By Guest Blogger Regina Scott

Once more we return to the boxing square! If you missed part one of this series, you can find it here. And part two is here.

Gentleman Jackson cut quite a figure in his day (from Pierce Egan’s Boxiana, 1812)

As you can imagine, there were a great many gentlemen in the Regency period, but only one man known as The Gentleman. Gentleman John Jackson was born in 1769 to a Worcestershire family of builders. He decided at age 19 to become a boxer, much against his parents’ wishes. With the awe he ultimately inspired in just about every fellow of substance, including the Prince Regent, it’s surprising to find that he only fought professionally three times, and one of those he lost. However, as the other two times he fought men who were considered top champions, he was known in his time as the heavy-weight champion of England. He held that title for one year, in 1795, after beating Daniel Mendoza—nicknamed The Jew—who had held the title the previous two years.

Daniel Mendoza lost the title to Jackson in what would be only Jackson’s third professional fight (from Pierce Egan’s Boxiana, 1812)

When Jackson retired, Thomas Owen beat all comers to gain the title in 1796, followed by Jack Bartholomew (1797 to 1800), Jem Belcher (1800 to 1803), and “Hen” Henry Pearce the Game Chicken (1803 to 1806). After Hen retired, John Gully beat all comers and reined for two years before opening his own school in London. Belcher was also known for taking on pupils.

Henry Pearce held the title for three years, despite being nicknamed the Game Chicken (from Pierce Egan’s Boxiana, 1812)

So why was John Jackson held as the “best”?

For one thing, he appears to have been a splendid specimen of masculinity. At 5 feet 11 inches tall and 195 pounds, his body was said to be so perfectly developed (with the Regency idea of “perfection” being the statues of the Greek gods), that artists and sculptors came from all around to use him as a model. For another, he dressed well (although he favored bright colors) and spoke in cultured tones, making him the darling of the ton. His two flaws in looks were that he had a sloping forehead and ears that stuck straight out from the sides of his head. Presumably, the sculptors and artists used someone else to model the head.

Besides being the man to whom every gentleman, including Lord Byron, went for lessons, Jackson is credited with keeping the sport honest in a time when bouts were often fixed. He developed the equivalent of the Boxing Commission in the Pugilistic Club, which collected subscriptions from wealthy patrons and sponsored fights several times a year. For each fight, a Banker was appointed to hold the purse as well as many side bets that might be made. Jackson was often nominated for this position.

So great was his prestige that Jackson was called on to arrange pugilistic demonstrations for the aristocracy, including fights before the Emperor of Russia, King of Prussia, Prince of Wales, and Prince of Mecklenburg. At the 1821 coronation of George IV, Jackson furnished a group of pugilists to act as guards to keep lesser mortals at bay.

The Gentleman bowed out of this world on October 7, 1845. But he left a legacy that endures to this day.

Regina Scott is the award-winning author of more than 40 works of sweet historical romance, several of which feature Regency gentlemen who box. In her recent release, Never Kneel to a Knight, a boxer being knighted for saving the prince’s life must prove to a Society lady who is miles out of his league that their love is meant to be.

You’ll find more on Regina online at her website,  on her blog, or on Facebook.


Do you know about Richard Horwood’s map of London? Completed in 1799, it was the most detailed map of the City to date, displaying the footprint of houses, public buildings and parks, even down to contemporary house numbers. A description of the map reads as follows –

Richard Horwood’s PLAN of the Cities of LONDON and WESTMINSTER the Borough of SOUTHWARK, and PARTS adjoining Shewing every HOUSE was produced between 1792 and 1799.  It consists of thirty-two printed sheets displaying an area stretching from the middle of Hyde Park in the west to Limehouse in the east and from the southern edge of Islington in the north to the southern fringes of Kennington and Walworth in the south, a zone six miles across and three miles and three furlongs from north to south.  Each individual sheet is 19 3/4 inches across and 21 5/8 of an inch high; when assembled, the full map is more than thirteen feet (or four metres) across and over seven feet (2.2 metres) high.  Horwood’s was the first map of London to attempt to show every individual property in every street in London, so it’s extremely detailed, even including contemporary house numbers.

Now, you can purchase a copy of the sections of Horwood’s map pertaining to the areas of fashionable London. The two large, blueprint sized sheets (30″ x 44″) show the area from Brompton Row and Southampton Row in the west to Somerset House in the east, and from Bedford Square in the north to Hans Place and Stangate Street in the south.

To order, send $34 via PayPal Friends and Family to london20@aol.com – Price includes the map (two blueprint sized sheets) and shipping. Don’t forget to provide your mailing address when ordering.


Queen Victoria’s sapphire and diamond coronet among

80 new works joining Jewellery at V&A from April 2019

From 11 April 2019, Queen Victoria’s sapphire and diamond coronet will go on permanent public display at the V&A for the first time as the centrepiece of the William and Judith Bollinger Gallery.

Queen Victoria’s sapphire and diamond coronet was acquired by the V&A in 2017, purchased through the generosity of William & Judith, and Douglas and James Bollinger as a gift to the Nation and the Commonwealth. One of Queen Victoria’s most important jewels, it was designed for her by Prince Albert in 1840 – the royal couple’s wedding year – and made by Joseph Kitching, partner at Kitching and Abud. Albert played a key role in arranging Victoria’s jewels, and he based the coronet’s design on the Saxon Rautenkranz, or circlet of rue, which runs diagonally across the coat of arms of Saxony.


In 1842, Victoria wore the newly completed coronet in a famous portrait by Franz Xaver Winterhalter, the first he painted of her.  It carried the image of the young queen around the world through replicas, copies and engravings. Over twenty years later, Victoria wore the coronet instead of her crown in 1866 when she felt able to open Parliament for the first time since Albert’s death in 1861, with her crown carried on a cushion.

Together with the coronet, a superb collection of 49 Art Deco vanity cases will be joining the gallery as a loan and promised gift from Kashmira Bulsara in memory of her brother, Freddie Mercury. Taking inspiration from Modernism as well as Persia, Ancient Egypt, China and Japan, the cases in richly coloured hardstones, enamel and lacquer were made by, or for, Cartier, Lacloche, Van Cleef & Arpels, Charlton and other leading jewellers in Paris and New York. The collection will transform the presentation of the Art Deco period in the gallery.

Additions and new acquisitions are regularly incorporated into the display, with recent examples being Nicholas Snowman’s gift of Fabergé, and Beyoncé’s gift of a Papillon ring by Glenn Spiro. New in April 2019 will be thirty pieces ranging from the late 19th century to the present, comprising works by contemporary makers Ute Decker and Charlotte de Syllas working in Britain, Flóra Vági in Hungary, and Annamaria Zanella in Italy, among others. Pieces will include Christopher Thompson Royds’ Natura Morta necklace with poppies of gold, enamel and diamonds, Gijs Bakker’s Porsche bracelet in polyester, and a gold pendant of Paddington Bear by Cartier, created in 1975.


Guest post by author Regina Scott

Welcome back to the boxing square! If you missed part one of this series, you can find it here.

So, let’s say a gentleman became so enamored of boxing that he wanted to participate in the sport. Professional boxers were not sons of the aristocracy, but that didn’t stop the aristocracy from aping them. One of the most famous boxers of the day, Gentleman Jackson, one-time champion of England, taught boxing from his salon at No. 13 Bond Street three times a week (alternating with Angelo’s fencing school, which used the same space). Gentlemen as well known as Lord Byron came to learn from the best.

Jackson taught the “scientific style” of boxing, which included nimble footwork and the correct judging of the distance required to strike the opponent. He also advised adopting a posture of a slightly bent body, head and shoulders forward, and knees slightly bent and at ease with fists well up. He taught that fighting with the entire body (scrapping or brawling) was ineffective against the power of a well-trained fist, proving his point by having his students attempt to attack him and fending them off with fists alone.

Gentleman Jackson’s Boxing Saloon (from Life in London by Pierce Egan, circa 1820)

Between sessions at being soundly beaten by the Gentleman, an aristocratic fellow might practice at home, punching at air or sparring with a friend or family member. Punching bags were not invented until later, but that doesn’t mean some resourceful individuals didn’t figure out a way to create a practice bag on their own.

And what if a lady was enamored of the bare-chested boxers, er I mean the sport of boxing? Proper ladies were not supposed to attend boxing matches. The display of skin combined with the brutalism of the events and the unsavory crowds were deemed too much for the fair sex. Some still came in disguise or inside closed carriages, which could ring the square. Some went so far as to take boxing lessons at home. The practice was thought to provide excellent exercise.

Even if a gentleman didn’t choose to tutor under Jackson or one of the other teachers at the time, he would be sure to attend the matches. These matches were frowned upon by the magistrates. I gather it was like the saying today about hockey—I went to a boxing match and a fight broke out. One of the reasons for locating the matches just outside London on a work day was that the “riff-raff” couldn’t spare time away from work to get there, and tickets might be charged for admission.

Round Prizefight between Tom Johnson, Champion of England, and Isaac Perrins, 1789 (artist unknown)

The match itself was markedly different from what we know today. They were often held in open fields. An eight-foot square was generally roped off on the ground with stakes at each corner, although some of the larger fights were held on a raised plank floor. Each fighter had a kneeman and a bottle man, who also kept time on the rounds and breaks. The former knelt with one knee up for the boxer to sit on between rounds. The latter provided water for the boxer to drink, a sponge to wipe him down, and an orange for a quick burst of energy. Brandy was supposed to be used only for emergencies. A pair of umpires, usually former fighters themselves, kept the two boxers apart and agreed on how to deal with questionable practices like holding a man’s hair to keep him in place to be hit. A referee was only used if the two umpires could not agree.

Thomas Sayers and John C. Heenan Fight for the Championship, 1860, by Jem Ward

The bouts consisted of rounds; each round lasted until at least one of the men was knocked down or thrown off his feet. A fight could run up to 50 rounds, although one before the Regency (1789) was said to hit 62 rounds. If you do the math like I did, that means someone could be hit hard enough to fall down as many as 50 times in one fight. And breaks between the rounds (after someone fell) were only 30 seconds. This was not a sport for the squeamish!

Ready to take up your tutelage at the feet of the master? Come back for the next installment, when we learn more about the Gentleman himself.

Regina Scott is the award-winning author of more than 40 works of sweet historical romance, several of which feature Regency gentlemen who box. In Never Kneel to a Knight, a boxer being knighted for saving the prince’s life must prove to a Society lady who is miles out of his league that their love is meant to be.

You’ll find more on Regina online at her website,  on her blog, or on Facebook.


Leaving the Castle Hotel, Ryde, Victoria and I headed to East Cowes and our next hotel, Albert Cottage,  once home to Princess Beatrice, Queen Victoria’s younger daughter. The hotel is set in two acres of beautiful gardens backing onto Osborne House, Queen Victoria’s favourite holiday residence. Directly next to the hotel stands the entrance gate to Osborne House, above, still reserved for the use of the current Royals. The public entrance to Osborne House is further on down the street.

The Albert Cottage Hotel

From the hotel website – “Built  in the 1840s, probably by Thomas Cubitt – the then leading master builder in London – ‘Albert Cottage’ was bought in 1852 by Prince Albert to be part of a Botanic Garden development of the Osborne House Estate, and was used together with the adjacent Osborne Cottage by Royal guests. In 1899 a covered corridor was constructed to link the two properties and allow easy movement between them without guests having to brave any inclement weather.”

Princess Beatrice

“This corridor now links the main Hotel and Consort Restaurant & Bar area. When Queen Victoria died in 1901, her successor Edward VII kept both cottages for the use of Victoria’s youngest daughter, Princess Beatrice. In 1913 the Princess moved to Carisbrooke Castle and Albert Cottage was sold to Sir Richard Burbidge, philanthropist Managing Director of Harrods. It was again sold in 1924 to The Hon. Elizabeth Storr, widow of Major L.P. Storr DSO, a war hero killed in action in France in 1918. After later neglect it was turned into a hotel in 1999 and now further developed by current owners HTP Apprenticeship College.”

Upon check-in, Vicky and I were given a two bedroom suite. Vicky’s bedroom looked lovely from the doorway . . . .

And enormous from within. It even offered a sitting area with balcony.

My bedroom was just as lovely, and afforded me views of the Gate. A nice touch – our bathroom shower included instructions.

We had the cozy drawing room to ourselves and enjoyed the expansive garden views.

Some of the other guests were a bit stand-offish, below, but the staff were lovely.

In the afternoon, we made our way to Osborne House for the first of our two day visit to the property. Returning to the hotel that evening, we dined in the Prince Consort Restaurant.

Vicky chose the lamb.

I opted for mussels.

And we split the cheese board for dessert.

Once we had completed our tour of Osborne House, the gardens, beach and Swiss Cottage, Vicky and I headed to the historic town of Cowes and began our sightseeing in Shooters Hill.

Shooters Hill, PicClick UK

As the postcard above illustrates, Shooters Hill has been attracting visitors for quite some time, although today it has mostly been pedestrianized.

Shooters Hill today © Copyright Gillian Thomas

Once more, we were blessed with blue skies and fine weather.

We spent a leisurely few hours admiring the seafront and nosing around in the wide selection of shops. Eventually, we made our way to the Union Inn, which had been recommended to us by our cab driver as the place to eat in Cowes.

From the Island Eye website: “The Union Inn was possibly built after the act of union between England and Scotland, which took place in the year 1707. The pub was a firm favourite of the navy press gang, who used the pub to enlist many young men into their services when the fleet was at Portsmouth.”

As luck would have it, it was a Sunday. And by now, you should know what that means.

More delicious adventures coming soon!

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