The Wellington Connection – The Battle of Hastings

Oh, dear. The historians at the town of Hastings made a major blunder in their PR copy in 2008, when the Battle Town Map and Guide, a brief introduction to the East Sussex town, described how the Duke of Wellington crossed the Channel in preparation for the famous showdown at Hastings – which took place on 14 October 1066. Apparently, no one caught the error and the guides were widely distributed. The irony continues in a Daily Mail article covering the mistake, which makes a blunder of its own, calling Wellington a “18th century commander.” While he may have been born in the 18th century, most of Wellington’s victories occurred in the 19th century.

For an entirely irreverant and often profane (warning!) take on the (real) accomplishments of the Duke of Wellington, check out this entry on a site which named the Duke Badass of the Week and applauds Wellington’s “asskickery.” Here’s just a sample: “Once again, it was up to Wellesley to kick more balls than Manchester United. At the battle of Assaye in 1803, Wellesley’s small force of about 7,000 soldiers launched an unexpected surprise assault on an Indian force numbering over 40,000 men, and somehow managed to drive them from the field and capture 98 of their cannons. This is pretty goddamned impressive, considering that the British only brought 20 artillery pieces to the battlefield that day, but it’s all in a day’s work for this hardcore badass. The British marched on, crushed the Indians, and Wellesley returned to England as a conquering awesome war hero. When he got home, Wellesley went to the home of Kitty Pakenham, pimp-slapped her brother until he was unconscious, and asked her to marry him. She pretty much tore her dress off right on the spot.”

Sotheby's Chatsworth Sale

What with Christmas just around the corner, we thought we’d let you know that you can probably pick up gifts for most of the lucky on your list at the upcoming Chatsworth Attic Sale to be held by Sotheby’s London on October 5-7, 2010. More than 1,000 lots and 20,000 objects will be on offer from October 5 to 7, with estimates ranging from an alluring £20 to £200,000 for William Kent chimneypieces removed from Devonshire House in London before it was demolished in the 1920s. Here are the details from their press release:

The Duke and Duchess of Devonshire and the Trustees of the Chatsworth Settlement have instructed Sotheby’s to hold an auction of treasures gathered from the attics and stores at Chatsworth. The sale comprises 20,000 objects in well over 1,000 lots which will be on view in a series of marquees in the grounds of the house from October 1st. The house and grounds will be open to the public as usual during the period of the sale and view. Coming from the great houses of Chatsworth, Chiswick House, Bolton Abbey, Compton Place, Devonshire House, Hardwick Hall, Holker Hall and Lismore Castle, the sale includes works from almost every conceivable area: Architectural fittings, Books, Carriages and Cars, Ceramics and Glass, Collectables, Continental Furniture, English Furniture, European Sculpture, Garden Statuary, Natural History, Jewellery, Old Master and British Pictures, Oriental Works of Art, Silver and Plate, Objects of Vertu, Prints, Rugs and Carpets, Textiles, Tapestries and Wine.

Like the recent Spencer House Attic Sale at Christie’s, the Devonshire sale includes carriages, textiles, silver, jewelry, furniture and architectural items. Unlike the Spencer sale, it also includes a snuff box painted with a miniature of Gerogiana, Duchess of Devonshire, estimated to sell for 400 – 600 pounds.

As the Duke explained to the Financial Times recently: “When we came here, we looked at every space we had in the building and that confirmed what we really already knew, that the storage space we had was not fit for purpose and that there was just not enough of it,” explains the Duke. The solution is the “attic sale”, which has taken the best part of a year and a half to plan with Sotheby’s.

During the clear out of items and selection of pieces for the sale, crates in a stable yard building on the Chatsworth property were found to contain architectural elements removed from Devonshire House in London, above, designed by William Kent in 1730. Gathering dust for more than a century, the crates held  chimneypieces and other items, including pieces that, when fitted together recently by experts, formed almost the complete library as it had stood before the house was demolished.

You can see the full press release here.

The Larry King Show Goes British

Piers Morgan has given up his seat on the Britain’s Got Talent judging panel in order to fill the nightly interview seat held by Larry King on CNN for 25 years, but will remain on America’s Got Talent as a judge. King’s last show is set to air on December 16th. Speaking to Forbes.com, King said that, although he’s had Morgan on his show a couple of times, he knows virtually nothing about him. While King’s choice for his replacement would have been Ryan Seacrest, King did say about Morgan, “I like him very much. I wish him nothing but the best – he’s going to guest on my show in October. I want him to do well. It’s funny, my wife met him before I did, at a Dodger game.” King’s final guest will be former NY Governor Mario Cuomo, who was King’s first guest when the show began.

 Morgan told Entertainment Weekly that he’ll be shooting for the stars where his guests are concerned. “I’m going to go for the biggest targets on the planet,” he says. “I want to get the biggest names, the biggest people, go after the biggest stories. There’s nothing I like more than breaking big stories with big interviews, and creating headlines. It’s what I do best . . Why don’t you come up with a list of the 20 biggest names in the world,” he says, “and I’ll confirm I’m definitely interested in talking to them. I wouldn’t rule anybody in, and anybody out. You can take your pick.”

Known in the U.S. for his work on reality shows like America’s Got Talent and The Celebrity Apprentice, Morgan has a reputation as a hard hitting interviewer in the UK. He told EW, “I just saw a tweet from Sylvester Stallone saying that I’m one of the best interviewers he’s ever had,” he says. “There are some who know about me and know what I’ve done, and others who probably aren’t aware of what I do.” And Morgan’s got a reputation for doing what he does in a straight-from-the-hip, no-holds-barred manner. Will he be bringing that tough interview style with him across the pond?  “I don’t think I’m going to be softballing people,” he says, “but at the same time, I don’t think I’m going to be too brutal. I’m not going to basically kill the show by being so unpleasant that you can’t get any guests. I’m going to hopefully be quite charming to guests, and I think civilized.”

Morgan did admit to the Hollywood Reporter that he interviewed, “Simon (Cowell) in Britain for Life Stories and he said it was the best interview he’s ever given. I’ve already reached out to him for the CNN show and I’m getting pretty positive feedback. I think Simon sees it as like the old feudal days, when you’d have two guys on horseback jousting.”

Morgan has reportedly also signed a new two-year deal with ITV. The Sun claims that the contract, said to be worth £2.6m, will cover 12 new episodes of Piers Morgan’s Life Stories. Before breaking into British television, Morgan was the editor of a tabloid, the Daily Mirror. He was fired after the newspaper published fraudulent photos of British soldiers abusing Iraqi prisoners.

Morgan married wife Celia Walden on June 24th
Speaking about Morgan recently, Katy Couric said, “I’ve never seen him do an interview but it will be interesting to watch how it unfolds. I’m a real student of interviewing, so I will be intrigued to see how he peels the layers off the onion.”
 
We couldn’t agree more.

Leading Man News

Emma Thompson received her star on Hollywood’s Walk of Fame last month
and showed up at the unveiling with a pig and a pint.

Yipppeee for Emma Thompson. Yes, I know Emma’s not a leading man, but she is working on a new project, a remake of My Fair Lady, to star Carey Mulligan as Eliza Doolittle and rumour is that she’s tapped Colin Firth to play Henry Higgins, with Hugh Grant in a supporting role. Emma has said in interviews that she was dissatisfied with the original film version’s sugary take on the storyline of Pygmalion which, however one slices it, revolves around a father’s having sold his daughter to an older man in a form of prostitution. Emma has said:

“It’s a very terrible thing [Eliza Doolittle’s father] does, selling his daughter into sexual slavery for a fiver. I suppose my cheekiness is in saying, “This is a very serious story about the usage of women at a particular time in our history. And it’s still going on today.” 

About the original film, and its female lead, Emma said:
“I’m not hugely fond of the film. I find Audrey Hepburn fantastically twee … Twee is whimsy without wit. It is mimsy-mumsy sweetness without any kind of bite. And that’s not for me. She can’t sing and she can’t really act, I’m afraid. I’m sure she was a delightful woman — and perhaps if I had known her I would have enjoyed her acting more, but I don’t and I didn’t, so that’s all there is to it really.”

With equal honesty, Emma spoke to the Daily Telegraph of Firth’s chances of playing Higgins, “He would do it brilliantly, but because it’s a really expensive movie it’s really up to the studio. They’re always really picky about these things.”

So, does this mean that Emma’s version of My Fair Lady will be more like dark molasses than white sugar? In the end, will Colin Firth actually play Henry Higgins? We’ll have to wait and see, but in the meantime, as Victoria let us know in yesterday’s post, it’s dead cert that Firth will be playing King George VI in The King’s Speech. Set to open in November, Geoffrey Rush plays royal speech therapist Lionel Logue, who worked to help George VI overcome his stammer. Helena Bonham Carter will play the Queen Mum (!?).

Mack the Knife

Oh, the shark, babe, has such teeth, dear
And it shows them pearly white
Just a jackknife has old MacHeath, babe
And he keeps it … ah … out of sight.
Ya know when that shark bites, with his teeth, babe
Scarlet billows start to spread
Fancy gloves, though, wears old MacHeath, babe
So there’s nevah, nevah a trace of red.
Now on the sidewalk … uuh, huh … whoo … sunny mornin’ … uuh, huh
Lies a body just oozin’ life … eeek!
And someone’s sneakin’ ‘round the corner
Could that someone be Mack the Knife?

Don’t you love Mack the Knife? I do. I’ve added Bobby Darin’s version of the song to nearly every cd I’ve burned. Imagine my surprise when I learned that Mack the Knife has it’s roots in England . . . . .  The character of Macheath, later to become Mack the Knife, first appeared in The Beggar’s Opera by John Gay (1685-1732). The Beggar’s Opera, a comic ballad opera, took London by storm with it’s portrayal of the lower-class criminals satirizing the government and upper-class society. The main character of The Beggar’s Opera is a swashbuckling thief called Macheath who is polite to the people he robs, shuns violence, and shows impeccable good manners while cheating on his wife. The character is usually understood as partly a satire of Sir Robert Walpole, a leading British politician of the time. The Beggar’s Opera was a success from its first production in 1728, and continued to be performed for many years. It was the first musical play produced in colonial New York and legend has it that George Washington enjoyed it very much.

The Beggar’s Opera by Hogarth

The play was so popular that it prompted Hogarth to fashion a painting upon it. Here is the description of the above painting from the Tate Britain website: “Between 1728 and 1731 Hogarth painted numerous versions of a climactic scene from John Gay’s The Beggar’s Opera, the great theatrical sensation of the period. Hogarth concentrated on a scene set in Newgate prison in which the play’s leading character, a condemned highwayman called Captain Macheath, is shown at the centre of a tug-of-love. The characters of Lucy Lockit and Polly Peachum, both of whom believe themselves married to Macheath, plead with their fathers – respectively a corrupt prison-warden and a crooked lawyer – to set him free. In both versions of A Beggar’s Opera displayed here, Hogarth included the stage trappings and protagonists of the theatrical environment in which Gay’s work was first staged. An elaborate curtain hangs over the proceedings, and Hogarth paints recognisable portraits of such actors as Lavinia Fenton (dressed in white), who famously played Polly Peachum. Furthermore, Hogarth depicts the most fashionable members of the theatre audience sitting on the stage, as was commonplace at this time.”

But back to the song . . . . . the much covered popular tune (Armstrong, Fitzgerald, Darin, Sinatra, Buble, et al) was composed by Kurt Weill with lyrics by Bertolt Brecht for their music drama Die Dreigroschenoper, or, as it is known in English, The Threepenny Opera – based on The Beggar’s Opera. It premiered in Berlin in 1928 and the song became a popular standard. “Mack the Knife” was introduced to the United States hit parade by Louis Armstrong in 1956, but the song is most closely associated with Bobby Darin, who recorded the song in 1958 and won Record of the Year in 1959.

Aah … I said Jenny Diver … whoa … Sukey Tawdry
Look out to Miss Lotte Lenya and old Lucy Brown
Yes, that line forms on the right, babe
Now that Macky’s back in town …

Kurt Weill’s widow, Lotte Lenya, was the star of both the original 1928 German production and the 1954 Blitzstein Broadway version and she happened to be present in the studio during Armstrong’s recording. He spontaneously added her name to the lyrics, which already named several of Macheath’s female victims. All the other women’s names, Suky Tawdry, Jenny Diver, Lucy Brown, etc., appear in the original German version.
 
You can watch a classic video of Bobby Darin singing Mack The Knife here.