Category: Tours

On The Wellington Trail – Part Two

Lord only knows how, but Vicky, Brooke and I also found time to visit Gray’s Antiques Market in London. It’s a warren of little shops selling all manner of stuff. We found a military specialist who had a samll, framed, woven silk Waterloo commemorative picture that he wanted L650 for (!?!?!) and assorted other incidentally Wellington stuff that was likewise priced outrageously. As Vicky and I were walking out, Brooke came to tell us that she’d found another shop nearby where Artie-facts were going for a reasonable sum. Off we raced and Vicky found a smaller version of the Wellington portrait I’d gotten at Storey’s, while I found a framed color cartoon of the Duke done in 1831 for McLean’s Magazine. In fact, Brooke got so good at sussing out Artie-facts this trip, Vicky and I nicknamed her “Scout.” (You’ll be seeing photos of Vicky’s Wellington portrait in future posts).

On Wednesday evening, Brooke and I were walking towards Leicester Square in order to visit Chinatown for a Peking duck dinner and happened to be passing when I glanced up and saw the street sign that read “Cecil Court.” I pulled Brooke aside and glanced at the shops. This time, the only one that was open was Mark Sullivan Antiques, where I’d seen the Wellington figurine in the window (at left). In we went and were greeted by Dave and Mark. The inside of the shop is an absolute treasure trove and Dave proved to be knowledgeable about both antiques and the Duke of Wellington. He pulled out all the items he had on hand related to the Duke. It seems the present Duke of Wellington had just been in on the Saturday. You don’t say!? And what, pray tell, does the Duke of Wellington collect? Items related to the first Duke of Wellington, of course. Really. I thought this a bit rich. I mean to say, hasn’t the man already got enough first hand Artie-facts scattered about Strathfield Saye and Apsely House – not to mention in the cellars and attics? What about the statue in the window, I asked Dave, why hadn’t the Duke bought that on Saturday? Because, Dave explained, he’d only gotten it in on Sunday and put it in the window on the following Monday. We then chatted a bit more before Dave tried to stump me by throwing out Artie one-liners. “Sparrow hawks, ma’am,” Dave offered. “Said to Queen Victoria, Great Exhibition of 1851,” I responded, unruffled. “Publish and be damned,” said Dave. “Harriet Wilson,” I replied on a yawn. “By God, man, so you have!” said Dave. “Please,” I sneered, “Too easy. Artie’s response upon Paget’s telling him he’d just lost his leg.” 
At this point Brooke stepped into the breach and advised Dave, “You might as well give up. You’re never going to stump my mother on the Duke of Wellington.”  “She certainly knows her stuff,” agreed Dave before we set about the buisness of hammering out prices for the various Artie-facts he’d brought out. This is when Mark asked Brooke and I if we’d like a brandy. I accepted, Brooke declined. Mark asked if we’d like to smoke. We both accepted. So we all stood around the shop drinking brandy and smoking and went back to chit chatting about the Duke of Wellington. The first Duke. All very civilized and I must say, it’s a good thing I don’t live in London or I’d be dropping in on Dave and Mark on a regular basis. Great chaps. Fabulous shop. Rather good brandy. But back to the nitty gritty. We finally talked turkey and, yes, I bought the figurine. As well as an 1852 Wellington commemorative medal, a brass profile plaque of the Duke and the pot and lid below, which depicts Wellington out riding at Stratfield Saye. What the heck – in for a penny, in for a pound. Or in this case, many pounds. I knew, however, that if I didn’t invest in the figurine I’d live to regret it.
By the way, when the Artie-facts I bought arrived this past week, I was in alt. They’d survived the transatlantic shipping unscathed. I breathlessly unwrapped the figurine – the piece de resistance, the jewel in the crown  –  and held it up for my husband to see, awaiting his enthusiastic hand clapping, squeals of delight and many exclaimations of joy.
“We need a bigger house,” was all he said before turning his attention back to the t.v.
(And he doesn’t know the half of it)

One day Brooke and I headed south of the River to Southwark to have lunch at a pub called “The Wellington at Waterloo” – it’s just outside Waterloo tube station.
Inside, there’s a fabulous mural of the Battle of Waterloo on the curved, barrel ceiling.

It seems that in the 21st century, the Duke lends his name to as many pubs as eateries, as evidenced by the Wellington Cafe, below, at the real Waterloo. One can only imagine what the Duke would make of eating his dinner to the accompaniment of a French marching band.
During our Waterloo tour we made many stops at the site of the iconic battlefields involved in the  engagement. At one site, our tour coach parked and our guide shuffled everyone off the bus to see Napoleon’s view point. It was freezing, the wind was blowing and, really, I thought I’d pass on another look at another empty field. However, as he was exiting the bus, our guide threw out the fact that across the street stood La Belle Alliance. What!? I watched as the group walked away in the opposite direction. Wait! Where are you going? Are ya kidding me? La Belle Alliance – Napoleon’s headquarters but, infinitely more important, the site where Wellington and Blucher met after the Battle of Waterloo to acknowledge their victory. Cold and wind aside, I was off the bus like a shot and across the street. Honestly, the place looks just as it must have in 1815. I’d show you, but I was too shocked to even think of taking a picture. The wide, wooden gates were thrown open, the Inn and the courtyard were there for anyone to see – and I was the only one in sight.
I spent several minutes walking the cobbles, gazing at the wooden door to the inn and the stone horse troughs, imagining what it must have been like for those present in 1815 when Wellington and Blucher met on that spot. Incredible.
Note from Victoria: Kristine dragged me over and I got two shots of the farmyard below. Not very impressive, but meaningful!!!

Next day, we attended the re-enactment of the Battle and, afterwards, headed to our last stop – the Wellington Museum. Oh, how I was looking forward to this. Those sites we’d already visited that had gift shops only had items for sale related to Napoleon. Nothing, and I mean nothing, related to the Duke of Wellington. Really, Wellington might just as well have stayed in bed and not been at the Battle of Waterloo at all if the souveniers were anything to go by. Hello? He’s the man who defeated Napoleon. At Waterloo? Jeez, you’d think they’d at least have a postcard . . . . So it was with eagerness that I anticipated the Wellington Museum gift shop because, really, a girl can never have too much Artie memorablia.
The museum is housed in the building Wellington used as his headquarters. Where Alexander Gordon died. Where Paget’s leg was buried. My first glimpse of the building was promising.

(Yes, that is my finger in front of the lens)

Well, the first room you enter is the gift shop. And it was absolutely chock full of . . . . Napoleon stuff. No, I’m not kidding. Believe me, I searched every item in the joint for something Artie related. Nada. Nil. Nuttin’ Honey. And all of the display signs are in French. As far as I could tell, there was no indication as to which room Gordon had died in. Upstairs, there’s a room where there’s a desk and seated behind the desk is a wax figure that looks like Wellington if Wellington had been a crackhead who had been on a four day bender. I’m assuming this was the room Wellington used as an office, but who knows?

The redeeming portion of the visit was what lay out back – Paget’s leg. Okay, okay, it’s really only the spot where Paget’s leg once lay. It seems that when he died, his family had the leg disinterred, sent to England and buried with the rest of Paget – or Lord Uxbridge, who became the Marquess of Anglesey. But still . . . Paget’s leg. I mean everyone who was anyone who travelled to Waterloo after the Battle made a pilgrimage to see the grave. And now I was there, too.

So here ends the Wellington Trail. I didn’t pursue Artie-sites in Paris, as I figured the British Embassy had probably undergone many changes between now and then. And I found nothing Wellington related at the printsellers in Paris. Although they did have much Napoleon stuff. Sigh. Talk about revisionist history. All in all, I can’t complain, because you have to admit that Vicky and I pretty much fulfil
led our intentions of doing all things Artie this trip over. We’re already thinking about our next visit, which will take place sometime between now and 2015, when I/we attend the next Wellington Conference held in Southampton, England (will also be doing Walmer Castle and Stratfield Saye). And 2012 is obviously out, as we don’t want to have to contend with Olympic Fever in London. In the meantime, watch this space for many more posts related to our Tour.

Rule Britainnia, at the top of our lungs

Saturday, June 12, was a busy day for Kristine and me.  Victoria here, to tell you about a couple of experiences to add to the list Kristine has already provided.  This was the day she arrived in London, Saturday, when we visited Apsley House, saw the naked bike ride and walked to Horse Guards in Whitehall, not far from Trafalgar Square.  We didn’t have enough energy left to walk any farther, but we had enough oomph to sing!

I am getting ahead of myself, however. As we walked east on Piccadilly, we found the Athenaeum Hotel (at the corner of Down Street). As you can see at above, right and below, it is a vertical garden. This is a lovely idea and has caught on in other cities, so watch for more of them.

A bit farther east, we turned down St. James Street and left on Jermyn St. to see the statue of Beau Brummell.  Here is Kristine with one of her heroes — not Artie, but nevertheless…

After the Beau, we struggled onward to look at Waterloo Place, almost at the site of Prinny’s Carlton House. Today it is not very busy, flanked by the cream-colored buildings of Carlton Terrace and leading to steps down to the Mall. It is the end (or begining) of Regent Street.

The center column is a memorial to the Duke of York, second son of George III who was chief of the army most of his adult life.  Sometime we need to do a blog on this character too.  His mistress, Mary Anne Clark, sold her influence with him to various officers seeking favors — and it was a great scandal. I am not sure he would have had this column if it hadn’t been for the Duke of Wellington.

As we walked along, we passed this building which had the old-fashioned open flame gas lights on either side of the main door.  I think my pictures actually show the fires.  Look closely. We were amazed. It is apparently the home of the Reform Club, 104 Pall Mall, but nothing as tacky as a name plate was posted.

 As we walked, slowly, drooping more than a little by now, into Trafalgar Square, I asked Kristine if she’d like to see if there was a concert at St. Martin’s in the Fields church. She said, “Yes, and I want them to play Handel’s Music for the Royal Fireworks.”

Well, dear readers, we were just in time to buy tickets, visit the loo and sneak into the back row as they began a program of Handel, Mendelssohn, with a full choir and orchestra.  Designed like the Prom concerts at Albert Hall, this one also had a sing-along section. And of course a suite from the Royal Fireworks music was included. We both had the chills at that! And it was thrilling, glorious music, every note of it.

Well, at least until the sing-along when we jouned in.

I was quite naughty and stood up to take a picture, but please don’t tell anyone.

So what did we sing? The Old 100th Hymn, and the verses to Rule Britannia. The conductor instructed us not to change the word rule to rules, so we didn’t.  Here is the refrain: “Rule Britannia, Britannia, rule the waves; Britons never will be slaves.”

We also sang three verses of the National Anthem:
God save our gracious Queen, -Long live our noble Queen, –
God save the Queen! – Send her victorious – Happy and glorious, -Long to reign over us; God save the Queen!

Thy choicest gifts in store – On her be pleased to pour, -Long may she reign:  May she defend our laws,- And ever give us cause – To sing with heart and voice – God save the Queen!

Nor on this land alone, – But be God’s mercies known – From shore to shore: Lord, make the nations see – That men should brothers be, -And form one family,- The wide world o’er.

Very nice sentiments indeed.  We also sang that staple of Prom concerts, Jerusalem, by Parry. I’ve heard it many times and always wondered exactly what the words were. Here are the two verses we sang:

And did those feet in ancient time – Walk upon Engl
and’s mountains green?
And was the holy Lamb of God – On England’s pleasant pastures seen?
And did the countenance divine – Shine forth upon our clouded hills?
And was Jerusalem builded here – Among these dark satanic mills?

Bring me my bow of burning gold! – Bring me my arrows of desire!
Bring me my spear! O Clouds unfold! – Bring my my chariot of fire!
I will not cease from mental fight, -Nor shall my sword sleep in my hand,
Till we have built Jerusalem – In England’s green and pleasant land.

Well, there it is!  Perfectly Victorian. The orchestra and chorus ended the concert with a rousing version of Handel’s Hallelujah Chorus from The Messiah.

When we left the church, there was a large crowd still hanging around in Traflagar Square, but we had heard no shouts of victory. When we returned to the pub next to our apartment, we found that the US and England had tied — a draw.  Yes, it was the World Cup visit to London for us — everywhere people were mad for it.

Frankly, we were prepared, if the US had actually defeated England, to say we were from Canada.  But since it was a draw, we sat down with a couple of very cute young guys and downed a pint or two. No one was really down in the dumps over the game, but they were not happy either.  Turns out that at least one of these fellows was an arborist from northern England, in London helping set up for Taste of London in Regent’s Park, which went on the weekend we left for Waterloo.  Be assured that our conversatons were sufficiently motherly!! They were definitely of an age with our kids!!

A long, but absolutely fabulous day. Need I tell you we were exhausted and slept like babies?

On The Wellington Trail – Part One

Oh, joy – two weeks of all things Wellington coupled with chasing down and buying Artie-facts – bliss! Here’s an overview of what Vicky and I saw and did – individual posts on each to follow.

Of course, on this trip the Wellington Trail began at Apsley House. We were there within hours of my landing. And, yes, Vicky was telling the truth about the naked bicyclists (London World Naked Bike Ride). Honestly, what would Artie have thought?! Actually, Vicky and I were discussing it later that evening with a man at our local pub who told me that if I thought that Wellington would object to naked women riding past his house that I should have another think. It wasn’t, I told him, the women to whom I thought the Duke would object.

As we were getting into the cab headed to Apsley House, we were treated to our first Artie-dote. When I told the driver that our destination was Apsley House, he looked confused. “Number One London,” I added. “At the corner of Hyde Park and Park Lane.” “Oh,” replied the driver, “You mean the Wellington Museum.” No, actually, I meant Apsley House, but we got there just the same.

(By the way, try to find a photo of the London Naked Bike Ride that doesn’t have all the nasty bits on full view. It’s not easy)
 
 
But back to Apsley House and another most amusing Artie-dote. There I was in the Waterloo Gallery, the large picture gallery that was also used for the annual Waterloo Dinner, as well as for balls and concerts and such. Here, the Duke had installed an ingenious system whereby sliding mirrors hidden within the walls could be pulled out and across the windows at night, thereby reflecting candlelight throughout the room. Well, while we were there, one of the docents announced that it was time to pull the mirrors across the windows and that anyone who wished to could watch the operation. Closer I crept. You betcha. So did a couple standing nearby. Once the windows had been covered, the man said to his wife, “You know, those mirrors aren’t really made of glass at all. They’re made of steel.” “Really?” his wife asked, stepping in close in order to examine the mirrors. “Yes,” said the husband, “They’re made of steel and that’s why they called Wellington the Iron Duke.” I know, I know . . . . hysterical, right?
Continuing down the Wellington Trail, Vicky and I also visited Horse Guards, where Wellington’s office still contains his desk. Inquiries at the gift shop resulted in my being told that it’s not typically open to the public, hence I’ll have to write in advance for permission to view it before my next trip over. Still, it was nice to walk the cobbles on which Wellington’s boots had once trod. The view of the men in uniform wasn’t too shabby, either.  
 
The two windows above the three arches are Wellington’s office.

Vicky and I also visited the National Army Museum, which has wonderful Napoleonic/Artie/Waterloo displays – a full report on the Museum will follow. For now, you should know that one of the exhibits included the saw used to amputate Henry Paget/Lord Uxbridge/the Marquess of Angelesey’s leg (same guy, lot’s of titles), as well as the bloodied glove worn by the surgeon during the operation. (I don’t tell you this for it’s high gruesome content – it ties in to what’s coming up in Part 2)   
Vicky and I next went to the Victoria and Albert’s  Art in Love Exhibition at the Queen’s Gallery – again, a full account on that to come, as well. One of the first paintings hanging in the very first room you entered was the one below, by Winterhalter:
And then we went to Windsor to meet and the spend the day with Hester Davenport (oh, boy – wait till you hear this story!) We visited the Castle, where this picture hangs:
 
In between all of these Artie sightings, Vicky and I had gone to Ce
cil Court one morning. In the window of an antique shop called Mark Sullivan Antiques (at left), I spied a Staffordshire figurine of the Duke of Wellington (below). About two feet high. Hand painted. Staffordshire. . . . I gazed upon it with my nose pressed to the shop window. I pointed it out to Vicky and then we both gazed at it with our noses pressed to the shop window. I knew at that moment that it was destined to be mine. The sign on the shop door said they opened at 10 a.m. It was 10 a.m.
 
 
 
Vicky finally pulled me away from the window and we went next door to Storey’s, the print seller, and spent at least an hour looking at all of the cartoons and Napoleonic era prints until the owner took us downstairs to the room where they kept the Artie-facts. Here, Vicky found and bought a print of a scene of Viermo and I made my first Wellington purchase this trip, a hand colored portrait like the one below (mine is out being framed, so I can’t show it to you yet) By the time we’d left, the antique shop next door was still closed. Rats.
 
 

 

So Vicky and I toddled our way over to Covent Garden and Grosvenor Prints, where Vicky asked them to pull their file of fashion prints and I asked for the Artie-facts folder. We spent a good hour and a half going through our respective folios. Alas, I found nothing that I didn’t already have or that I coveted to distraction. . . . Until I came across a dinner invitation issued by the the Duke from Apsley House to Lord and Lady Cottenham. The invitation states that since the dinner was to be held on the day set aside for the observance of Her Majesty’s birthday, it might be convenient for Lord and Lady Cottenham to arrive dressed. (Unless, one supposes, they were thinking to participate in the Naked Bike Ride conveniently held on the Duke’s dooorstep). Yes, of course, I purchased the invitation and Vicky purchased some really lovely fashion prints.
One of the stops on our tour during Open Garden Week in London (again, more on that later) was the garden at Wellington Square. Vicky and I are now certain that this should be the location of our UK base. Not only are the houses and square gorgeous, but the address is perfect.
 
 
 
One of the Wellington sightings was made by Vicky, who went on her own to the Wallace Collection, a short walk from our London base. There, Vicky viewed and photographed a miniature of Wellington done by Jean-Baptiste Isabey. The Collection’s website offers the following background: After Napoleon’s abdication in 1814 he painted the Emperor’s former enemies, including Prince August of Prussia (miniature also displayed in this case) and the Duke of Wellington (1769-1852). The following year the Duke was to be the victor at the Battle of Waterloo, Napoleon’s final defeat after his return to France from exile on the island of Elba. The first meeting between Isabey and Wellington took place in Paris, but there were further sittings in Vienna when Wellington was one of the representatives at the congress which determined the future political composition of Europe. According to Isabey himself, when Wellington first came to his studio in Paris, he ‘treated me in a manner so unceremonious and British that I was obliged to refuse flatly the honour of painting his august features. When he realised that I had found him rude, he came again accompanied by the Duchess de Santa Cruz, and I consented to paint his portrait after all.’

The Duke, who during his long life was to sit for countless portraits, was often a generous patron but was also notorious for his often brusque way with artists. By adopting a low viewpoint Isabey has effectively conveyed the hauteur of his sitter. The Wallace Collection’s version of the original (now lost) miniature is dated 1818 and shows Wellington wearing some of his many decorations: the ribbon and jewel of the Golden Fleece, the Peninsular Gold Cross and the sta
r and badge of the Order of the Tower and Sword of Portugal. The splendid frame is decorated round the edge with the chain of the Order of the Garter and is surmounted by a trophy comprising a sword, a baton, two flags and a ducal coronet on a cushion; at the bottom is the letter W on a banner.
The miniature was bought by the 4th Marquess of Hertford, father of Sir Richard Wallace, at auction in Paris in 1852. Lord Hertford collected objects with Napoleonic associations, as many of the paintings and miniatures in this gallery demonstrate, but he was also deeply interested in the Duke of Wellington. His friend Colonel Gurwood was the Duke’s secretary. Both men are shown in a painting by Andrew Morton on display in the Front Hall of the Wallace Collection.
A photo of this painting taken by Vicky appears below.
 
Part Two of On The Wellington Trail coming soon . . . . . .

Paris – Beyond the Eiffel Tower

An allee at Le Jardin du Plantes
Iconic view of Montmartre
Er . . . one of the bridges over the Seine.
More Montmartre below – we took a “Paris Walks” of the area.

This square in Montmartre is the last where artists gather. Many drawing tourist portraits.
Below is a snap of a random woman in front of a gorgeous, flower clad restaurant. Oh, and a street sign.

Our first glimpse of Notre Dame
A Notre Dame spire.
The Louvre and Notre Dame
We caught the tail end of the bird and flower market near Notre Dame when we arrived on Sunday.
Above are photos of a typical Parisian sidewalk cafe and . . . er . . . . a really pretty building we saw during our cruise down the Seine.

The London and Waterloo Tour – Musée Carnavalet

As I’ve said in a previous blog, I have very few concrete plans for my time in Paris, other than a champagne cruise down the Seine and a Paris Walks tour of the Montmartre district. At our leisure, I’d like to stroll the streets of Paris, do some shopping, see Notre Dame and the Île de la Cité and the Île St-Louis and visit the iconic book and print seller’s stalls along the River. Otherwise, I’d like to show my duaghter the Arc de Triomphe and the Eiffel Tower and I’d like to see the Musée Carnavalet.

Nestled within the Marais district of Paris, the Musée Carnavalet chronicles the history of the capital from its origins to the present. Opened in 1880, this museum is devoted to the history of Paris and occupies two adjoining mansions- the hôtels Carnavalet and le Peletier de Saint-FargeauIts. 100 rooms are housed in two mansions built in the 11th and 17th centuries, with a gallery now leading from one to the other. The Hôtel Carnavalet, after which the museum is named, was once the home of Madame de Sévigné, who wrote a series of famous letters to her daughter. It now hosts the museum’s collections from pre-historic times to the reign of Louis XVI, while the Hôtel Le Peletier Saint-Fargeau contains pieces dating from the French Revolution to the present day.

The museum contains fascinating displays, with each room decorated to reflect a particular historical period through the paneling and furniture, evoking a different feeling with each exhibit.

Many wings of the museum are less like museums than the stately homes they once were. There are rooms dedicated to Chinoiserie, others starkly medieval, with enormous fireplaces occupying most of one wall, and yet more reflecting the tastes of the nobility during the reigns of Louis XV and Louis XVI. There is also a reconstruction of Marcel Proust’s bedroom.

The displays include memorabilia from the French Revolution, paintings, sculpture, furniture and ‘objets d’art that recreate the atmosphere of private residences from the 15th to the 19th centuries. The orangery at the hotel le Peletier de Saint-Fargeau was built at the end of the 17th century and renovated in 2000. The small courtyard at the entrance of the Musée Carnavalet is home to a sculpture of Louis XIV and the manicured gardens follow the classic 18th century French style.