George Hoby was not only the greatest and most fashionable bootmaker in London, but, in spite of the old adage, “ne sutor ultra crepidam,” he employed his spare time with considerable success as a Methodist preacher at Islington. He was said to have in his employment three hundred workmen; and he was so great a man in his own estimation that he was apt to take rather an insolent tone with his customers. He was, however, tolerated as a sort of privileged person, and his impertinence was not only overlooked, but was considered as rather a good joke. He was a pompous fellow, with a considerable vein of sarcastic humour, as evidenced in the following anecdotes handed down to us by Captain Gronow –
I remember Horace Churchill, (afterwards killed in India with the rank of major-general,) who was then an ensign in the Guards, entering Hoby’s shop in a great passion, saying that his boots were so ill made that he should never employ Hoby for the future. Hoby, putting on a pathetic cast of countenance, called to his shopman, “John, close the shutters. It is all over with us. I must shut up shop; Ensign Churchill withdraws his custom from me.” Churchill’s fury can be better imagined than described. On another occasion the late Sir John Shelley came into Hoby’s shop to complain that his topboots had split in several places. Hoby quietly said, “How did that happen, Sir John?” “Why, in walking to my stable.” “Walking to your stable!” said Hoby, with a sneer. ” I made the boots for riding, not walking.”
Hoby was bootmaker to George III, the Prince of Wales, the royal dukes, Beau Brummell, most of the aristocracy and many officers in the army and navy. His shop was situated at the top of St James’s Street, at the corner of Piccadilly, next to the old Guards Club. Hoby was the first man who drove about London in a tilbury. It was painted black, and drawn by a beautiful black cob. This vehicle was built by the inventor, Mr Tilbury, whose manufactory was in a street leading from South Audley Street into Park Street.
No doubt Mr. Hoby had patterns for all manner of desirable boots, evidenced not in the least by his impressive client list. However, he will forever be linked to a boot design not of his making. Of course I refer to the Wellington boot, a pair of the Duke’s own boots of this design are pictured at left. Hoby had been bootmaker to the Duke of Wellington from his boyhood, and received innumerable orders in the Duke’s handwriting, both from the Peninsula and France, which he always religiously preserved. The Duke asked Hoby to modify the 18th-century Hessian boot to a height below the knee, in order to make them more practical for walking and riding. The resulting boot was made of softer calfskin leather, had no trim, boasted heels one inch high and fit more closely around the leg, making it more practical and hard-wearing for battle, yet comfortable for the evening. The boot was dubbed the Wellington and was quickly adopted by Hoby’s other customers.
Hoby was also bootmaker to the Duke of Kent; and as he was calling on H.R.H. to try on some boots, the news arrived that Lord Wellington had gained a great victory over the French army at Vittoria. The duke was kind enough to mention the glorious news to Hoby, who coolly said, “If Lord Wellington had had any other bootmaker than myself, he never would have had his great and constant successes; for my boots and prayers bring his lordship out of all his difficulties.”
Hoby may have had a penchant for sarcasm and a high opinion of himself (and his own influence upon British military history) but he knew how to run a business – Hoby died worth a hundred and twenty thousand pounds.
I love that Wellington told Hoby how to design his boots! That Artie, ya gotta love him!
Great post. I have an itch to write Hoby into one of my novels. My heros do need boots afterall.
What a fantastic, fortuitous discovery – both the content of this article and your blog. I was researching a New Zealand photographer named George Hoby (1820-1882), who took portraits of several military men during the New Zealand Wars, only to discover that his father had also catered to the military, albeit in a somewhat different manner. Thank you, and I'm sure I shall be distracted enormously by your posts – what's new.
Welcome Brett and Silver Tiger! So glad you've found us. A photog Hoby? Tell us more.
Thanks for the welcome.
George Hoby the photographer was actually the famous bootmaker's grandson, I've discovered. After working as a bootmaker in London in the 1840s, presumably for his father, he emigrated to New Zealand in 1851/2 where he started farming in the Taranaki District. After being chased off his farm, the homestead burnt down, by the tāngata whenua in August 1860, he and a large group of other colonists shipped their families off to the relative safety of Nelson, across the Cook Strait.
Hoby then operated photographic studios in both Nelson and New Plymouth (the main town in Taranaki) intermittently through the 1860s and the early 1870s. In the mid-1860s, when several British regiments were stationed in Taranaki, dealing to the recalcitrant natives, he obviously did some good business in his studio. However, I've found advertisements in the Taranaki Herald indicating that he was an importer of boots in his early years here, and in the late 1860s – after the soldiers had all gone home – even ventured into the repair of false teeth! Hard times called for desperate measures, I suppose.
I'm compiling a brief biography of George Hoby, partly as an aid to dating a military photographic portrait from his New Plymouth studio, which I'll publish on my blog Photo-Sleuth in due course.
Regards and best wishes, Brett
What an interesting account of Hoby of St James, it is fantastic for me to see some historical recognition rather than just vague family stories. I was born and raised a Hoby in Nelson NZ – Brett it is great to see you are interested, let me know if you need any information.
Brett and Belinda- So glad our post led to your finding each other! Keep us informed should you learn any more facts concerning Hoby of St. James's.
Hi Belinda. I'm continuing to research this topic, so anything related to his photographic career would be of interest, n particular any old photos. Please get in touch by email.
Regards, Brett