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The occasion was full of joy for the British public for the masses loved the Princess and they knew her life had not been easy.
The only legitimate grandchild of George III, Princess Charlotte was second in line to become the monarch of Great Britain. Her mother and father separated shortly after their marriage and never lived together. The Prince Regent was envious of the public interest in Charlotte and he restricted her movements and even her contact with her mother, Caroline, Princess of Wales.
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Prince Leopold and Princess Charlotte lived at Claremont, an estate in Surrey. There, just over a year after the wedding, Charlotte died after giving birth to a stillborn son. The people mourned their Princess on an unprecedented level.
Many kinds of memorials were sold throughout the country:
Charlotte was buried in the Royal Chapel at Windsor. A large memorial to her shows her descending into heaven, her infant son held by an angel.
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And he also facilitated the marriage of his nephew Prince Albert of Saxe-Coburg- Gotha to Queen Victoria. In 1831, Leopold became King of the Belgians. He married again and had three children. His daughter was named Charlotte after his first wife.
Right, Princess Charlotte of Wales 1796-1817.
This is my first visit to your site and look forward to both exploring it further and hopefully finding like minds with which to discuss history!
I'm presently reading "We Two" by Gillian Gill (2009) which is a biography of Victoria and Albert. In it, she refers to a portrait of then Prince Leopold " 'in his youthful military glory' " by Sir Thomas Lawrence, which can still apparently "be seen in the Waterloo Room at Windsor Castle, above one of the doors…". Do you know if the portrait of Leopold you have on this post is that same one by Sir Lawrence?
Just curious! Thanks,
Alexis
Oh, this is just too sad. I visited your site because of the fantastic memorial sculpture, and stayed for the story.
I just had to know the story behind the sculpture–which is both in keeping with the style common to the Victorian period, and lavish enough to cause comment, without knowing who it references.
Are the draperies behind it a permanent installation?