OSBORNE HOUSE – Part Two

by Victoria Hinshaw, with Kristine Hughes Patrone

After a break we eagerly went upstairs to see the personal rooms of the royal couple and their children.

Some of the children
Skylight at the top of the staircase
Prince Albert’s Dressing and Writing Room

Victoria and Albert had adjacent suites of rooms on the first floor. after Albert’s death in 1861, the Queen kept his rooms just as he had left them.

Prince Albert’s dressing and Writing Room
The View from Prince Albert’s desk

The painting above, hanging in Prince Albert’s Writing Room, shows the Queen’s portrait of Princesses Louisa and Helena in costume for a play they performed.

Queen Victoria’s Sitting Room

Victoria and Albert worked side by side in this room, where the family also gathered for informal activities.

 

Victoria’s piano, on which both she and Albert were accomplished performers
Florinda, by F.X. Winterhalter, 1862

The painting above, described by the guidebook as  “remarkably sensual,” was a birthday gift for Albert from the Queen.

 

Queen Victoria’s dressing Room

The Minton dressing table set was commissioned by Prince Albert as  a Christmas gift for the Queen in 1853. The room contained a bath and a shower, in addition to a WC, all tastefully paneled in mahogany.

Queen Victoria’s Bedroom

Victoria died in this bed at 6:30 am on January 22, 1902, memorialized in the plaque above.

The painting The Entombment was painted by Gustav Jaeger, 1845, a favorite of Prince Albert’s.

On the ground floor again, the Horn Room is filled with stag’s horns, many from Balmoral.  Often used as a visitor’s waiting room, here you find Sorrow, the portrait of Queen Victoria on her pony Flora held by John Brown, her Highland servant and confidante.  The artist Landseer exhibited it at the Royal Academy in 1867. Below is a better image from the Royal Collection.

The Stag Room
Landseer, Sorrow, or Osborne 1865
Sir Edwin Landseer, 1867

THE DURBAR WING

Constructed in 1890-91, this wing honors the Queen’s position as Empress of India. Mainly a reception hall, it is sumptuously decorated with Indian motifs and houses an extensive collection of treasures from the sub-continent.

The Durbar Room is breathtaking… but there is more in the gardens and beach.

Part Three coming soon!

If you’d like to see Osborne House first hand, please take a look at Number One London’s 2019 Queen Victoria Tour – also on the itinerary are Kensington Palace, Buckingham Palace, Windsor Castle and the Royal Pavilion at Brighton.

THE CARRIAGE HORSE – Part Two

From The Horse-World of London by William John Gordon (1893)

Thousands of horses are imported and exported annually. So great is the Continental trade, that at Harwich, for instance, the Great Eastern Railway Company have provided stabling for eighty horses, which is frequently full. As many as 120 have been sent across the sea in one boat, most of them being Irish; indeed, the whole Belgian army used to be horsed from Ireland, the shipments, of course, going direct. We import mostly for the cheaper kinds of work, and we export for hard work, breeding, and waste, and in a whisper be it mentioned, for various food preparations, though not largely for these last. Sometimes the exports exceed the imports; sometimes, and oftener, the balance is the other way; though it is always on the right side as far as cash is concerned, for the imported horses average 111. as their value, while the exported horse is worth 54L.

In 1890, 19,400 horses came into this country and 12,900 went out; in 1889, 13,800 came in and 14,200 went out; and in three years the exports realised 2,532,000L, while the imports were declared at only 804,000L In 1876, when our horse-world was in a bad way, as many as 40,700 came in, but the imports have ever since shown a tendency downwards. Of these foreigners London has always taken the largest share. They are of all classes. On one occasion Tattersall’s sold a batch of carriage horses from the States—good upstanding animals of sixteen hands or more, with good teeth and the uncut tail so much valued by jobmasters for their fashionable hirers, and these fetched in some cases 80 and 120 guineas. But the bulk of our imports are not of this quality, and come from nearer home. The draught horses come in from Denmark, Holland, Belgium, and Prance; the ponies from Norway and Sweden, and East Russia and Poland and Finland; the riding and driving horses from Hanover and Hungary. Some, as we have seen, come from the United States, some from Canada—the Canadian horse having many admirers—and even the South American mustang and the South Russian tarpan have figured in the carriages with less than four wheels licensed by the Board of Inland Revenue.

It is the general opinion that our carriage horses are not as good as they used to be, and we are told of the wonderful work that was accomplished by them before the railway monopolised the long-distance passenger traffic. A carriage horse that travels a hundred miles a week is now thought to be a treasure, but many horses in the past did fifty miles a day. The travelling carriage with its two horses would then do about ten miles at the rate of six or seven miles an hour, and halt for a quarter of an hour, during which the horses would wash out their mouths and eat a wisp of hay; the next stage would be about six miles, when there would be a halt for half an hour, during which the horses would be unharnessed and rubbed well down and fed with half a peck of corn; at the end of another ten miles there would be a halt of a quarter of an hour and a bait as before; at the end of six miles further there would be a halt of two hours, during which the horses would have both hay and corn; then would come another ten-mile stage, ending with a quarter of an hour’s bait; and then would come the remaining eight miles, at the end of which the horses would have a mash before their night meal. This was the way people travelled when George the Fourth was King, or perhaps it would be more correct to say, ‘the way some people travelled,’ for it is clear enough that this sort of horse was the exception and not the rule. Of course, a large number went by post-horses; and then there was the coach traffic, so curiously limited in its capacity.

There are coaches now; even during the winter there are half-a-dozen working on the roads to and from London; but these coaches can hardly be taken seriously as representing the coach of those ‘glorious old days,’ the recollection of which has lasted so much longer than their existence.

The mails have been carried by train for a longer period than they were carried by coach. The first mail coach appeared in August 1784, it having been then introduced by Major Palmer, the Duke of Richmond’s son-in-law. What may be called the dominant idea of his invention was the cutting up of the road into short stages so as to change horses every ten miles, and use just as many horses as there were miles to be travelled. About 1835, when coaching was in its prime, there were seven hundred coaches at work, and these averaged ten miles an hour. Each horse ran for only one hour in the twenty-four, and stayed at home on the fourth day. He lasted about four years, and he cost 25Z. to buy; but the horses used within the tenmile radius of the large towns were very different from the roughish cattle that took their places along the country stretches. Nowadays our coaches are horsed with teams of level excellence all the way down. To horse the Brighton coach of 1891 forty-five horses were used, and these at Aldridge’s realised under the hammer 3,811 guineas, or an average of 85 guineas each. In 1877 the Brighton stud fetched 80L each; in 1878 they fetched 75L; in 1885 the Guildford horses fetched 74L 10s. each, and next year the Windsor horses fetched over 601. The truth is that our modern coachhorses are really hunters, while the business coachhorse of the past was more of an omnibus horse. Of course the only coach-horses that come into our London ‘world’ are those used on the home stage, and their number is insignificant in a herd of hundreds of thousands such as that with which we are dealing.

As with the horses so with the coach. The present coach is merely a drag for passengers only, and differs greatly from the old mail, which went swinging along, with a lurch every now and then, no matter how cleverly it might be ballasted. Its fore boot was full of parcels, so was its hind boot; its roof was piled up with baggage, with a tarpaulin lashed over the pile; game and baskets were hung on to its lamp irons; and underneath it was a ‘cradle’ of more luggage, all carefully packed, it is true, but giving a very different look to the whole affair than we get to-day in the handsome drags that leave the Metropole. The coaches, as now, were mostly supplied by contract. Vidler of Millbank was the great man, and he used to sell them right out at 140 guineas, or lend them out at so much a mile. And the horses were also hired out. Chaplin was the largest contractor; he had 1,700 horses at one time at work on the roads out of London. Horne was another contractor in an expansive way; he, like Chaplin, had been a driver, and the time came when he became his partner, and dropping coaching took to cartage, for which, as Chaplin and Home, they became better known.

As London now has its Cart-horse Parade, it had then its parade of mail coaches, which took place at Millbank, where the coaches were mostly built and the harness made. It was held on May Day, and brought together all the large London coach proprietors, the Sherborns, the Hearnes, the Faggs, and others, men who prided themselves on the fact that nowhere in the world were to be found such horses, such coaches, such drivers, or such guards. ‘The coaches and harness were either new or newly painted and furnished,’ says Mr. J. K. Fowler in his interesting Echoes of Old Country Life, ‘the horses in the pink of condition and beauty, the coachmen and guards in new liveries of scarlet and gold, each proprietor vieing with his opponent in an endeavour to produce the most perfect turn-out. Critics abounded, and the judges gave the awards unbiassed by any predilections for the teams which passed through their respective districts. The procession started, and dense crowds of spectators thronged the route from Westminster, through the Strand, Fleet Street, and Ludgate Hill, by the Old Bailey, to the General Post Office.’

VISITING OSBORNE HOUSE – May 2018

by Victoria Hinshaw, with Kristine Hughes Patrone

via English Heritage

In 1845, Queen Victoria and her husband Prince Albert bought property on the Isle of Wight. The Prince designed the house, in coordination with architect Thomas Cubitt, to reflect his taste for Italian-style villas; Albert was known to compare the view of the Solent with the Bay of Naples, though I found this quite a stretch.

 

To Quote the guidebook, “The house and estate created by Queen Victoria and Prince Albert at Osborne are unrivaled in terms of the intimate insight they can give into their private lives. The story of a marriage, a family, and an empire is told in the richly decorated rooms and the treasures they contain. The tranquil gardens and wider landscape were vitally important for a couple seeking an escape from court life.”

Kristine and I followed the route laid out for visitors to see the state and family rooms, beginning with the Grand Corridor, almost a sculpture gallery.

 

Nymph and Cupid by Edward Muller, a birthday gift for Albert before his death in 1861

The Marine Venus from the Baths of Caracalla in Rome, purchased at the Stowe Sale of 1847

 

The Council Room

Even though she was at Osborne House with her family, Queen Victoria met with her privy council here.  In the center of the ceiling is the badge of the Order of the Garter.

The ceiling of the Council Room
Copy of Winterhalter portrait of the Queen in Sevres porcelain, gift of King Louis Philippe of France
The Audience Room

The Queen received official visitors in the Audience Room. Below, Queen Victoria’s collie, Noble, sculpted by Sir Joseph Edgar Boehm.

We could hardly believe the feast for our eyes: the floor designs, the decorated ceilings, the artworks, the furniture, and rugs…but we had hardly begun. On the ground floor of the Pavilion, which was the family home, we find the dining room,  drawing room, and the billiard room.

Copy of Winterhalter’s family portrait hung above the dining room sideboard

Instruments to ensure perfect alignment of place settings

The dining room opens into the drawing room, decorated in yellow silk, a favorite decor of Queen Victoria’s.

The Billiard Room is adjacent to the Drawing Room.

close-up of the billiard table leg

Before we go upstairs, let’s take a break…

Grand Staircase
The tea room afforded us a welcome rest and sustaining drinks.

In Victoria’s later years, this room was used as a comfortably accessible chapel.

In Osborne House – Part Two, we will visit the personal rooms of the Queen and her Prince Consort, and the nursery.

 

If you’d like to see Osborne House first-hand, please take a look at Number One London’s 2019 Queen Victoria Tour – also on the itinerary are Kensington Palace, Buckingham Palace, Windsor Castle and the Royal Pavilion at Brighton.

THE CARRIAGE HORSE

From The Horse-World of London by William John Gordon (1893)

Four-horse coach weighs a ton; a single brougham, the lightest close carriage built, weighs about seven hundredweight: the carriage horse has thus not much of a weight to pull, but he has to pull it at a good pace, and it is the pace that kills. In quick work nowadays it is as much as an average carriage horse can do to travel fourteen miles a day for five days only of the week.

Eighty per cent of the magnificent animals that draw the family coaches to the Queen’s drawing-rooms are on hire from the jobmaster. If you keep them and shoe them yourself at your own stables, you can get them for a hundred guineas a year; if you want them only from April to July, you will be lucky to get them for six guineas a week, taking them by the month; or if you want them in the off season, you can, perhaps, have them cheap at sixteen guineas a month. If the jobmaster keeps them and shoes them at his stables, his charge is nearly double. This is for what is known as ‘state coach horses,’ but good carriage horses cost as much. Some jobmasters will provide you with brougham and horse, and everything but the coachman’s livery, for 200L a year, but only on the condition that you never go outside the seven-miles radius from Charing Cross. In fact, the first-class carriage horse is a somewhat unsatisfactory investment; it is safer to hire than to buy him; and hence the importance of the jobmaster in the horse-world of London.

There are some of the London jobmasters with 500 pairs out among the carriage folk, and several with over a hundred pairs. These horses are nearly all geldings, and they almost all begin their carriage work when they are four and a half years old; if they are bought before, they have to be kept till fit, which is another way of saying that there is little monetary advantage in buying them young, as the cost of their keep increases their price. Out of each thousand, three hundred are cleared out of the stables in a year to the auction mart, and about twenty-five die from accident or disease.

How many carriage horses are there in London? By the courtesy of the Board of Inland Revenue we are enabled to speak precisely with regard to the number of carriages. During the year ending March 31, 1891, the number of carriage licences issued within the Administrative County of London was 22,204. Of these, 7,955 were for carriages with four or more wheels drawn by two or more horses; 7,535 for carriages with four or more wheels but fitted to be drawn by one horse only, and 6,714 for carriages with less than four wheels. Of course, this is independent altogether of the hackney carriages which are given in the Metropolitan Police report, and of all vehicles, carts, vans and otherwise, used in trade. These carriages have probably about forty thousand horses, varying in value from the twenty-guinea pony up to the four-hundred-guinea state-coach horse; to average them is almost impossible, although the lot would certainly represent more than 2,500,000L at present prices.

There are just double as many private carriages in London as there are cabs, and they range from the fifteen-guinea pony trap up to the three-hundred-guinea chariot, and beyond to the gorgeous official coaches including the Lord Mayor’s carriage, which pays duty like the rest. How to sort out the proportions we candidly do not know, but if we adopt for the capital they represent the excellent principle suggested by Mr. Montague Tigg, ‘and put down a one, and as many noughts as we can get in the line,’ we shall have a million’s worth, and average our vehicles at 45L each, which is about half what they are generally said to amount to.

Doubling the million, then, and adding to it the two millions and a half for the horses, and another half million for the stabling and harness, we arrive at five millions as the approximate value of the London private carriages and their horses, with their stables and coach-houses. In the last half million we are well enough within the mark to allow for any excess we may have made in the other items, for a set of pony harness will cost 51., and much of the double chariot harness seen in St. James’s Street during a drawing-room is worth from thirty to forty pounds a set; and for stable accommodation the stock estimate is 151. per horse.

The stabling in a London mews has not the best of reputations, and its accommodation compares unfavourably with that obtainable at a country.town; in fact, it is owing in a great measure to the stable difficulty that so many people job their horses during the London season. The horse of pleasure is not like the horse of trade; he is worked at all hours, but rarely with regularity; he is kept healthy with exercise instead of work; and consequently he has to be carefully looked after, and wants the best of housing, which in London he does not always get.

A large number of these showy carriage horses are Cleveland bays, bred in North Yorkshire and South Durham, such horses as in recent years have been sold at from 30 pounds to 60 pounds as stud-book foals, at from pounds to 70 pounds as yearlings, and at from 60 pounds to 160 pounds as two-year olds. At one time the Cleveland mare was almost the only mother of our best carriage horses, but of late a good many of them trace their maternal pedigree through the Clydesdale breed, the result being a gain in hardiness and in the firmness and fitness of the feet for the hard paving of the town streets. But there are thousands which are neither Clevelands nor Clydesdales, and are bred from a Yorkshire coach-horse and a thoroughbred mare, or from the humble hackney stallion and half-bred mare, such as may occasionally be found in our omnibus and van stables. And there are thousands that are not home-bred at all. In every county in England the foreign ‘ machiner’ will be found ousting the native, and in Hyde Park during the season he will be found in dozens, unmistakable though unlabelled, crawling along as leisurely as if his owner or hirer were like the great Earl of Chesterfield rehearsing a funeral.

Part Two coming soon!