THE DUKE OF WELLINGTON TOUR: KRISTINE AND VICTORIA'S HOTEL ROOMS

Oh, the opportunities for anecdotes British travel affords one. The stories I could tell you . . . . and I will. Now.  Many moons ago, on a tour far, far away, I stayed at Chilston Park in Kent with a tour group I was leading. I was with my dear, good friend, author Sue Ellen Welfonder. She is the Bozzy to my Samuel Johnson. So, we were on a tour and arrived very late at night at Chilston Park. The tour group had dinner and then I sneaked off to have a cigarette. It was very late, it was very dark, and I stepped outside of the front door pictured above, lit my cigarette and inhaled deeply. Heaven. There I was all by lonesome, until I spied something from the corner of my eye. It was a large something, alive as it was heaving. It was moving, subtly so, but there was movement. It looked for all the world like a bear. Were there bears in England? (er, no) Must be, as there was one there, right before my eyes. I sucked in a lungful of smoke and stood as still as possible. Hopefully, the bear wouldn’t see me and I would live to see another day. And to lead another day of our tour. It was then that the “bear” separated and I made out that it was a couple in a heavy clinch, a lovers embrace, so to speak, and not a bear at all, but rather a bear hug.

And then there was the time that I was in England with my daughter, Brooke, and neither of us could figure out how the shower mechanism worked. We had to call down and have the hotel send someone up to show us how to put the water on. And off.

And then there was the time . . . . well, you see that I have a trove of English hotel stories. And many of them involve Victoria. And some involve the Duke of Wellington Tour. After our visit to the Royal Pavilion in Bath, our coach took us to the Mercure George Hotel in Reading in preparation for our visit to Stratfield Saye the next day ( Huzzah!).

The Mercure George Hotel in Reading is housed within a 15th century building that was once a coaching inn. 

It’s ancient. It’s historic. It’s atmospheric. It’s charming. However, it has no elevator. 
Victoria and I told the tour group that the hotel staff would bring everyone’s bags up. We distributed room keys and planned to meet for dinner in an hour’s time. 
“Do you think they’ll mind that there are no elevators?” Victoria asked me.
“No! The staff will bring the bags up, and how often do you get to sleep in an authentic coaching inn? I don’t think anyone will mind,” I said cheerfully, taking the key card from the front desk lady. “Come on, bring your personal stuff and let’s find our room.”
So off we trotted to our room. Up the first staircase . . . . 

Through a set of swinging doors that led down another hallway. And up another set of stairs. Then down another long hallway. 
“Are they joking?” Victoria asked.
“Whatever can you mean,” I replied, knowing full well what Victoria meant. This was akin to climbing  Everest. I turned to find Victoria resting her back against a wall. 
“How much further?” she asked. 
I answered honestly. “No idea.” Pant, pant. “It can’t be that much further. We’re in a certified coaching inn! Isn’t this marvelous?”
“No.” 
“You have to get into the spirit of things,” I cajoled. “We knew there was no elevator.”
“Yes, but we didn’t know how bloody big this coaching inn would be. No trouble in the days of footmen, but we have no footmen.” Yet another reason to lament being born in the wrong time period.
Off we trudged again. . . down more hallways, through a set of double doors, all the while reading signs that promised to lead us to our room. 

At long last, we arrived at the room. Our room number was emblazoned upon the door. We had arrived!
I put the key card into the lock . . . . and it didn’t work. I turned the card wrong side up and tried again. Still no luck. 
“Give it to me,” Victoria said. I gave it to her. She tried it the right way. She tried it the wrong way. She tried it upside down and she tried it backwards. The key card did not work. 
Victoria and I stared at one another for a time as the truth of situation sunk in. Then Victoria said, “If you think I’m going down that rabbit hole again, and back up again, you’ve got another think coming. I’m done.”
Hmmm. Frankly, I was done, as well, but that wasn’t getting either of closer to a rum and coke. So down again I went, through double doors, down hallways and following signs to the front desk, where I went through the explanations that finally led to a new key being cut and handed over. Reader, this time it worked. Sigh. 
All was well hotel-wise until we got to Windsor, where we stayed at the Mercure Castle Hotel. If you recall, I had stayed here before with Hubby. It’s a fabulous hotel, a literal rock’s throw from Windsor Castle, and this time out, Victoria and I were assigned to quite a large room with a fabulous bath. 
“Well!” Victoria exclaimed, sitting upon the downy bed. “This is more like it!”
“The room is huge, no?” said I.
“Huge, yes, and plenty of room to spread out. Look, there’s a single cup coffee maker and a fridge.” She got up and walked to the end of the room, where two steps down led to . . . “Wow, look at this bathroom!”
I got up and followed, poking my head around Victoria’s. A large space, complete with a deep tub and towel warmer. “I don’t know about you,” I said, “but I can hear Jo Malone calling my name.”
“Let’s unpack and then get some ice and have drink.”
I didn’t argue. I unpacked. As per usual, Victoria and I prioritized our unpacking, setting up our laptops, plugging in the chargers for our cameras, getting out our nightclothes and reading material. It’s so nice to travel with someone who shares the same values. 
Several minutes elapsed before Victoria said, “Hey. Look at the door.”
Hmmm? I plugged my laptop in and looked at the door. “Yeah?”
“Look at the door.” 
“I’m looking.”
“Honestly! If you’d been at Waterloo, you’d have said what Frenchmen? Look at the bottom of the door.”
I looked at the bottom of the door. “What in the Hell?”

As you can see, there was a rather large gap beneath one side of the door. 
By this time, Victoria and I were sitting side by side on the end of the bed, staring at the bottom of the door. 

“That’s a huge gap.”

“Mmmm. Which you hadn’t noticed.”

“Well . . . . but I’m fairly sure I’d have noticed if it were a Frenchman. Especially if he were in uniform.”

“Why do you think it’s like that?”

“A crap carpenter?”

“No. It’s got to be like that for a reason.”

“A cat could get in through there. Or a ferret. Certainly a snake.”

“Lovely. Thank you for that.” Were there snakes in England?

More minutes went by as we mused on the reason for the wonky carpentry. Finally, Victoria said, “Look! Look how the floor to this room slopes down. See it. The entire room’s on a pitch. They had to cut the bottom of the door like that so that you could open the door. Cause the floor slopes up at that end. If the door weren’t cut like that, you wouldn’t be able to get into the room.”

I saw what she meant. “You’re right. But it still means that
a cat can still get in.”

“What would be worse, a cat or a Frenchman?”

“Definitely a cat,” I replied. “I’m not allergic to Frenchman. As far as I know.”

But back to our time at the George Hotel in Reading . . . . it’s the night before our visit to Stratfield Saye (Huzzah!) Stay tuned for our post covering our most momentous visit to Wellington’s country home coming soon.

DUKE OF WELLINGTON TOUR: BRIGHTON'S ROYAL PAVILION

THE BIZARRE WORLD OF THE PRINCE REGENT AMAZES US
Nothing, no text nor picture, prepares one for the actual experience of standing before the Royal Pavilion. As you can see, Victoria could not stop snapping pictures. Take a step. Click. Another step. Click. Another step. Click, and so forth.

The Prince Regent, later George IV

The Dome of the Stables, now the Brighton Museum. 

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Fuschia in profusion

Sadly, no pictures are allowed inside. but you can do virtual tours on the website if you click here.

This blog has carried several posts on the Pavilion before the Duke of Wellington Tour.

Click here for Tripping the Light Fantastic and interior shots.

Click here for more on the Great Kitchen.

And if you haven’t already visited Brighton, be sure to put it on your next travel itinerary.

THE DUKE OF WELLINGTON TOUR: THE REGENCY TOWN HOUSE

I first visited the Regency Town House about a decade ago, when the restoration project was just getting under way under the guidance of Nick Tyson. The Grade I listed terraced home of the mid-1820s is being developed as a heritage centre and museum to focus on the architecture and social history of Brighton & Hove between the 1780s and 1840s. The Project encompasses so much more than the house itself. In addition to restoring two townhouses, the Project is also delving into the social history of Regency Brighton and Hove. Links on their website will allow you to see who lived in Brighton and Hove at the time and to explore the Bevan and Dewar Letters, which have been transcribed and which give insight into daily and family life in the area from 1824 to 1870. To visit the website of the Regency Town House, click here.

When I knew that the Duke of Wellington Tour would be visiting Brighton as one of it’s stops, I knew that Victoria and I had to include another visit to the Town House for our group to experience this unique project first hand. From the website:

The Regency Town House was built on what had already become the traditional layout for town houses. The domestic offices for the servants were in the basement, the formal rooms were on the ground and first floors and the bedrooms on the floors above. Due to higher land prices in towns, even large houses tended to be built upwards on long, narrow plots. At the back of the house there was a coach house, stable block and quarters for the coachmen and grooms.

If you think that ten years is a rather long time for the restoration to be ongoing, you should keep in mind that the aim is to restore the entire structure, inside and out, to its Regency state. This means work being undertaken by historians and architectural restorers, painters, masons, roofers, carpenters, tilers, etc., etc. all of whom are using traditional building methods and materials. It also means that the costs can sky rocket depending on the phase of work and unfortunately, the Project is often put on hold as new funds are found or raised in order for the work to continue.

Our group was fortunate enough to be given a private tour by Nick Tyson himself, and the day began outside in the Square, where Nick explained the Project and described for us what life was like in Hove during the Regency period. 

Once inside, Nick explained the scope of work that has been ongoing and pointed out, and elaborated upon, many of the architectural details of the period. The background on these was fascinating.

Nick also pointed out the methods that were used to sand down the painted walls so that each individual layer of paint could be analysed and dated.

Many were surprised to learn that Regency paint colours ran the gamut from subdued to bold.

We were given an insight into period joinery and carpentry skills, as well as a primer on methods and materials that would have been common to the area. 

The Town House also curates a collection of period silhouettes, which were on display during our visit alongside a temporary exhibit of historic costumes.

By purchasing the neighboring town house at No. 10, the Project was able to add authentic, basement domestic offices and rooms to it’s collection. We had to opportunity to explore these areas, most of which are still in their original states. You can read more about the servant’s quarters and domestic rooms at the Town House by clicking here. 

Honestly, we could have stayed for the entire day and never grown tired of listening to Nick explain elements of the Town House and period daily life. He is a font of knowledge, a born storyteller and his passion for the Project is catching. Number One London is seriously thinking about planning a tour centered around the Regency period, the Town House and Brighton as a Royal destination that would include tours and seminars by experts in various fields.

For an online tour of the Regency Townhouse, click here.

You can follow the restoration projects and other events at the Regency Townhouse at their Facebook page, here.

For a 360 degree street view of Brunswick Square, click Google Maps here.

ONE YEAR AGO TODAY…. ON THE DUKE OF WELLINGTON TOUR

from the Car Park

Here it is, September 11, 2015…exactly one year after the Duke of Wellington Tour visited Highclere Castle, perhaps better known as Downton Abbey.  We were all fans of the show, some more than others, but all thrilled to see the setting for many years of Masterpiece Theater evenings.

The Castle’s website is here.

We rather expected the Earl of Canarvon to welcome us, but apparently he was urgently called away.
(Photo of the library from the website)

We were not alone, but it was not crowded. Tickets carefully controlled it seems.
Can you ever get enough of the view of the castle — all those Victorian Gothic points, not
to mention it’s sheer size.
If it reminds you of the Houses of Parliament in London, blame 
the same architect, Sir Charles Barry 

Here are some views of the interior, from the web, as no pictures were allowed inside.

The Gallery
The Saloon

The Dining Room, in a scene from Downton Abbey
The Music Room

OUR PICTURES AGAIN…

ABOVE AND BELOW, THE ENTRANCE

ABOVE AND BELOW, THE STABLE BLOCK, A.K.A. THE GIFT SHOP

Always ready for a break for lunch

Views of the Park

The ubiquitous sheep

Heaven’s Gate, A folly in the mist

Starting the trek across the lawn to Jackdaws Castle

Jackdaws Castle was built in 1743 by Robert Herbert using Corinthian Columns 
from Berkeley House in London which burned down in 1733

Highclere from Jackdaws

One of the many graceful old cedar trees

The Gardens

Hmmm…a warning

Looks pretty harmless to me

Recently we heard that the Queen is a fan of Downton Abbey, watching for little errors.  Click here for the story.

Very soon, Downton will return on TV screens in the UK. On January 3, 2016, Downton Abbey returns to MASTERPIECE on PBS with its 6th and final season set in 1925.

For the Season 6 trailer, click here. Spoiler alert: It bodes ill!

For lots more information from PBS, click here.