of flame-grain mahogany veneers. Shown on top are decanters, flutes, and wineglasses, most of them made in Pennsylvania and New York.
This table was made in Philadelphia, c. 1830, of mahogany, marble and brass by another French emigre, Anthony Quervelle (1789-1856). He also made tables for the East Room of the White House. The side chairs are attributed to the Baltimore workshop of John and Hugh Findlay, c. 1815-25.
Elsewhere in the Met, we stumbled upon Napoleon, in the form of a tapestry in wool, silk and metal thread, in its original pine frame. It is based on a 1805 portrait by Francois Gerard (1770-1837) of the emperor in his coronation robes. Woven in the workshop of Michel Henri Cozette (1744-1822) in the Gobelins Manufactory, 1808-11.
At last we found the British paintings — works by Reynolds, Gainsborough, Raeburn, Hoppner, Lawrence, and many more of our favorites. Below, three examples.
The hustle and bustle was over for another year. Several thousand women — and some men too — had a lot of sleep to catch up on.
Victoria, here. Be still, my heart! I know I have been busy and preoccupied these past weeks, but RUFUS SEWELL, my #1 heart throb actor, on PBS Masterpice this week? And I almost missed it???
Luckily, I did not fall asleep during Miss Marple last Sunday, though I came close. Not that the show was boring — just that things have been catching up with me. So I nearly missed the promo for the next week’s presentation: Zen, the story of a detective in Rome. Here is the PBS description of the three episodes.
It will come as no surprise to regular readers of this blog that I, Victoria, am a fan of Rufus. From the first moment I saw him as Septimus in Tom Stoppard’s brilliant play Arcadia in London many years ago, I have followed his career with special interest. See my blog of 8/11/2010 for more pictures and comments on his various film, stage and tv appearances.
Though he is admired as a versatile actor in a wide variety of roles, Rufus Sewell has never hit the pinnacle of acting, the BIG role that thrusts a performer into the stratosphere of stardom. Though he has played many character parts, he also excelled in the leading man roles that capitalize on his dark good looks and sexy eyes.
Perhaps these three episodes in which he stars as Aurelio Zen, a Venetian-born detective in Rome, will do the trick. Or then again, perhaps he doesn’t care to be a household name. The episodes ran first in the UK on the BBC, based on novels by Michael Dibdin.
The three episodes are Vendetta (screening July 17), Cabal (screening July 24) and Ratking (on July 31). Watch with me and let me know if you think this is the break-through role for Rufus.
On Tuesday, June 28, 2011, the Regency chapter of Romance Writers of America, met at the Marriott Marquis Hotel in advance of RWA’s national convention. More on the Beau Monde here. The day’s activities celebrated the 200th anniversary of the English Regency, which began in 1811 when George, Prince of Wales, became Regent for his incapacitated father, George III.
Jo Ferguson spoke on Location: Traveling to England for research.
Janet Mullaney’s topic was Saints, Sinners, Slavery and Sugar.
I missed a picture of Isobel Carr and Delilah Marvelle who spoke on The Culinary World of Regency England, but I caught up with Isobel later at the Literary Signing. Sorry, Delilah!
Judith Laik told us all about Women Scientists in the late Georgian and early Nineteenth Century periods.
Paula A. Baxter spoke on Setting the Scene: Putting Authentic Period Interiors and Furnishings into Your Writing.
The menu at tea was equally tempting.
Below, a few tables of writers fulfilling two basic purposes of the meeting: networking and noshing.
Left, our pal Louisa Cornell, and right, Victoria, who prepares to give her earlier talk.
The Beau Monde took a break for the National Literacy Signing, and Sally MacKenzie was ready to meet her fans.
And so was Julia Justiss, another of the 100’s of authors who donated their time to benefit literacy.
At the evening soiree, Beau Monde President Regina Scott prepared to lead the dancing. But where was Reggie, or more properly in true Beau Monde style, Sir Reginald?
More eager dancers, l-r, Sheri (Mysterious Lady), Leslie Carroll, Susan Gee Heino.
And now for a funny picture I found in a file of old RWA stuff. This was taken at the first Beau Monde Conference held in Dallas in 1996. A group of us had met at the last Marriott Marquis Hotel RWA conference two years before; we decided we could not arrange much for Hawaii the next year. So we organized for a great time in Dallas. The chapter started a pre-conference meeting tradition that continues to the present. I appear below as The Dowager Duchess, whose late husband left her EVERYTHING because he had fallen in love when he saw the portrait of her long ago (above the bar in the penthouse of the Dallas hotel next to the balloroom where we met). Sadly, the dress was later decorated by a glass of red wine and retired from the fray.