Pride & Prejudice & Zombies

In Seth Grahame-Smith’s Pride and Prejudice and Zombies, Jane Austen’s classic tale of the tangled  relationships between lovers from different social classes in 19th century England was updated by the addition of an army of zombies. As if this (and sea monsters) weren’t enough, now they’re making a film version of the tale, with Natalie Portman both producing and starring as Elizabeth Bennett. The film, currently in production, is slated for release in 2011.

Results of the "Althorp Attic Sale" Christie's, London

It seems as though Earl Spencer has been cleaning the tat out of his attics, and oh, what tat it is. Here are just a few of the items sold last month at Christie’s Auction Room, King Street, London.

A REGENCY MAHOGANY FOUR FOLD SCREEN CIRCA 1815
Provenance

Mrs. Dora Jordan (1761-1816), mistress of William IV. Acquired at a sale of her effects by Frances Isabella, Lady Clinton (d. 1875) who placed it in the Dining Room at 28 St. James’s Place. By descent to her niece Lady Sarah Spencer (1838-1919) and by descent to Albert Edward John, 7th Earl Spencer (1892-1975), by whom removed to Althorp, Northamptonshire, in 1923.

Price Realized £775 ($1,178)
FOUR NEEDLE-CASES, 18TH/19TH CENTURY

Silver-mounted tapering Doccia porcelain étui of round section, the porcelain body decorated with antique scenes moulded in relief, the cover decorated with sea shells and rocaille in relief, within hinged brown fitted leather case; together with, another porcelain étui of round section mounted in gilt-metal, the porcelain body decorated with painted flowers; together with, another gilt-metal mounted porcelain étui of oval section, the porcelain body and lid decorated with foliage and masks, centred with circular cartouches containing bows and arrows, the cover cartouche painted with ‘Souvenir’ and, on the body, with ‘d’amitié’, gilt borders and swags to both cover and base, together with, another gilt-metal mounted enamel étui of rounded reeded body decorated with diamond pattern with a flower depicted at the centre of each (4)

Price Realized  £5,625 ($8,550)

A PEERESS’S CORONATION ROBES

Undergown of cream silk taffeta applied with a heavily embroidered silk satin front panel, a short sleeved robe of crimson silk velvet, fitted and trimmed in miniver and embroidered with stylized ‘S’ shapes in gilt, and a train of crimson silk velvet with a short ermine capelet and gilt cordons to the shoulders; together with the remains of a peeress’ coronation train.

Provenance
Possibly worn by Charlotte, Countess Spencer (1835-1903) wife of John Poyntz, 5th Earl Spencer (1835-1910) to the coronation of Edward VII in 1902.

Price Realized £6,250 ($9,500)
A GEORGE IV BLACK-JAPANNED AND LIVERY-PAINTED STATE CHARIOT
BY BARKER AND CO., LONDON, SECOND QUARTER 19TH CENTURY

The later arms on the doors are those Spencer accoll with Spencer impaling Baring for Charles, 6th Earl Spencer, K.G., (1857-1922) and his wife Margaret (d.1906), daughter of Edward, 1st Baron Revelstoke, whom he married in 1887. These arms were possibly applied for the coronation of King George V on 22 June 1911, at which Earl Spencer presided as Lord Chamberlain.

Price Realized  £133,250 ($202,540)

THREE SPENCER HOUSEHOLD FOOTMAN’S LIVERIES LATE 19TH AND EARLY 20TH CENTURY
Each comprising salmon pink breeches, scarlet tailcoat and salmon pink waistcoat, all set with silvered metal buttons embossed with the Spencer cypher, scarlet wool caped greatcoat and tricorn hat

Price Realized £4,750 ($7,220)
 
   
A GEORGE III SILVER-GILT AND CORAL RATTLE
 
With two tiers of four bells dependent and bright-engraved with bands of trailing leafage, coral teething stick, engraved later with a viscount’s coronet below initial ‘A’, in later fitted box Brothers, 22 Old Bond St.

The initial is almost certainly that of Edward John Spencer, Viscount Althorp and later 7th Earl Spencer.

Price Realized £3,000 ($4,560)
You can see all 24 pages of the sale results at the Christie’s site.
In all, the sale realized just over two million pounds.

The Battle of Waterloo: The Video – Part Three

At the end of the Battle, Michael, a fellow tour mate, helped me down off the Mound and we proceeded to the pub mentioned earlier for a well earned coffee and fortifying brandy. On our way there, we were fortunate enough to get up close to the battlefield and witness some dashing derring-do by men on horseback, which I’ve edited in to the video below.  What the woman beside me was cackling about, I’ve no idea. Anyway, this is what I saw:

The Battle of Waterloo: The Video – Part Two

Though the rain continued to pour down and a Frenchman on a loudspeaker insisted on narrating the entire bloody Battle (and although people persisted in standing up in front of me and blocking the view), I remained in position on the confounded Mound and stayed to finish filming the action. Actually, it was at about this point that my daughter left me to the elements and hightailed it down to the nearby pub. However, in my guise as your intrepid reporter, I manned my post, aimed my camera . . . and this is what I saw:

 
 

The Battle of Waterloo: The Video – Part One

The morning of the Battle dawned authentically – cold, wet and rainy. Arriving at the site, I watched the troops forming up. With grey skies above, the troops were subdued, yet on alert. In the distance, drummer boys beating out a battle dirge could be heard.
Drawing closer to the field, I encountered that most
dangerous of combat conditions . . . . .

Crowds of rubberneckers with cameras! Alas, your intrepid reporter could not resign herself to being left four or five deep behind the crowd. It was imperative that I find higher ground and a better vantage point. But where? Where could one find a spot that would afford a birdseye view of the Battle?
Hmmmm, let me see . . . .
Gulp.
WWWD (What Would Wellington Do)?
Gulp.
Left with no choice in the matter (I could just hear His Grace’s sneering tone should I chicken out at this juncture) I took my life in my hands (not exaggerating) and climbed to a precarious perch upon the Mound. In the rain. With thunder rolling.
And this is what I saw: