Stately Homes – Page 13 – Number One London

For Sale: Bath, England

Well . . . I’ve been looking at property listings again. And I’ve found one that’s a right pip, and also offers fantastic views of the city of bath. As the property listing tells us:

Rainbow Wood House, which is unlisted, was specially designed and built in Jacobean revival style in 1897 for the Mallett family, who at the time owned most of the land around Rainbow Woods, including what is now the Bath Clinic and Rainbow Wood Farm. Rainbow Wood House, which is unlisted, is positioned in a spectacular hillside position that affords complete privacy being located a quarter of a mile from the nearest road, Widcombe Hill. Surrounded by mature trees and its own gardens, the house is so secluded that very few Bathonians know the property exists.

The Malletts were well known in Bath and London for their antique business and donated many of their properties and much of their land, including the farm which adjoins Rainbow Wood House, to the National Trust. The present owners acquired the property from the Mallett family in 1980 and are only the second family to reside at the Rainbow Wood estate.

Rainbow Wood House is constructed of Bath stone under a tiled roof and has an array of splendid features from the stone mullions to the gables and bronze, iron and steel framed windows. The reception space is exceptionally impressive having many ornate features that adorn the walls and ceilings in many of the rooms. Of particular note are the half panelled reception hall, a magnificent Edwardian staircase, the fully panelled Oak Room and numerous hand carved doors and original fireplaces. Rainbow Wood House has an interconnected North Wing, which provides substantial additional self-contained accommodation that lends itself to becoming an integral part of the main house. This wing houses the magnificent oak panelled gallery, which is currently used as a snooker and games room.

The house has a gas fired central heating system throughout, with radiators in all rooms including the workshop and attic, modern electrics, a modern alarm system and outside security lights. All main services are connected.

The estate gardens and grounds that encircle Rainbow Wood House are sensational. The extensive lawns are defined and embellished with carved stone features and balustrades and a range of herbaceous borders and mature trees. There are a number of ornamental ponds and a fountain, a central walk leading to the stone built Gothic Temple and a large, original stone walled garden having an abundance of fruit trees. On the top lawns there is a hard tennis court. There is also a two acre grass paddock with wrought iron ‘estate’ fencing..

Ancillary accommodation includes a three bedroom lodge built in the same style as the main house, and a two bedroom gardeners cottage.

The principal outlook is to the south and west overlooking its own gardens, National Trust fields and woodlands and there are far-reaching views over the city towards Bristol and the distant Welsh hills. Despite the seclusion of its position, the house is less than a 5 minute drive from the centre of Bath. In all, the estate has about 13 acres.

Guide price £5,500,000 – Freehold

For complete details, visit the Savills Bath website.

Musing About Chatsworth House

Chatsworth House, home to the Cavendish family since 1549, has been labelled the ‘Palace of the Peak’ and features more than 30 rooms, a large library and magnificent collections of paintings and sculpture. Additionally, the grounds include a 105-acre garden and a park on the banks of the river Derwent. Recently, and apropos of absolutely nothing, I was musing about Chatsworth and concluded that it remains my personal favourite when it comes to Stately Homes. There are many reasons for this:

1. Georgiana, Duchess of Devonshire, once lived there.

2. So did the Duke and Bess Foster.

3. When you arrive at Chatsworth House on a visit, you’re likely to be cautioned to mind the present Duchess’s chickens, who are allowed to wander, willy nilly, in the grounds.

4. During a visit to Chatsworth House in 1843 by Queen Victoria and Prince Albert, the Orangery in the grounds (above), designed by Joseph Paxton, served as the inspiration for Prince Albert’s idea for the design of the Crystal Palace.

5. Chatsworth House features the hands down, absolute best gift shops. Seriously good. There are six of them. All with different themes and goods. Go prepared and bring an empty carry-all with you. Trust me on this.

6. You can gaze upon the Gainesborough portrait of Georgiana (see Number 1 above), which has a long and twisted history. For the full story, click here to read a previous blog post about the theft of the painting. And by the way, you can purchase a print of the image directly from Chatsworth House by clicking here.

7. The trompe l’oeil door and violin in the State Music Room painted by artist Jan van der Vaart circa 1723. Your first glimpse of the masterpiece will be from afar. Bear in mind that the inner door, the violin and bow and the silver knob from which they appear to be “hanging” are all an illusionist painting.

The next time you’re in or near the Peak District, I urge you to visit Chatsworth House. If you’ve already been, make a return visit and take in all that you missed the first time around. In the meantime, you can watch a stunning slideshow of Chatsworth House images here.

400th Anniversary of the King James Bible and Hatfield House

The year 2011 marks 400 years since the Bible was translated into the English language in the Authorized Version, aka the King James Bible. After a labor of more than seven years by 47 or more scholars, this third version in English was printed and has, ever since, been one of the most influential books in the English speaking world.

So, friends, eat drink and be merry, for in the fullness of time, you may have to become my brother’s keeper, for he fell flat on his face, though he is clearly the salt of the earth and only occasionally acts holier than thou. He is as old as the hills, but has had his fall from grace due to his feet of clay and his taste for forbidden fruit. In the twinkling of an eye, the powers that be could reach the root of the matter. As we sometimes say, the spirit is willing but the flesh is weak. So will you cast the first stone? Be a fly in the ointment? Or will you gird your loins, put your house in order and find your heart’s desire? Remember, we reap what we sow.

Okay, so that paragraph is a bit lame, but it illustrates how many familiar phrases — cliches really — come from the KJV.

Numerous celebrations, conferences, services, choral events and exhibitions have been going on all year. For upcoming events and more information, click here for the King James Bible Trust website with further information. Of special interest is the website’s video on life in 1611.

King James

Images courtesy of King James Bible Online; for more, click here.

Many of the stories about the anniversary mention the coincidence of this Bible being written at roughly the same time Shakespeare’s works were performed and published. William Shakespeare (1564-1616), the English language’s most famous poet and playwright, must have known and seen the new bible. I wish I could find out what his reaction was, but so far I haven’t found any comments from Will.

The Chandos Portrait of Shakespeare, National Portrait Gallery

The period of the English Renaissance which brought us both the King James Bible and Shakespeare was part of great changes in all aspects of life. But even today, we recognize the timelessness of these great works. And celebrate them!

Another 400th anniversary marked in 2011 is for Hatfield House in Hertfordshire, home of the Marquess of Salisbury. Here is their website. And for my blog post on a Hatfield visit in 2010, see 8/13/10. I visited again last June (2011) and took a few more pictures.

Above is a shot I took from the staff and business entrance to the House, which is a big working enterprise. I was there to do some research in the Archive.

From near the same spot, one can gaze across the gardens to the Old Palace, where Elizabeth I lived as a child and young woman. Just to the left of the Palace roof is the tower of the parish church, St. Etheldreda’s.
Below, the church in 2009. Here is their website.

Below, one of the handsome lamps that grace the park.

And finally, some of Lady Salisbury’s beautiful old roses.

2011 is a good year in many ways — and so apparently was 1611.

For Sale: Period Perfection in Bath

It is time once again to share with you yet another period property of perfection. Read on and weep. I know I’m sobbing as I write this. Sigh.
Set amid an idyllic valley just minutes from the heart of Bath, Widcombe Manor is an enchanting and historic residence. It is also a comfortable and peaceful family home. Constructed of Bath stone, it is a Grade I listed building, and regarded as one of the finest examples of Georgian architecture in the South West. The estate and house are immersed in history. Early records have it built on the site of a grange for the abbots of Bath. On the dissolution of the monasteries, the estate was owned by Richard Chapman, a rich clothier and Mayor of Bath. The original house was built in 1656, and was most likely to have been designed by Inigo Jones(sob). It was remodelled in 1727 for Chapman’s grandson, Philip Bennet, and the crest of the Bennet family still sits atop two pedestals at the magnificent entrance gates. Famous visitors include Henry Fielding, who wrote his classic novel Tom Jones while staying here, and, in more recent times, A-list celebrities and party-goers such as Cecil Beaton, Princess Margaret and Lord Snowdon. Today, it’s a comfortable retreat in a fascinating and historic city. (Aaarrgghhhh!)

Period Features

Widcombe Manor is the finest Georgian home in Bath, and the attention to detail is second to none. The Georgian facade, with its elaborate and highly decorative stonework, is a breathtaking sight and is complemented perfectly by a bronze 15th Century Venetian-style fountain. The interior has been sensitively refurbished in recent years and retains historical features, such as an Elizabethan mahogany staircase and ornate cornices (sniff, snuffle, sniff). Panelling, oak flooring and elegant statuary are featured through the house to create the feel of an elegant yet welcoming country home that is ideal for entertaining, as well as family life. Modern touches, such as an internal water garden, create a delightful design statement.

Spacious Living – The Ground Floor

This unique residence offers the flexibility to combine family life with business enterprise. The beautiful and spacious panelled hallway leads to a number of rooms including a library with leather flooring (be still my heart!) and a spacious study/office. The large, comfortable family sitting room has a bay window which offers superb views over the landscaped gardens and woodland of surrounding Lyncombe Vale. The kitchen and breakfast room are ideal for informal entertaining and large French windows open to the sun terrace and outdoor dining area. For more formal occasions, the dining room is an intimate and atmospheric space to welcome guests. The basement has been sensitively renovated to provide a large open games room as well as a wine cellar. A further play area overlooks a courtyard which was added by the current owners and built in Bath stone with an elegant fountain. There is parking for three cars in the garage, and a utility room and plant room complete the ground floor. A staff cottage is situated close to the house and has a living room, kitchen, bedroom and bathroom. (I’m completely out of Kleenex!)

Beautiful Views – The Upper Floors

Widcombe Manor has been designed so that owners can enjoy views of its exquisite grounds from all the main reception rooms. The views are particularly superb from the magnificent drawing room, situated on the first floor, which overlooks the lakes and cascade. Decorated in tones that echo the Georgian elegance of Bath’s Assembly Rooms, the room also features elegant touches such as gilt cornicing, bay windows and a painted ceiling. South-facing, it offers views over all nine acres of the estate and the vale beyond. It is the perfect place to enjoy the everchanging colours of the seasons in the surrounding mature woodland and formal terraces. Most of the main reception rooms are south-facing over the estate and the Bath stone is particularly beautiful when bathed in gentle sunlight at dawn and dusk. The panelled landing is an elegant feature and affords views over the Venetian fountain, as does the second floor office, which has a beautiful oval window. (Howl!)

Comfort and Style – The Bedroom Suites

Widcombe Manor is a home that represents the perfect marriage of grandeur and comfort, and nowhere is that more evident than in its three exquisite bedroom suites. These spacious and beautifully designed rooms are ideal for guests or family living. The master bedroom is a light, airy room which offers beautiful views over the woodland and gardens. This leads on to a dressing area and Grecian-themed marble bathroom. A further delightful guest suite overlooks the courtyard and fountain to the front of the house, and has a large en suite bathroom with roll-top bath. Decorated in subtle tones, with delightful dressings, furnishing and cream panelling, this is a relaxing retreat.

The manor has a further guest bedroom on the first floor which overlooks the gardens and has a stylish en suite bathroom. On the second floor there are three more bedrooms and two bathrooms, which are ideal family rooms. (You can all come to stay!). Tucked away in the eaves of the house, they are characterful and intimate, yet offer the spaciousness required for family living.

Modern Luxury – The Pavilion

Amid the Georgian splendour of this residence, the modernist garden Pavilion provides an exciting departure in terms of design, and was influenced by the Mies van der Rohe-designed Barcelona Pavilion. Situated to the east of the residence, it is a large, light-filled space with kitchen and dining area, and an informal living room. Its huge glass doors slide back to reveal breathtaking views of the woodland and lakes, creating a sense of being at one with the natural world. A large heated infinity pool reflects the tones of woodland surrounding the Pavilion and offers fabulous views over the vale and gardens. A grass ‘staircase’ leads down from this perfect suntrap to the terraces and more formal areas (stop! You’re killing me!). In perfect contrast is the Georgian Summerhouse, a delightful and spacious garden room built in Bath stone. Situated along a long walk, with wellstocked herbaceous borders, it provides a formal and elegant focal point amid the terraces close to the house. It is also spacious enough to be
the ideal place to serve tea on a hot, sunny day. (Can this pile posssibly be more appealing?!)

Exquisite landscapes – Garden and Grounds

Widcombe Manor’s nine-acre gardens are a central attraction in this enchanting retreat. Terraced and landscaped in the 18th Century they were developed into their current form in the 1930s, with some further redevelopment in the 1990s, and include lakes, a cascade (wanted: one hermit for live in position), formal gardens, a croquet lawn and tennis court. The Italianate gardens near the house provide a suitably formal and architectural extension of the Georgian splendour of the house. Elegant topiary, statues, fountains and immaculate lawns are complemented by architectural plants as well as well-established perennials. The formality gives way to a vale which leads down to the lakes and cascade. Mature woodland provides perfect privacy and an everchanging panoply of colour and interest throughout the seasons. A children’s play area and a bountiful cutting garden are other features that enhance the estate’s attraction, and a boules court is another delightful addition from the current owners.

The soothing sounds of natural, flowing water from the waterfall enhance the sense of rural tranquillity in a residence that is just minutes from the many cultural attractions of Bath. (Oh, the humanity!)

Offered for sale by Savills Bath – offers in excess of £10,000,000

Reader, I am spent.

Downton Castle

From the Greville Memoirs

June 26th, (1839) Delbury.— “I rode to Downton Castle on Monday, a gimcrack castle and bad house, built by Payne Knight, an epicurean philosopher, who after building the castle went and lived in a lodge or cottage in the park: there he died, not without suspicion of having put an end to himself, which would have been fully conformable to his notions. He was a sensualist in all ways, but a great and self-educated scholar. His property is now in Chancery, because he chose to make his own will. The prospect from the windows is beautiful, and the walk through the wood, overhanging the river Teme, surpasses anything I have ever seen of the kind. It is as wild as the walk over the hill at Chatsworth, and much more beautiful, because the distant prospect resembles the cheerful hills of Sussex instead of the brown and sombre Derbyshire moors. The path now creeps along the margin, and now rises above the bed of a clear and murmuring stream, and immediately opposite is another hill as lofty and wild, both covered with the finest trees—oaks, ash, and chestnut —which push out their gnarled roots in a thousand fantastic shapes, and grow out of vast masses of rock in the most luxuriant and picturesque manner. Yesterday I came here, a tolerable place with no pretension, but very well kept, not without handsome trees, a,nd surrounded by a very pretty country.”

Downton Castle

Richard Payne Knight by Sir Thomas Lawrence

Richard Payne Knight (1750-1824), was born in 1750 and called Payne after his grandmother, Elizabeth, daughter of Andrew Payne, and wife of Richard Knight (1659-1745), the founder of the Knight family, who acquired great wealth by the ironworks of Shropshire, and settled at Downton, Herefordshire. Being of a weakly constitution, Knight was not sent to school till he was fourteen, and did not begin to learn Greek till he was seventeen. He was not at any university. About 1767 he went to Italy, and remained abroad several years.

Knight again visited Italy in 1777, and from April to June of that year was in Sicily in company with Philipp IIackert,the German painter, and Charles Gore. When in Italy Knight spent much time at Naples, where his friend Sir William Hamilton (1730-1803) was the British envoy. About 1764 Knight had inherited the estates at Downton, Herefordshire. He ornamented the grounds, and there erected from his own designs a stone mansion in castellated style. Knight invited Lord Nelson and Lady Hamilton to Downton Castle in 1802 and also owned a house in Soho Square, London, where he used one of the large rooms as his museum. In 1780 he became M.P. for Leominster, and from 1784 to 1806 sat for Ludlow

Knight died at his house in Soho Square, on 23 April 1824, of ‘an apoplectic affection’ (Gent. Mag. 1824, pt. ii. p. 185). He was buried in Wormesley Church, Herefordshire, where there is a monument to him, with a Latin epitaph by Cornewall, bishop of Worcester.

His Downton estate passed to his brother, Thomas Andrew Knight. He made to the British Museum, of which he had been Townley trustee since 1814, the munificent bequest of his bronzes, coins, gems, marbles, and drawings. The collection was valued at the time at sums varying from 30,000/. to 60,000/. The acquisition of the bronzes and coins immensely strengthened the national collection. The trustees of the British Museum printed and published in 1830 Knight’s own manuscript catalogue of the coins, with the title ‘Nummi Veteres.’