Love & Marriage at Reasonable Rates

                                By Guest Blogger Adrian Teal


In spite of the ease with which the randy young bucks who populate my Gin Lane Gazette could secure the services of a prostitute, there seems to have been a ubiquitous urge to find a girl to hurry up the aisle in the Georgian era. Until the middle of the 18th century, there was a thriving industry of clandestine, ‘quickie’ marriages, which Lord Hardwicke’s Marriage Act of 1754 was designed to ban. Under the existing system, a couple could be joined in matrimony by the simple expedient of exchanging vows before witnesses. Many an eligible heiress was cajoled to the altar by a false-hearted adventurer on the make, and many innocents who were too young to marry without parental consent later regretted having themselves shackled together in wedlock. Parish officers sought to make the bastard children of the poor the concern of other local administrations by arranging nuptials of the parents in next-door parishes, and countless drunken sailors and their sweethearts staggered up to a parson to plight their troths. 
 

 
 
 
With Hardwicke’s legislation threatening to end this freedom, there was a stampede of London’s citizens in the direction of amenable and avaricious clergymen, who would happily conduct an express wedding ceremony for a quart of gin. The purlieus of the Fleet Prison were infamous as the base from which these parsons operated, and their shotgun couplings became known as ‘Fleet Weddings’. The day before the Act was enforced, 45 couples were joined in Fleet ceremonies by 11 o’clock in the morning, and nearly a hundred pairs were married before the day was over.

 A little later in the century, you could always do a moonlight flit to Gretna Green in the Scottish borders, if you were determined to marry your girl a safe distance from parental interference. Scottish law permitted ‘irregular marriages’, which meant that as long as they were conducted before two witnesses, practically anyone could perform marriage ceremonies. This included the local blacksmiths, who were nicknamed ‘anvil priests’. Richard Rennison was perhaps the most famous, and he presided over more than 5,000 ceremonies. Less well-known than Gretna Green’s smithy, however, was an English equivalent located in the Peak District.

 
In the churchyard of Peak Forest, near Chapel-en-le-Frith, stand the ruins of a chapel. Christian, the royalist Countess of Devonshire (who was born on Christmas Day, hence the name) ordered the chapel’s construction in the 17th century, and she eventually passed on its management to the local clergy. This put it beyond the jurisdiction of the Church, and the clergyman presiding was authorised to approve wills and issue marriage licenses off his own bat. He even had a seal of office to prove it. He made a tidy profit, as couples seeking a hurried wedding ceremony began to flock his way. He was often dragged out of bed in his nightshirt by furious parents in hot pursuit of amorous fugitives. By 1754 there were two ceremonies a week, netting him £100 per annum.

 

For those who had married in haste and were repenting at leisure, redress was very difficult to come by. The aristocracy could arrange a legal separation, but divorce was a protracted, expensive, and complicated business, and for the ‘lower orders’, it was nigh-on impossible. One solution was to hold a wife sale. This method of dissolving a marriage entailed the wife being led by a halter around her neck, and tethered to a post or fence in a public place. She was then auctioned to the highest bidder. Often, the purchaser was known to both parties, and before the sale there was probably a fair degree of collusion between the vendor, the wife, and the new ‘husband’ about the price and desired outcome.

 
Henry Brydges (1708-1771), Marquess of Carnarvon, and later the 2nd Duke of Chandos, contracted his second marriage by such means. He married a former chambermaid called Anne Wells, who came from Newbury in Berkshire. They had first met a few years before, when the Duke and a friend were dining at The Pelican, on the London road at Newbury. A commotion in the inn’s yard caught their attention, and they were told that a harsh husband was going to sell his long-suffering wife, who was being led by a halter in the traditional fashion. The Duke was captivated by her looks and her stoicism, whipped out his purse, and bought her. He married her at Keith’s Chapel, Mayfair, on Christmas Day, 1744.

 
This chapel was run by the notorious minister Alexander Keith, who conducted innumerable clandestine weddings. In one year, Keith married 723 couples for a one-guinea fee, and he was excommunicated on Episcopal orders. In retaliation, Keith ‘excommunicated’ the angry bishop. He was committed to the Fleet Prison, but continued plying his trade. He coerced four Fleet parsons into conducting weddings on his behalf, and put his name on the marriage certificates. He even advertised his services in the newspapers, and married about 6,000 couples.

 
The first person to place a lonely hearts advertisement in their local newspaper is thought to have been a lady called Helen Morrison. In 1727, she ran a notice requesting approaches from potential husbands in the Manchester Weekly Journal. This approach was to become common practise as the century progressed, and the advertisements of 18th-century singletons range in their tone from charming or importunate, via brusque, to downright cold and clinical. In Miss Morrison’s day, however, the world was unprepared for what it saw as her scandalous immorality and forwardness, and she was locked up in a lunatic asylum for four weeks.


Adrian Teal is an author and artist. Visit his site Teal Cartoons here and read Adrian’s Huffington Post columns here. To read about Adrian’s take on 18th century cartoons, click here.

 

Back on Track

Kristine and Victoria have completed our travels for the time being — and both are in Florida at the moment, avoiding the snowstorms of the East Coast and Midwest.

And while in Florida, we know what kind of pubs in which to hang out!

2014 is an exciting year — we are leading our first tour, The Wellington Tour, featuring haunts of you-know-who.  We hope you will consider joining us.  All the details are here.

Arthur Wellesley, 1st Duke of Wellington

The Wellington Tour will begin in London on September 4,  visiting the Duke of Wellington’s London residence Apsley House, his offices at Horse Guards in Whitehall, and other spots he was known to frequent.

We will travel by bus to Walmer Castle, where the Duke lived as Lord Warden of the Cinque Ports and where he died on September  l4, 1852. Onward to Brighton and the Royal Pavilion where the Duke conferred with George IV, William IV, and Queen Victoria.

Brighton Pavilion

We will also visit Stratfield Saye, the Duke’s country home and tour the nearby Highclere Castle, better known today as Downton Abbey.  The Castle is the home of the Earls Carnarvon, some of whom were both neighbors and colleagues of the Duke in the House of Lords.  We complete our tour in Windsor, also a royal residence where the Duke often attended  monarchs — and that is just a smattering of the many delights you will enjoy on our tour.

Highclere Castle, aka Downton Abbey

Please join us!!  www.wellingtontour.blogspot.com/

Frogmore House, Windsor

2014 is also the 200th anniversary of the publication of Jane Austen’s Mansfield Park, about you will hear much on this blog and elsewhere.  The Jane Austen Society of North America will hold its Annual General Meeting in Montreal This year, on the theme “Mansfield Park in Montreal: Contexts, Conventions, and Controversies.”

 
 
2014 is also the 200th anniversary of the first “end” of England’s war with Napoleonic France.  And it will mark significant anniversaries of events in the War of 1812, including the British burning Washington, D.C.  Perhaps we should mark these events this year as well as next since the 100th anniversaries were almost forgotten because of the Great War, which began in 1914.
 
 

So a belated welcome to 2014, and now we return you to your regularly scheduled program….

Fashions of 1814

Victoria here.  Time to take a brief look at some of the fashions worn by ladies 200 years ago. 

Here are a few examples from my collection of fashion prints from Regency-era magazines

This is framed on my wall…and I love it. 
La Belle Assemblee
Dinner Dress and the Platoff Cap, April 1814,
“Invented and to be had only of Mrs. Bell 
22 Upper Brooke Street, Bloomsbury”
The Oldenburgh Dinner Dress July 1814

            French white satin slip, decorated round the bottom with a rich blond lace, and headed with a superb pearl trimming: a wreath of laurel leaves formed of pearls, in an angle in the front of the slip. The trimming is perfectly novel, and the effect of it is more elegant than can be conceived from the engraving which we have given. Over the slip is a short Russian robe of white crape, open front, edged round with a rich pearl trimming to correspond with the slip; the wreaths which ornament the robe is formed of pearls also, to correspond. The front of the dress is formed in a most novel and tasteful style, peculiar to the inventress, Mrs. Bell. The back continues full, and the waist very short. Crape long sleeve, trimmed with pearl bands at regular distances. Small lace cap, superbly decorated with pearls, and finished with tassels to correspond; a fancy flower is placed to the side. The form of this cap is extremely elegant, exquisitely tasteful, and becoming. A white satin Chapeau Bras, ornamented with a spread eagle on the crown, worked in chenille, is indispensable. The hair is worn up a-la-Grecque on the left side, where it is fastened in a full knot. Gloves and slippers of white kid. Plain ivory fan.

 
Ackermann’s September, 1814
 
Evening Half dress Published in Ackermann’s Repository of Arts, September 1814
A plain frock, with full-drawn back, composed of striped sarsnet Italian net of peach-blossom colour; full flounce of blond lace, headed with tufts of the same; a quilling of blond round the top of the dress; long full sleeve of white satin, inlet with lace. Hair in short full curls behind, and blended with flowers on the front of the head. Slippers of white kid. Limerick gloves.
 
  
Somehow the artists at Ackermann’s seemed to have fallen in love with rear views this year.  There were quite a few. 

Walking Dress, October 1814, Ackermann’s
 
Walking dress Published in Ackermann’s Repository of Arts, October 1814
An evening primrose-coloured French sarsnet petticoat, trimmed round the bottom with a double border of clear muslin, drawn full with narrow ribband of corresponding colour to the petticoat; high body of jaconot muslin, with reversed drawstrings; long sleeve, drawn to correspond. A silk ruff. A silk net handkerchief-sash, tied in streamers and small bows behind. A Shipton straw bonnet, tied under the chin with a net handkerchief crossing the crown, and trimmed with a band of the same silk net. Sandals of evening primrose-coloured kid. Gloves to correspond.

Walking Dress
Ladies Magazine, October, 1814
 
I have no description of this ensemble, but I love the hat — and the casual pose.  She looks quite modern.

I used some of these images on the e-book covers of my Regency Romances.  I love them.

 
Ackermann’s, December 1814 Head Dresses
 
Head dresses  Published in Ackermann’s Repository of Arts, December 1814
No. 1. A full turban, made eithe
r in tiffany or silver net; the crown lashed with silk or silver cords.

No. 2. A melon cap, made of white satin quilted, with narrow bead trimming inlet, ornamented with a full cluster and wreath of flowers, blended with a quilted border of lace.

No. 3. A Persian calash, formed upon a wire fabric, and composed of satin-striped ribband, trimmed with a full border of blonde lace, appliqued with a heading of Vandyke: a net handkerchief crosses the crown en suite, with a large cluster of wild flowers in the centre.

No. 4. A cottage bonnet, made in salmon colour and white velvets, ornamented with a double plume of ostrich feathers.

No. 5. A Russian-à-la-mode, composed of orange and white velvets, trimmed round the edge with a quilling of Vandyke lace; the crown decorated with flowers and wreaths of Vandyke lace. 

It seems that 1814 was a banner year for portrait painters…and their lovely subjects’ raiment. Here is an example.

Sir Thomas Lawrence, 1814
 Lady Bagot, Lady Fitzroy Somerset (later Lady Raglan), and Lady Burghersh (later Countess of Westmorland), all three nee Wellesley-Pole. Three nieces of  the Duke of Wellington in fashionable gowns.

Visiting the Windsor Museum

The Wellington Tour will explore the Museum of Windsor on September 12, 2014 — we hope you’ll be with us.

The Museum is located on the ground floor of the Windsor Guildhall a building designed by Sir Christopher Wren and built in the 17th Century, though it was originally begun by another architect who died in 1689. Nevertheless, it bears the unmistakable stamp of Wren.

Wren’s addition to Hampton Court Palace
 
Prince George of Denmark, husband of Queen Anne
 

Om true Wren style: Queen Anne

For several hundred years, the Windsor Guildhall served as headquarters for the council and Lord Mayor of the town. 
 
 
 
This Council Chamber and the adjacent room are available now for meetings, weddings, and other events.

The Museum, on the ground floor, tells the story of the town from earliest evidence of human habitation to the present.  Among our favorite displays are the intricate dioramas of Windsor history.

Windsor Market-place, 1607

The Museum (website here) was masterminded by our dear departed friend Hester Davenport and her associates.  So our visit with the Wellington Tour participants will be bittersweet for Kristine and Victoria who spent time with Hester here several times and knew of her long years of work toward its establishment.

Hester and the Scots Guards

Here are three of our blog posts on the subject of Hester and the Museum.

Hester on the dioramas
http://onelondonone.blogspot.com/2011/03/windsor-dioramas-by-guest-blogger.html

Hester In Memoriam
http://onelondonone.blogspot.com/search?updated-max=2013-10-14T03:30:00-04:00&max-results=10&start=27&by-date=false

The Windsor Museum
http://onelondonone.blogspot.com/2011/08/travels-with-victoria-windsor-museum.html#more

The Museum is located on the High Street, almost in the shadow of Windsor Castle.  Among its famous neighbors is this Crooked House, photographed frequently!

Market Cross House aka The Crooked House
 
 
Many restaurants are in the adjacent streets
This amused us greatly: The Nell Gwynn Chinese Restaurant!!

 
 
The Changing of the Guard at Windsor Castle marches right up the High Street
 
 
 

on their way to the castle
 

 
Victoria here, reminding you to make your reservation soon.  And that’s an order, from one who sat in the Lord Mayor’s Chair!
The Wellington Tour
September 4-14, 2014