A Couple In England – Day Five – Part Two

When last we met, I was sitting in the first class carriage of the Bath bound train shivering, coughing and feeling feverish. Beyond the windows, the English countryside sped by as I sat huddled beneath two coats, my gloved hands shoved deep into the pockets of the top coat. I tried to focus my mind . . . how long could this illness (cholera, typhus, the bird flu, whatever it was) possibly last? Was there even the ghost of a chance that it was but a passing fancy and I would recover by tomorrow? I took stock of my symptoms and decided that it was highly unlikely.
 
The ticket guy came through the car at this point. What is the ticket guy actually called? The conductor? Wasn’t the conductor the guy who drove the train? Was he a ticket taker? Nah, that didn’t sound right. Does anyone actually drive trains anymore, or are they all on auto-pilot like the airplanes? Remember when you could actually smoke on an airplane? What were they thinking?
 
“Tickets, please.” The ticket guy’s voice interrupted this fascinating stream of thought. I pulled my bag towards me, fished around for my wallet and finally presented my credit card along with the required tickets. 
 
The ticket guy/ticket taker/conductor upgraded us for the aforementioned fifteen pounds each, sliding my credit card through his hand-held credit card thingy before handing me two new tickets and moving on.
 
Hubby was looking at me expectantly. “Done and dusted,” I told him.
 
“Huh?  How much did he charge us? Did it work? Speak English, will ya?”
 
Sigh. Cough. Shiver. “Yes, just like the woman told me. We’re now officially first class passengers for only fifteen pounds more. You can relax.”
 
Done and dusted? Where do you get this stuff? What was that thing you said to me when we were first dating? Remember? That English thing you threw at me?”
 
“Behoove.”
 
“Yeah. Behoove, that’s it. I mean, who talks like that? And our wedding ceremony, oh brother!”
 
“I told you to read through the vows beforehand. I encouraged your participation. You couldn’t be bothered. You left it all up to me, remember?”
 
“Who knew you were going to go with I pledge you my troth? What in the Hell was that? What in the Hell is a troth?”
 
I chose to interpret Hubby’s question as being rhetorical and closed my eyes. The next thing I remember is pulling into Bath Spa Station. I got up, unsteadily, from my seat and took a few steps towards our luggage.
 
“I’ve got it,” Hubby said, in a brook no argument sort of way.
 
“You can’t manage it all,” I told him.
 
“I can. You just worry about yourself.” God, I must look even worse than I feel. I directed Hubby to the elevator and we went down a flight.

Coming out of the lift, I marshaled what little strength I had to hand, took one of the bags from Hubby, headed towards the exit turnstiles and tried to get through.
The bar wouldn’t budge. Again I tried. Again the bar wouldn’t move. After my fourth attempt, and just before I was ready to duck beneath the arm and get the Hell out, a nice young man in a Great Western uniform approached.
“May I help you?” he asked. “Do you have your ticket?”
My ticket? What’s my ticket got to do with the price of turnstiles? Not in the mood to argue, I felt in my coat pocket and produced our tickets, which the nice man took from me and inserted into the little slot on the top of the turnstile, which then magically slid open. Yes, Reader, that’s how sick I was. Imagine my forgetting the reason for keeping one’s ticket handy.

Outside, it was a miserable day – grey and wet with a dash of blowing wind. I huddled under the awning and looked bleakly at the empty forecourt. Don’t let the picture above fool you. I swiped it off the web. When Hubby and I arrived, there was not a cab in sight. You’d think the cabs would have the arrival times down pat, especially in such bad weather, but there we were, marooned at Bath Spa Station.
“Where do we get a cab?” Hubby asked.
“Here.”
“But there aren’t any.”
“They’ll be along in a minute,” I told him, pulling my scarf up to my chin.
“Are you going to be okay?”
“I’m fine,” I said, lying through my chattering teeth, whilst all the while thinking a cab, a cab, my kingdom for a cab. Sigh.
 
Part Three Coming Soon!

A Couple In England – Day Five – Part One

 
 
 
Or Bath In The Time Of Cholera . . . . . .
 
 
Hubby and I began our last day in London in the usual way – at Café Nero.
 
“Are you depressed because we’re leaving London?” he asked me as we sipped our coffees at the outdoor table.
 
“Not exactly depressed,” I answered, thinking his question a bit odd. “Why do you ask?”
 
“You don’t look so good. I thought maybe you were depressed.”
 
“No, not depressed.” Sick, but not depressed. I had awoken that morning to the realization that I was well and truly coming down with something. You know that feeling you get where you just don’t feel like yourself? Like your head’s in a fog and you’re not really present? Like you already have a somewhat sore throat and you’re just waiting for the other symptoms to drop? Yeah, that’s the feeling. And I had it. In spades.
We went back to the room, where I finished packing and then got us downstairs and into a cab.
 
“Paddington Station,” I told the driver.
 
“You know where we’re going?” Hubby asked.
 
“Yeah. To Paddington Station.”
 
“But do you know how to get us to Bath?”
 
“Not really, but then I don’t have to know. The guy who drives the train knows. All we have to do is buy a ticket and get on.” I smiled at him. “It’s okay, Hon. I’ve done this before. You’ve done it before, too.”

“I’ve never been to Bath.”

 
“No, but we went to Oxford on the train last time we were over, remember? Same station.”
 
This seemed to reassure him and before long we pulled up in front of Paddington Station.
 

I paid off the cab and we got our luggage out of the boot and headed into the Station. I took a few steps and stopped.
 
“What’s wrong?” asked Hubby.
 
“Nothing. I’m just trying to get my bearings,” I said, leading us deeper into the crowd. Before long I spotted the coffee bar I’d sat at so many times before (often with Victoria) and knew that I was, indeed, heading in the right direction.
 
 
 
 
As I headed toward the ticket booths, I began to feel as though I were walking through thick, sucking mud, each step a monumental effort.
 
Oh, Jeez, I don’t feel so good.
 
You’re fine. You’re going to Bath. You’ve been waiting for the Bath portion of this trip for ages now. The Wellington Suite! Come on, you can do it. That’s it, one foot in front of the other. Good show!
 
Shut up, will ya?
 
 
 
 
Finally, the ticket office was in sight. I left Hubby guarding the luggage and approached a window.
 
 
 
 
“Two first class tickets to Bath Spa, please,” I told the woman behind the glass partition, who was looking down at her monitor.
 
She punched a couple of buttons on her keyboard. “Two hundred and fifty four pounds,” she said.
 
I leaned in closer to the speaking hole in the glass. “I’m sorry. You must have misunderstood me. I said to firsts to Bath, not two first class tickets on the Concord to Dubai.” My good woman.
 
She looked up at me then and I swear she did a double-take. And gasped. Her entire demeanor suddenly changed. Did I look that bad?
 
“Look,” she said, “Being as it’s Sunday, I’ll give you two regular singles and you get in the first class coach. When the man comes round for your tickets, he’ll upgrade your tickets to first class for an extra fifteen pounds each. Sound good?”
 
“Sounds exactly right. How much are two regular singles?”
 
“S
ixty-one pounds all together.”
 
“Sold. Does that work everyday?”
 
She shook her head. “Just on Sundays and Bank Holidays.” She slid the tickets through the window. “Track three.”
 
I thanked her and made my way back to where Hubby was waiting.
 
“Let’s go. We’re on track three.”
 
“Where’s track three?”
 
I looked about as we neared the tracks. “Here it is.”
 
“How do you know?”
 
I pointed to the sign that read “Track Three – Bath Spa.”
 
“Where are you going? There’s an open door on this car here.”
 
“First Class. We’re going to the First Class carriage. Just follow me.”

We got to the First Class carriage, threw our selves and our luggage inside and set about choosing our seats.
 
“These are reserved,” Hubby pointed out. “Look, the signs on the seats say reserved.”

“They’re reserved for First Class customers. That’s us. Just pick a seat.”

 
“Are you sure?”
 
I told Hubby all that had transpired at the ticket window. To which he said, “How do you know that will work? What happens if we have to pay full whack?”
 
Sigh. “I don’t think she’d lie to me about it. If worse comes to worse, we’ll move.”
 
 

At long last and somewhat grudgingly Hubby chose a seat on one side of the aisle, while I took the empty seat on the opposite side of the aisle. We both had two seats and a table to ourselves. The remainder of the carriage was empty.
 
Our train pulled out of the station and it was just a few moments later that I was attacked. Someone, I didn’t see what the blighter looked like, hit me with the sick stick. Full force. It began with the chills. Soon after the chills were replaced by the feeling that someone had filled my spine with a shaft of ice. I began to shiver in earnest and what little reserves of strength I’d previously had now completely deserted me.
 
“You okay?” asked Hubby.
 
I shook my head.
 
“You don’t look good. Are you sick?”
 
I nodded, finally admitting what I’d tried to keep at bay by not speaking of it. The jig was indeed up. I tightened the scarf round my neck and drew on my gloves. “I’m freezing,” I whispered.
 
“Here,” Hubby said, taking off his coat and covering me with it.
 
“Now you’ll be cold,” I told him.
 
“No, I won’t. It’s not cold in here at all. The heat’s on.”
 
Bundled up as I was now, in my coat and Hubby’s, I continued to shake with the cold.  My cough returned and my throat felt as though it was being slit by razor blades. The train soon entered a tunnel and I was able to see my reflection in the glass – I looked as though I’d died on Friday. Bear in mind that this was Sunday. . . . not a pretty sight.
 
Did I have the flu? The Norovirus? Some other virus? Bird Flu? Cholera? Did people still get cholera? What about malaria? Understand, I am by no means a hypochondriac. Really. But I hadn’t been this sick for yonks. It was the type of total incapacitation one usually only sees in small children and that I can only recall having as a child, when doctors used to actually make house calls and mothers would wrap handkerchief’s smothered in Vick’s Vapo Rub round small patients necks. It had come on fast and hit me like a freight train, no pun intended. I thought fleetingly of dying, which served to cheer me up somewhat, for not only would the misery end, but I would have accomplished my hearts desire – to die in England. To die, with any luck, more specifically in Bath would be a real coup. If I made it that far. And to die in England, in Bath, in Duke’s Hotel, whilst occupying the Wellington Suite would be the icing on the cake.
 
Typically, the highlight of a train trip in England for me was to look out the window at the surrounding countryside, to catch unexpected glimpses of quaint houses, sheep, cows, fields and hedgerows, not to mention snapshots of various towns along the way as glimpsed through the windows as one sped by. This time, I took little interest in the passing views. All I could think of was the irony  of my getting sick just as I was headed for Bath. And Duke’s Hotel. And the Wellington Suite.  When first planning this trip, I’d meticulously done my research into Bath hotels. This portion of the trip was especially important, as we’d be spending New Year’s Eve there. Imagine my joy when I found that there was a small hotel off Great Pulteney Street, not far from Laura Place, where they actually used a likeness of the Duke of Wellington as their logo. Where their suits were named after various dukes – including Wellington. I booked the suite on the spot and have been looking forward to it ever since.
 
Typhoid? Could I have typhoid? I seemed to recall something about one of the symptoms of thyphoid being a bloody nose. Or was I confusing the blood with consumption? I’d have to brush up on my 19th century illnesses. If I lived that long.
 
Part Two Coming Soon!
 

A Couple In England – Day Four – Part Four

Hubby and I entered our hotel and made a bee line for the bar, where we picked up a bucket of ice before heading up to our room. Once upstairs, I made us each a rum and coke, which we gratefully sipped while relaxing – me in a chair, Hubby on the bed.
“What are we doing tonight?” Hubby asked once he’d gotten some of the nectar down his throat.
“Dinner and the theatre.”
“What theatre?”
“One Man, Two Governors. It’s a comedy. It’s supposed to be truly funny. We could have dinner at Burger and Lobster before the show.”
Hubby gave me a look that I imagined was usually reserved for death row convicts.
“Why are you looking at me like that?” I asked.
“Would you be really mad if I didn’t go to the theatre?”
“Not go to the theatre? It’s the Theatre Royal Haymarket,” I told him. Why I should tell him that, I’ve no idea. It just came out. “What’s wrong? Don’t you feel well? We have tickets. Already booked. For months now.”
“I’ve had enough fun for today. We’ve been on our feet all day, Hon. My back hurts, I’m tired and I’m old. You keep forgetting that I’m old.”
 
“You’re not old,” I told him, topping up our drinks. “Do you want to go to Burger and Lobster for dinner then?”
 
“Can we just eat downstairs in the hotel restaurant?” This was not good. Hubby must be well and truly tired to turn down a repeat visit to Burger and Lobster. Which was just in the next street, bear in mind.
 
So after finishing our cocktails, we made our way downstairs to the Tiger Green Brasserie for dinner, walking through the bar on our way to the dining room.
 
 
 

We were seated and menues were produced and before too much longer Hubby and I had ordered further drinks (a Black Russian for him, a glass of Pinot Noir for me) and a steak each. As we waited for our meals to arrive, I glanced around the room, recalling that the hotel had been created by knocking together several adjoining townhouses. I fell into a familiar reverie – if I were given this space, how would I make it livable? I usually do this when I’m killing time in a space with some history. Which is odd, as I don’t have any sort of a design background, but there you have it. I’d restore the fireplaces, first off and, as always, my mind ranged round the room while I decided which walls I would cover with bookshelves.
 
“You’re mad at me because I don’t want to go to the theater, aren’t you? Is that why you’re not talking to me?” Hubby’s voice brought me back to the present.
 

“No. Not at all. I’ll just go by myself. It would be more fun with you, but I can still go.”
 
Our steaks arrived and we began to eat. “What are we doing tomorrow.”
 
“Tomorrow we take the train to Bath. I can’t wait for you to see it. It’s a gorgeous city, the architecture is fabulous and the surrounding countryside is just like a picture postcard.”
 
“Is that where you want to live one day? Where are we going to live? Not London? I couldn’t take the crowds.”
 
“No, not London. I don’t have a particular place in mind,” I said, sipping my wine. “When the time comes, we’ll make a circle round London that represents a two hour train journey to town. Once we see what falls within that circle, we can make a more educated choice.’
 
“You. You can make the choice. I don’t know anything about living in England. Just pick somewhere peaceful, will you? What’s Bath like? Is it going to be as crowded as London?”
 
“No! It’s nothing like London. Oh, it’s going to be fabulous,” I said. “Bath at New Year’s. Fireworks over the Abbey. The Wellington Suite at Duke’s Hotel. And a few surprises.”
 
Hubby actually groaned. “Oh, God, no surprises. Please, no surprises.”
 
After dinner, we went up to our room, where I bundled up in my outerwear, gave Hubby a farewell kiss and left for the theatre. First, I stopped in at Boot’s and got Hubby some Nuromol (ibuprofen and paracetamol) and a box of those things you stick on your back that heat up and are supposed to help aches and pains. Reader, I had anticipated my return to Bath for months and was not about to let Hubby’s ailments throw a damper on all that I had planned.
 
I arrived at the Theatre Royal Haymarket and found my seat, placing all my belongings on Hubby’s empty seat beside me. I settled in and looked around at the gorgeous interior of the Theatre, which began life as a theatre in 1720. Samuel Foot
e acquired the lease in 1747, and in 1766 he gained a royal patent to perform dramas in the summer months. The original building was a little further north in the same street. It has been at its current location since 1821, when it was redesigned by John Nash. In 1873, the first ever matinee performance at a theatre was put on here, a custom soon followed by theatres world wide.

 
 Should you wish to learn more about Samuel Foote, I direct you to Ian Kelly’s fabulous biography, which can be found here.
 
The theatre began to fill and I began to cough. Hack, hack, hack. I fished around in my bag and found a candy to suck on. The lights dimmed and the play began just as I was beginning to suspect a sore throat coming on.
 
As to the play, here’s the most concise review of the plot I found on the web:
 
“One Man, Two Governors is set in Brighton in 1963 and centres around Francis Henshall, a man hard up for cash, desperate to know where his next meal is coming from and who is easily confused. Henshall accidentally ends up being the personal minder for two separate employers, one Rosco Crabbe, a well known gangster (of sorts), and Stanley Stubbers a criminal who is fleeing the police. But of course, Rosco is actually Rachel, his sister, disguising herself as her Rosco, who is now dead, in order to retrieve cash that is owed to Rosco so that Rachel can run away with her criminal lover, who is none other than the aforementioned Stanley Stubbers.
 
 
 
As the play unfolds we see a frantic Henshall, completely unaware of the connection and indeed that Rachel is in disguise, desperately trying to keep the two separated so neither one realises he’s taken a job with two employers.
 
It’s a silly, slapstick comedy play, which are often either way too over the top and put on that they feel strained or borderline lame. Not this one though – we were laughing out loud almost from the moment we were seated, right the way through the end. With a good balance between a structured plot, planned gags, audience participation and improvisation this play had me in stitches and included clever dialogue which, while British, was easily understood and translatable.”
You can read the complete review here. The play was fabulous, laugh out loud funny in many places and it thoroughly took my mind off my cough. As the curtain came down, I bounded from my seat and ran down the stairs and out into the rainy night so as to avoid the exiting crowd. Waiting just in front of the theatre was a young man on a bicycle propelled rickshaw.
 
“Where to?” he asked, apparently unaware of the drizzle and frigid temperature.
 
“Half Moon Street,” I said, out of politeness.
 
He looked puzzled. “Half Moon Street . . . . let me see . . . . is that over by . . . . . ?”
 
“Thanks anyway,” I said over my shoulder as I hopped into the first cab in the waiting rank. I made it back to our hotel without further incident, but really this was a day for strange cab encounters.
 
Hubby was still awake when I returned. “How was it?” he asked.
 
“Hysterical. You would have loved it. How do you feel?”
 
“I feel okay. I just wasn’t up for any more fun.”
 
I kissed him and then made a start on packing. Later, after a long, hot shower I got into bed and contemplated all the joys that were in store for us tomorrow. I would miss London, of course, but Bath awaited. And the Wellington Suite. And fireworks. Oh, joy!
 
To Be Continued . . . . . .
 
 

A Couple In England – Day Four – Part Three

 
Hubby and I exited Apsley House to a grey, cold and misty day.
 
“Are we going to get a cab?” he asked, pulling his collar up. “Look, there’s a cab now!”
 
“We can’t get a cab here.”
 
“Why not?”
 
“Because the traffic comes whizzing by from Constitution Hill and Upper Grosvenor Street and goes round this circle at breakneck speed. No cabby worth his salt is going to slam on his brakes and make a hairpin turn into Apsley House just to pick us up.”
 
“We can get a cab there, at the next corner.”
 
“No. That’s Park Lane. Half the cars that aren’t headed straight down Piccadilly are going to speed their way round that corner and up Park Lane. It’s not an ideal spot for a cab to stop. We’ve got to go back through the pedestrian walkway and come out on the other side of Park Lane. We’ll be able to get a cab there without taking our lives in our hands.”
 
“I don’t want to do that underground walkway. I hate the underground walkway. There are homeless people in the underground walkway.”
 
“One. There’s occasionally one homeless person sleeping in the underground walkway. Don’t worry, I’ll protect you.”
 
“Har har.”
 
We made it safely through the (empty) tunnel and out onto Piccadilly, where we flagged down the first cab we saw.
 
“Trafalgar Square, please,” I told the cabby.
 
“Where in Trafalgar Square, love?”
 
“Anywhere it’s convenient,” I told him. Before long we were traveling down the Mall, when up ahead I saw the Guards approaching on their way to the Palace. I quickly got out my camera and snapped the following picture as we drove by.
I tried, okay?
Before long we were in Trafalgar Square. “This place again? Weren’t we just here?”
 
Sigh. “We have time before the rock and roll tour starts. Are you hungry?”
 
“Breakfast would be good.” So I took Hubby to a crowded, storefront diner-type restaurant where they served English breakfast all day long. We fought our way over to a table for two and squeezed in between the other diners.
 
Once we’d ordered, Hubby asked, “Why do you want to go on a three hour rock and roll tour, anyway? You hate rock music.”
 
“I booked the tour for you. So that you could do something you liked while we’re in London.”
 
“You’re going to be bored stiff.”
 
“No, I won’t. I’ll get to see parts of London I haven’t seen before. It’ll be interesting. Their website said we’re going to see sights associated with The Who, Led Zeppelin, Pink Floyd, Mick Jagger, Jimmy Page.”
 
“You don’t even know who Jimmy Page is.”
“You don’t know who Frederick Ponsonby is.”
 
“What band did he play with?”
 
“Freddy Ponsonby?”
 
“No! Jimmy Page. Go on, I’ll give you ten dollars if you can tell me the name of his band.”
 
“I have no idea. I couldn’t tell you if you offered me a million dollars.”
 
“My point exactly. You’re going to be bored stiff.”

At the appointed hour, we met our guide, Bob, and the rest of our group and boarded the tour bus. Bob gave us an overview of what we’d be seeing on the tour and of the music scene in London from the 1940’s on. It went something like this, “Blah blah, blah blah blah. Yadda yadda yadda. Blah blah.” Hubby had a broad smile on his face and seemed as happy as the proverbial clam. He grinned at me and I grinned back. “Yadda yadda, blah blah blah.”
 
I honestly can’t tell you what we saw directly upon leaving the boarding point, but before I knew it, we were on Piccadilly, passing the Ritz Hotel. Then we were turning up Half Moon Street and passing our hotel.
 
“That’s our hotel,” said Hubby.
 
I nodded as we made a left turn onto Curzon Street and soon pulled up outside of 9 Curzon Place.

“Now that house of flats there,” said Bob, pointing to it, “was an infamou
s party house. One of the flats was owned by singer and songwriter Harry Nilsson and everyone who was anyone to do with the music scene in the late 60’s and 70’s walked through that front door at one time or another. Nilsson’s was flat number twelve and it was there on July 29, 1974 that Mama Cass Elliot died. And, four years later, Keith Moon died in that same flat, after which Nilsson sold the flat to Moon’s bandmate, Pete Townsend.”

“You didn’t know any of this?” Hubby asked in a slightly accusatory tone. “It’s right down the street from our hotel.”
 
“No. I had no idea. If I’d known, I would have told you.” I said a tad indignantly. “Sorry, my in depth knowledge of London stops at about 1901.”
 
We were on the move again and were soon passing a familiar landmark. 
“Coming up on our right is the house known as Number One London, home to the Dukes of Wellington. Wellington, the first Duke that is, was of course the victor at the Battle of Waterloo in 1815, but the family also has ties to rock and roll. If anyone has heard of the duo Chad and Jeremy, Jeremy is a Wellesley and so has an aristocratic bloodline. He was a page boy at the Queen’s coronation in 1953.”

“Did you know that?” Hubby asked, rather in the same way a barrister might ask someone in the dock, “Where were you on the night of November 11, 2010?”
 
“You know everything about Wellington down to his shoe size and you don’t know about Chad and Jeremy? How could you not know it?” he persisted.
 
“Er, it happened after 1901?”
 
I’ve since discovered that Jeremy is Jeremy Clyde and his mother is Lady Elizabeth Wellesley, younger sister to the current Duke of Wellington. He’s on the right in the photo above and I must say that his resemblence to the first Duke is uncanny. You can be sure that there will be a follow-up blog post on this soon.
 
There was more blah, blah and yadda, yadda and then we found ourselves parked beside the Albert Hall, where Bob told us, “Blah blah, blah blah blah. Yadda yadda yadda. Blah blah, blah.”
 
 

Next we headed for the King’s Road. “This was King Charles II’s private road to Kew. At that time, it was on the very outskirts of London and was very dangerous, indeed, and populated by cut throats and highwaymen.”
 
“Did you know that?”
 
“Yes, I knew that.”
 
“But this,” Bob went on, “is also where the heart of the music and fashion business was located beginning in the 1960’s. Blah, blah, yadda, blah blah.”
 
Bob pointed out various sites along the Road: Mary Quant’s former storefront, the Chelsea Drugstore, the former headquarters of Swan Song Records, blah, blah, blah. Then we made left off the King’s Road and onto Old Church Street, where we stopped in front of the most interesting house below.
 
 
“Originally,” Bob began, “this building was one of Chelsea’s many dairies, but in 1964, the building down that alleyway behind this one became home to Sound Techniques recording studio, where a whole host of rock legends recorded. They included Elton John, Pink Floyd, Jethro Tull, The Yardbirds, The Who, yadda, yadda, blah, blah, blah.”
 
I tried to take good photos of the building, which has many architectural details, including decorative tiles at each end of the building. Unfortunately, the bus’s windows were rain covered.
 
 
 
 
 
Soon after, we made a rest stop at Bill Wyman’s Sticky Fingers bar and restaurant. I ordered us two welcome pints while Hubby used the restroom and then checked out the rock memorabilia lining the walls.
 
“This is great, Hon.”
 
“Good. I’m glad you’re having a good time.”
 
“How come you never took me to King’s Road before? There’s lot’s of interesting stuff there.”
 
“When I think of the King’s Road, I think shopping. When I think shopping, I don’t think of you. You hate shopping.”
 
 
 
 We all trooped back on the bus and the tour continued on to Notting Hill.
 
 
 
 
“We’re now in Landsdowne Crescent, where the property prices have soared and where you currently see a row of pretty nice houses,” Bob told us. “But in the 1960’s, this was a really seedy part of London and most of these houses were flop houses and transient hotels. It is there, at number twenty-two where the Samarkand Hotel used to be and where Jimi Hendrix died on September 18, 1970.” Bob went on to give us details of Hendrix’s life and career that included such salient facts as yadda, yadda, yadda and blah, blah. Beside me, Hubby listened to Bob’s every word.
 
“Hendrix, Hon. Probably the greatest guitar player ever.”
 
Working hard to seem interested, I smiled and nodded in return.
 
 
 
Next, we visited the site of Island Records and then the house above in Holland Park, which was built by architect William Burges. Actor Richard Harris purchased the house in 1968 and the current owner is Led Zeppelin guitarist Jimmy Page, which is why it was on our tour.  
 
“Jimmy Page,” Hubby said, elbowing me in the side.
 
“Led Zeppelin,” I replied. “Give me ten dollars.”
 
“Too late.”
 
 
 
 
 
Next, we stopped in front of Paul McCartney’s home in St. John’s Wood, above.
 
 
 
And by the time dusk was falling and the rain was coming down harder still, we arrived at Abbey Studios, where Bob gave us a talk about it’s recording history. “Yadda, yadda, blah, blah, etc., etc., etc.”
 
“I can’t believe it’s all covered in graffiti,” Hubby said. “I mean, it’s Abbey Road, it’s iconic and look what people have done to it.”
 
“It’s an insult,” I said.
 
“Yeah.”
 
“Kinda like the dust on the centerpiece at Apsley House.”
 
Speaking of iconic, below is the Beatles Abbey Road album cover.
 
And this is what Abbey Road looked like when we arrived.

 
 
Abbey Road is not a quiet, backwater street. There’s a bend in the road just before the Studio and traffic comes round it at a fairly brisk clip. Bob parked the bus at the side of the road and allowed those who so desired to recreate the famous walk across Abbey Road.
 
“Go on,” I told Hubby.
 
“Nah. It’s raining. And cold.”

“Go on. If you don’t do it, you’ll kick yourself later.”

 
“You think?”
 
“Yes. Go. I’ll take your picture.”
 
 
 
You can see Hubby’s white s
hoes on the sidewalk to the left in the photo above.
 

There’s Hubby above, just entering the zebra crossing.

 
And here he is waving to the camera. With oncoming traffic approaching.
 
 
 

Our next stop was Mick Jagger’s house in Cheyne Walk, Chelsea, above.

Our last stop was in Savile Row, where the Beatles played their final live concert on January 30, 1969 on the rooftop of the Apple building at 3 Savile Row.

 

Obviously, I didn’t take the photo above, because when we were there, it was dark and raining. Bob dropped us all off in Piccadilly Circus and we thanked him for his expert knowledge and a really great tour.
 
“What now?” Hubby asked as we stood on the crowded sidewalk.
 
“Now we go back to the hotel and have a drink, then we eat dinner and go to the theatre.”
 
“All that?”
 
“Yes,” I said, looking for a cab. “Do you want to eat at Burger and Lobster again?”
 
“I don’t know. Let’s just get back to the hotel for now.”
 
Finally, a cab pulled up. “We’re going to Half Moon Street,” I told the cabby through the driver’s window.
 
He looked at me as though I had two heads. “It’s only down the street a few yards. You could walk there.”
 
I then looked at him as though he had two heads and one of them was wearing a Viking helmet. Then I said, “I could walk to China, too, but I’m tired and it’s raining and I’d rather take a cab. This is a cab, isn’t it? And you are a cab driver, aren’t you? Or am I mistaken?”
 
“My good man,” muttered Hubby.
 
“I’ll have to go all the way up to Oxford Street and double back,” the cabby complained. “If you really want a ride, get in, but you really could walk.”
 
We got in. We went up to Oxford Street. We circled around Berkeley Square. We got to our hotel, got out and I paid the cabby.
 
“That’s the strangest thing that’s ever happened to me in London,” I told Hubby as the cab drove away. “Was that strange, or is it just me?”
 
“It was strange, alright. And that wasn’t just a few yards down the road. And it’s raining.”
 
We stood on the pavement and stared at each other for a few moments, digesting what had just happened.
 
“Let’s go inside,” Hubby suggested.
 
“And have a stiff rum and coke.”
 
“Or two. My good woman.”
 
Part Four Coming Soon!

A Couple In England – Day Four – Part Two

Finally . . . . Apsley House. The Holy of Holies. Honestly, every time I visit I expect the Heavens to part and the angels to sing. Sadly, that’s yet to happen.

“Look, Apsley House!”
“Again,” replied Hubby, barely containing his enthusiasm.
“Yeah, but this time it’s open and we’re going in.”
“Yipppeeee.”

“Wait, come this way. I want to show you something.”
“Oh, fer Pete’s sake. It’s raining. Can’t we just go in?”
“No! You have to see this sign first. Victoria and I love it. Come on.”

Above is a picture of the sign I wanted Hubby to see, taken by myself whilst with Victoria on a previous visit. I cannot tell you how crestfallen I was when I saw, in it’s place, a simple placard that read “Private.” I didn’t take a photo of it because Hubby was impatient and it was raining, but now I could just kick myself. Can  you believe they replaced this sign? Do you think they had to replace it because Victoria and I posted it all over the internet? Hhhhmmmm.
“Okay. Let’s go inside.”
“Thank you.”

“Wait! Wait!”
Now what?”
“See those rings on the steps? That’s for when they roll out the red carpet. After the carpet is down, they put the rails through those rings to keep it in place.”
“Yeah, right. The red carpet,” scoffed Hubby. Then he looked me in the eye. “You’re not kidding, are you?”
“Nope.”
I opened the door and in we went (cue chorus of angels). Now, when you enter Apsley House, you find yourself in a large hall. To the left is the reception desk and till and behind it, on the wall, is a huge portrait of the Duke, at least ten feet tall.
Eyeing it now, Hubby said, “Oh, Jeez. Don’t get any ideas.”
“Hi, Honey, I’m home,” I replied. I approached the desk and paid for two entry tickets.
“Would you like audio guides?” the nice man asked us.
“No.”
“Yes, please. Two,” I answered, giving Hubby the stink eye. The nice man gave us a brief overview on how to use them and Hubby assured me that he could handle it.
 
“See that guy behind the counter?” I asked Hubby in a whisper as we walked away.
 
“Yeah?”
 
“He knows who the Duke of Wellington is. So does everyone else here. I’m not the only person in the world who knows who Artie is.”
 
Hubby rolled his eyes as I led him to the first room on the left. This was called the Museum Room in 1853, when the house first opened to the public and as far as I know, it’s still the Museum Room, although back then it was in the room that is now the entrance hall. In the spirit of full disclosure, I should let you know that I didn’t take any of the pictures in the rest of this blog post. I didn’t think photos were allowed, so I swiped these off the internet. There are links to the original posting where I could find them.

 
The Museum Room contains porcelain, gold and silver gifts given to Wellington by grateful monarchs and countries. In addition, you’ll find his swords and staffs of office and the Waterloo Shield, presented to Wellington by the Merchants and Bankers of the City of London.

Hubby and I chris-crossed the room as we punched in buttons on our audio guides that matched the numbers on various items.

When we had finished looking at all the swag, I directed Hubby to the staircase.
 
“What in the Hell is that?”

 I sighed. “Hideous, no? It’s Canova’s statue of Napoleon. Napoleon commissioned it, but by the time it was done, his tastes had changed and he consigned it to the Louvre. In 1816, after Waterloo, the British government bought it and King George IV presented it as a gift to Wellington.”
 
“He must have been thrilled.”
 
“Well, he could hardly refuse a gift from the King, so he had to stick it here, as it was the only place in the house big enough to hold it. They had to reinforce the floor.”

I started up the staircase. Whenever I go up or down these stairs, I always do so slowly, with my hand on the banister. I try to imagine Wellington and the Duchess using these same stairs, their hands where mine are now. And all the past visitors to this house – Mrs. Arbuthnot and Lady Shelley. George IV. Lady Burgeresh. The Marquess of Angelsey. Lady Jersey. The Waterloo officers and their . . . .

 
“Jeez, can you go any slower? What’s with you?”
 
Sigh. “I’m taking it all in.”

“Stairs? You’re taking in stairs?”

  

 
This full length portrait hangs on the landing at the top of the stairs.

I stopped to admire it. “I don’t have this one.”

 
If looks could kill . . . . . . I deviated from the prescribed tour at this point and dragged Hubby through a back hallway, called the Slip Passage, and into the State Dining Room.
 
“This is where Wellington held the Waterloo Banquet every year on the anniversary of the battle. Wellington would invite all the officers who’d fought with him, and George IV, who only thought he’d fought with him. And that silver centerpiece was given to Wellington by the Portuguese to commemorate Wellington’s victories in the Peninsular Wars. It’s the one I touched and set off the alarms.”
 
“What?”

“Yeah. I was here by myself and I was looking at the centerpiece and it appeared to be covered in a layer of dust. I couldn’t believe they’d allow it to get into that condition. I was a bit insulted, to tell you the truth.”
 
“Of course you were.”
 
“So all I did was swipe a fingertip across it to see if it really was dusty and the alarm went off.”
 
“A real alarm?”
 
“Yes. A real alarm. Whaaa! Whaaa! Whaaa! The whole bit.”
 

‘What did you do?”
 
“What could I do? I was pretty well trapped. I went around the table and stood in front of the portrait of Prinny in a kilt as though I were admiring it. Then a guy in a suit came in and gave me a stare and I turned around and gave him a stare back and then he left and pretty soon the alarm stopped.”
 
“He didn’t say anything to you?”
 
“Not a word. I found out that the centerpiece had soon after been removed for a thorough refurbishment, but still, they shouldn’t have left it covered in dust.”
 
“My good man.”

We moved on to the next room, the Striped Drawing Room.

 
 
“Wellington used this room as a place where his guests could relax either before or after dinner. There used to be card and game tables set up here from time to time. The portraits are all of people who served with him. Look, here’s Henry Paget.”
 
 
 
“Who?”
 
“Henry Paget, the Marquess of Angelsey, Lord Uxbridge. The guy who ran away with Artie’s sister-in-law. The one who’s artificial leg we saw at Horse Guards.”
 
“Ah, him again.”
 
We sat on the striped couch in the middle of the room and I began to key numbers into my audio guide.
 
“Hey, Hon.”
 
“Hhhhmmmm?”
 
Hon!”
 
“What?”
 
“Artie,” Hubby said, pointing to the portrait hanging on the wall before us. “I know that guy.”
 
“You should. You walk by him ten times a day. The painting is by Sir Thomas Lawrence.”
 
“What number is it?” Hubby punched the numbers in and listened to his audio guide. He actually looked interested.
  
 
 
After a time, we moved on to the Waterloo Gallery, which houses the Spanish Royal Collection of artwork.
 
“Most of these paintings were found rolled up in Joseph Bonaparte’s baggage carriage after the Battle of Vitoria in 1813,” I told Hubby. “Wellington had them framed and hung them here. Then, one day a visitor to this room was looking at the pictures and realized that they were all from the Spanish Royal Collection, which Bonaparte had looted and taken as the spoils of war.”
 
“So it was stolen art?”
 
“Yes.”
 
“What did Artie do?”
 
“He wrote to King Ferdinand of Spain, told him how he’d come by the paintings and told the King that of course he’d return them post haste. He asked the King to give him directions on how he was to best return them. Did the King want to send someone over to get them? Should he, Wellington, arrange for their return as he thought fit? The King wrote back and told Artie to keep the paintings with his thanks for all he’d done for Spain and the free world. Or words to that effect.”
 
“Hhhmmm.”
 
“See these two torcheres?”
 
“The two what?”
 
“The pillars with the candelabras on the top.”
 
“Yeah?”
 
“Tsar Nicholas gave them to Wellington.”
 

“Originally, this room was hung in yellow damask. Wellington’s good friend, Mrs. Arbuthnot, helped him with Wyatt’s redesign of the house and she and Artie argued over these walls a good deal, but in the end Wellington won.”
 
“Well, yeah. It was his house. Why aren’t they yellow now?”
 
“Wellington’s son, the second Duke, had them changed.”
 
“Because of Mrs. Arbuthnot?”
 
“No. She’d died in 1834. He didn’t become the Duke until 1852. Times had changed, tastes had changed, that’s all. Wellington designed a heating system that’s hidden in the ceiling,” I said, prompting us both to look up.
 
“And see those windows? Wellington designed them so that mirrors hidden in recesses in the wall could be pulled over them at night. When he gave evening entertainments, the mirrors reflected the candlelight throughout the room.”
 
“Hunh.”
 
I walked over to one of the windows and peered out at Hyde Park. “I was here once with Brooke and we were looking out this window when we saw a whole regiment of soldiers out there doing drills in their dress uniforms. After we’d left the house, we went around into the Park and Brooke asked one of the soldiers what they were doing. Without missing a beat, he told her, ‘We’re male strippers and we’re practicing our routine.'”
 
“Come on.”
 
“I swear. You should have seen her face. Then he told her what they were really doing, which was practicing for some official do that was to take place in a few days time.”
 
“Only you could have such crazy stories about Apsley House.”
 
I waved a hand at him. “That’s nothing. The last time I was here with Victoria we watched as hundreds of naked bike riders rode past.”
 
“Get out.”
 
“Fact. It was the annual Naked Bike Run, or some such thing.”
 
“Naked?”
 
“As the day they were born.”
 
“Men or women?”
 
“Both.”
 
“Bicycles or motorcycles?”
 
“Bicycles.”
 
“Ouch.”
 
“See? I told you that Apsley House was fun and you wouldn’t believe me.”
 
 
 
 We went out this door and into the Yellow Drawing Room.
 
“That’s an original Adam’s fireplace,” I said.
 
“Who’s Adams?”
 
“Never mind.”
 
We moved on to the Portico Drawing Room

“See this painting here? It’s Charles Arbuthnot.”

“Husband to the interfering Mrs. Arbuthnot?”
“Harriet, yes. After she died, he lived with Wellington, both here and at Walmer Castle. They were both widowers, as well as great friends, so the arrangement worked for both of them. Arbuthnot died in this house. So did Kitty, Wellington’s wife, come to think of it.”
We went through to the Piccadilly Drawing Room, probably so called because the windows look out over Constitution Hill and Piccadilly.
“This is my favorite room in the house. I love the proportions of it. The Adams ceiling and how it mirrors the curve of the end wall. The moulding detail. The picture rails. And the view. I always stand at this window to admire the view,” I said, looking out at Wellington’s statue and the Arch beyond. I stood this way for several minutes and then decided that I’d tried Hubby’s patience long enough.
 
“Come on. Let’s go down to the basement.”
 
“The basement? We’re not going to set of any alarms, are we?”
 
No, it’s part of the museum. The most personal part.”
 
Once we’d gotten downstairs, I showed Hubby the displays that include Copenhagen’s saddle blanket, Wellington’s medals, his traveling cases and, naturally, a pair of his boots.
 
Finally, we approached a display case dealing with Wellington’s death and State funeral.
 
“Look,” I said, pointing at a shelf in the case. 
 
“Who’s that?”
 
“Wellington. It’s a death mask. It was taken soon after he died.”
 
“It doesn’t look like Wellington.”
 
“Sure it does. Wellington was in his eighties when he died. The Thomas Lawrence portrait was far in the past by that time.”
 
 

 
“You ready to go?” I asked at long last.
 
“Yeah. What’s next?”
&n
bsp;
“Our three hour rock and roll tour. Three whole hours without mention of the Duke of Wellington.”
 
“I gotta admit, Hon, Apsley House wasn’t as bad as I thought it was going to be. It was pretty interesting.”
 
With Herculean effort, I refrained from saying told you so.
 
 You can take a short video tour of Apsley House here.
 
Part Three Coming Soon!